《百年孤獨(dú)》與《幽靈之家》的女性形象比較分析
發(fā)布時(shí)間：2018-08-12 19:05
【摘要】： 作為拉美“文學(xué)爆炸”代表作的加西亞·馬爾克斯的《百年孤獨(dú)》將人們的視線拉回到了這塊曾經(jīng)被人遺忘的土地�！栋倌旯陋�(dú)》獲得諾貝爾文學(xué)獎(jiǎng)的同年,伊莎貝爾·阿連德的《幽靈之家》問(wèn)世,并馬上被世人冠上了抄襲《百年孤獨(dú)》的惡名。仔細(xì)閱讀過(guò)作品的讀者都會(huì)發(fā)現(xiàn),雖然兩部小說(shuō)都講述了拉美家族的衰落,人物形象都鮮明生動(dòng),也都充滿了拉美的神秘氣息。可當(dāng)我們?cè)陂喿x《幽靈之家》之時(shí),能夠強(qiáng)烈地感受到字里行間滲透出來(lái)的女性主義氣息。阿連德作為一個(gè)女性主義作家,從家庭、愛(ài)情、事業(yè)、社會(huì)等多方面為我們呈現(xiàn)了拉美現(xiàn)代女性的全貌。盡管馬爾克斯在《百年孤獨(dú)》中同情女性、肯定女性、贊美女性,可作為一位男權(quán)作家,馬爾克斯只給我們顯露出了微弱的女性主義萌芽。本篇論文將采用女性主義理論,通過(guò)“家族母親的角色呈現(xiàn)”、“女性命運(yùn)中的愛(ài)情元素”以及“走出家庭的社會(huì)女性”三個(gè)方面來(lái)比較分析兩部作品里的女性角色,闡述不同時(shí)期拉美女性在家庭、社會(huì)中的身份角色以及對(duì)愛(ài)情的態(tài)度差異,從而探索出兩部作品最大的差異與不同。
[Abstract]:Garc 鉚 a Marquez's "100 years of Solitude", as the masterpiece of the Latin American "Literary explosion", drew people's attention back to this once forgotten land. Isabel Allende's House of the Phantom was born and immediately became known as plagiarism. Readers who have read it carefully will find that while both novels tell about the decline of Latin American families, the characters are vivid and full of Latin American mysteries. But when we read the House of the Phantom, we can feel the feminist breath between the lines. As a feminist writer, Allende presents us with a panorama of modern Latin American women in many aspects, such as family, love, career, society and so on. Although Marquez sympathizes with women, affirms women and praises women in "100 years of Solitude", as a patriarchal writer, Marquez only shows us the weak germination of feminism. This thesis will adopt the feminist theory to compare and analyze the female characters in the two works through the following three aspects: the role of the Family Mother, the Love element in the Feminine fate and the Social woman out of the Family. This paper expounds the differences in the roles of Latin American women in the family and society and their attitudes towards love in different periods, and explores the greatest differences and differences between the two works.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：I106.4;I0-03
本文編號(hào)：2180024
[Abstract]:Garc 鉚 a Marquez's "100 years of Solitude", as the masterpiece of the Latin American "Literary explosion", drew people's attention back to this once forgotten land. Isabel Allende's House of the Phantom was born and immediately became known as plagiarism. Readers who have read it carefully will find that while both novels tell about the decline of Latin American families, the characters are vivid and full of Latin American mysteries. But when we read the House of the Phantom, we can feel the feminist breath between the lines. As a feminist writer, Allende presents us with a panorama of modern Latin American women in many aspects, such as family, love, career, society and so on. Although Marquez sympathizes with women, affirms women and praises women in "100 years of Solitude", as a patriarchal writer, Marquez only shows us the weak germination of feminism. This thesis will adopt the feminist theory to compare and analyze the female characters in the two works through the following three aspects: the role of the Family Mother, the Love element in the Feminine fate and the Social woman out of the Family. This paper expounds the differences in the roles of Latin American women in the family and society and their attitudes towards love in different periods, and explores the greatest differences and differences between the two works.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：I106.4;I0-03
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 李佳;論《幽靈之家》的女性意識(shí)[D];浙江大學(xué);2011年
，本文編號(hào)：2180024
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