歐洲浪漫主義文學思潮中的“民族自由”問題研究
發(fā)布時間：2018-09-10 14:31
【摘要】：人類社會發(fā)展的歷史是一部逐漸擺脫自然條件、社會關系的束縛,并不斷由不自由向某種程度的自由轉化的歷史。人是世界的中心,也是文學的中心,浪漫主義文學思潮作為西方意識形態(tài)里發(fā)生的最大范圍、最大程度的一次轉變,它有別于在此之前對啟蒙、理性的追崇,而是開始關注自由,以無可訾議的不朽形式表達內心,并強化自由在浪漫主義價值觀念中無可替代的核心地位。 “民族意識”是保持民族自由、獨立的根基,是特定民族存在的必然性法則�！白杂删瘛�,作為貫穿整個浪漫主義時期最核心、最根本的文學旨要,從起源上就具有一種獨立、自覺的力量,它引領著整個歐洲的文學創(chuàng)作者、文藝理論家、批評家以大量筆墨極富熱情地高歌自由。因而,19世紀的歐洲,不可勝數的浪漫主義文學家們以民族的共同精神為紐帶,以文學創(chuàng)作的自由選擇為武器,以前所未有的一致主張來呼喊那沉睡已久的民族認同與自由覺醒,把“民族自由”作為歷史發(fā)展中特定的、自覺的走向,最終成就著西方人一次永恒的、顯著的且具有積極創(chuàng)造性的思想升華。 本文不僅探討“民族意識”與“自由精神”的內在關系,而且創(chuàng)新性地從文學現象、理論及具體創(chuàng)作中對“民族自由”思潮進行學理界定： 論文第一章從歐洲浪漫主義文學中蔚然可觀的“民族自由”現象入手,集中闡釋“民族自由”思潮的精神內核,并引出其在浪漫主義文學創(chuàng)作中的三種基本文學范式；第二章以西歐的愛爾蘭、蘇格蘭、德意志為對象,從愛爾蘭“反抗與起義”的民族自治、蘇格蘭“生而自由”的民族認同和德意志“情感歸屬”中的民族統(tǒng)一入手,深入探析這些民族內部的意識覺醒及其文學表達；第三章通過分析法國流亡斗士斯塔爾夫人抗爭民族偏見、英國詩壇“雙子星”拜倫與雪萊心懷天下的世界主義理想與行動,以這一時期歐洲浪漫主義大師們真切、質樸的文學創(chuàng)作當藍本,彰顯西歐各民族詩人為其他民族奔走呼告的自由抒懷；第四章以波蘭、匈牙利為主線,闡述在法國大革命和拿破侖戰(zhàn)爭背景下,東南歐、中歐各民族在政治上爭取民族的獨立、解放與自由,在文學創(chuàng)作層面推進“民族自由”思潮,將滲透在文學世界的自由、民族之光探索出來的努力嘗試。 綜上可知,“民族自由”思潮是閃耀在19世紀歐洲每個民族的歷史長河里一顆璀璨奪目的明珠,它既用來捍衛(wèi)和傳承自由、民主、平等的文化革新,又能夠成為堅守理性、道德、價值的有效武器,更是群體意識的一次精神洗禮�？傊�,對19世紀整個歐洲浪漫主義文學海洋里“民族自由”問題的觀照與叩問,使其最終在這個時代浪漫主義文學的每一個旨義里無孔不入,熠熠生輝。
[Abstract]:The history of the development of human society is a history of gradually getting rid of the natural conditions, the shackles of social relations, and constantly changing from non-freedom to some degree of freedom. Man is the center of the world and also the center of literature. Romantic literary thought, as the largest and largest change in western ideology, is different from the pursuit of enlightenment and reason before this. Instead, they begin to pay attention to freedom, express their hearts in an unassailable immortal form, and strengthen the irreplaceable core position of freedom in romantic values. National consciousness is the foundation of maintaining national freedom and independence, and the rule of inevitability of the existence of a particular nation. The "free spirit", as the core of the whole Romantic period and the most fundamental literary purpose, has an independent and conscious power from the origin. It leads the literary creators and literary theorists throughout Europe. The critic sang freely with a great deal of pen and ink. Thus in Europe in the 19th century, countless Romantic writers took the common spirit of the nation as a link, took the free choice of literary creation as a weapon, and shouted at the long-dormant national identity and the awakening of freedom with an unprecedented consensus. Taking "national freedom" as a specific and conscious trend in the historical development, it is a lasting, remarkable and positive and creative thought sublimation of westerners. This paper not only discusses the internal relationship between "national consciousness" and "free spirit", but also innovates from the literary phenomenon. In theory and concrete creation, the author defines the thought of "national freedom": the first chapter begins with the phenomenal phenomenon of "national freedom" in European Romantic literature. Focusing on the spiritual core of the ideological trend of "National Freedom", and drawing out its three basic literary paradigms in Romantic literary creation. The second chapter takes Ireland, Scotland and Germany in Western Europe as the objects. Starting with the national autonomy of "revolt and uprising" in Ireland, the national identity of "born free" in Scotland and the national unity in "emotional attribution" of Germany, this paper probes into the awakening of consciousness and its literary expression within these peoples. The third chapter through the analysis of French exiled fighter Mrs. Starr's resistance to national prejudice, British poetry "Gemini" Byron and Shelley's cosmopolitan ideals and actions, with this period of European romanticism masters true, The plain literary creation is the blueprint, which shows the free expression of the poets of all nationalities in Western Europe. The fourth chapter, taking Poland and Hungary as the main line, expounds that in the context of the French Revolution and the Napoleon War, South-Eastern Europe, in the context of the French Revolution and the Napoleon War, The Chinese and European nationalities strive for national independence, liberation and freedom politically, and push forward the trend of thought of "national freedom" in the literary creation level, which will permeate the freedom of the literary world and try hard to explore the light of the nation. In summary, the trend of thought of "national freedom" is a shining pearl in the history of every nation in Europe in the 19th century. It is used to defend and inherit the cultural innovation of freedom, democracy and equality, and it can also become a stick to reason. The effective weapon of morality and value is a spiritual baptism of group consciousness. In a word, the question of "national freedom" in the whole European Romantic literature of the 19th century is considered and questioned, which makes it shine and shine in every aim of Romantic literature of this era.
【學位授予單位】：中南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I109.9
本文編號：2234723
[Abstract]:The history of the development of human society is a history of gradually getting rid of the natural conditions, the shackles of social relations, and constantly changing from non-freedom to some degree of freedom. Man is the center of the world and also the center of literature. Romantic literary thought, as the largest and largest change in western ideology, is different from the pursuit of enlightenment and reason before this. Instead, they begin to pay attention to freedom, express their hearts in an unassailable immortal form, and strengthen the irreplaceable core position of freedom in romantic values. National consciousness is the foundation of maintaining national freedom and independence, and the rule of inevitability of the existence of a particular nation. The "free spirit", as the core of the whole Romantic period and the most fundamental literary purpose, has an independent and conscious power from the origin. It leads the literary creators and literary theorists throughout Europe. The critic sang freely with a great deal of pen and ink. Thus in Europe in the 19th century, countless Romantic writers took the common spirit of the nation as a link, took the free choice of literary creation as a weapon, and shouted at the long-dormant national identity and the awakening of freedom with an unprecedented consensus. Taking "national freedom" as a specific and conscious trend in the historical development, it is a lasting, remarkable and positive and creative thought sublimation of westerners. This paper not only discusses the internal relationship between "national consciousness" and "free spirit", but also innovates from the literary phenomenon. In theory and concrete creation, the author defines the thought of "national freedom": the first chapter begins with the phenomenal phenomenon of "national freedom" in European Romantic literature. Focusing on the spiritual core of the ideological trend of "National Freedom", and drawing out its three basic literary paradigms in Romantic literary creation. The second chapter takes Ireland, Scotland and Germany in Western Europe as the objects. Starting with the national autonomy of "revolt and uprising" in Ireland, the national identity of "born free" in Scotland and the national unity in "emotional attribution" of Germany, this paper probes into the awakening of consciousness and its literary expression within these peoples. The third chapter through the analysis of French exiled fighter Mrs. Starr's resistance to national prejudice, British poetry "Gemini" Byron and Shelley's cosmopolitan ideals and actions, with this period of European romanticism masters true, The plain literary creation is the blueprint, which shows the free expression of the poets of all nationalities in Western Europe. The fourth chapter, taking Poland and Hungary as the main line, expounds that in the context of the French Revolution and the Napoleon War, South-Eastern Europe, in the context of the French Revolution and the Napoleon War, The Chinese and European nationalities strive for national independence, liberation and freedom politically, and push forward the trend of thought of "national freedom" in the literary creation level, which will permeate the freedom of the literary world and try hard to explore the light of the nation. In summary, the trend of thought of "national freedom" is a shining pearl in the history of every nation in Europe in the 19th century. It is used to defend and inherit the cultural innovation of freedom, democracy and equality, and it can also become a stick to reason. The effective weapon of morality and value is a spiritual baptism of group consciousness. In a word, the question of "national freedom" in the whole European Romantic literature of the 19th century is considered and questioned, which makes it shine and shine in every aim of Romantic literature of this era.
【學位授予單位】：中南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I109.9
【參考文獻】
相關期刊論文 前10條
1 柳淑娟,趙淑華;天才的作家,偉大的革命家——以《唐璜》《恰爾德·哈羅爾德游記》游記釋拜倫[J];白城師范學院學報;2003年03期
2 劉敏;海涅與浪漫派[J];北京大學學報(哲學社會科學版);1997年03期
3 楊萬毅;;略論裴多菲的政治詩及其藝術風格[J];昌吉學院學報;2007年04期
4 郭天奎;英國浪漫派詩人的民族情結[J];達縣師范高等�？茖W校學報;2005年04期
5 姚麗麗;;德意志民族精神[J];法制與社會;2006年18期
6 王天孜;;自由主義與民族主義[J];廣西大學學報(哲學社會科學版);2008年02期
7 熊坤新;關于民族主義論爭中的幾個熱點問題[J];貴州民族研究;1996年04期
8 阮朝輝;;論個性自由與民族主流文化認同[J];貴州民族研究;2009年06期
9 石家麟;;浪漫主義文學表現手法管窺[J];安慶師院學報(社會科學版);1988年01期
10 谷祥云;;浪漫主義:潮流、方法和手法[J];阜陽師范學院學報(社會科學版);1984年04期
，本文編號：2234723
本文鏈接：http://www.sikaile.net/yingmeiwenxuelunwen/2234723.html
