曾繁仁美學(xué)思想流變及學(xué)科建設(shè)價(jià)值研究
發(fā)布時(shí)間：2018-07-29 11:02
【摘要】：曾繁仁先生在美學(xué)領(lǐng)域的探究廣泛而富有哲學(xué)蘊(yùn)含,其在美學(xué)領(lǐng)域的研究成果為中國(guó)美學(xué)的發(fā)展引領(lǐng)了新的時(shí)代潮流。通過(guò)從歷時(shí)和共時(shí)的二維關(guān)系來(lái)看,曾繁仁先生的研究在不同時(shí)期呈現(xiàn)出不同的側(cè)重點(diǎn),概其要者,在其涉足美學(xué)之初,主要以堅(jiān)持馬克思?xì)v史唯物主義原則從美學(xué)中探求“美”與藝術(shù)的本質(zhì),從中國(guó)的具體現(xiàn)實(shí)背景出發(fā),將一切可能的美學(xué)現(xiàn)象都放置于特定前提條件下的社會(huì)歷史發(fā)展中進(jìn)行唯物主義性質(zhì)的分析評(píng)判,這是對(duì)抽象的“美的內(nèi)在實(shí)質(zhì)”、“美的理念”的認(rèn)識(shí)論追問(wèn)。自80年代起,曾繁仁先生的美學(xué)思想開(kāi)始有了明顯轉(zhuǎn)變:一方面,其研究重心轉(zhuǎn)向了美育研究;另一方面,在理論依據(jù)上,他越來(lái)越多地將美學(xué)理論與現(xiàn)實(shí)生活結(jié)合起來(lái),已經(jīng)自覺(jué)不自覺(jué)地運(yùn)用了存在論的思想,即“美”與文藝實(shí)踐的結(jié)合與統(tǒng)一,這種轉(zhuǎn)變拉開(kāi)了人文回歸的序幕,實(shí)現(xiàn)了“培養(yǎng)專業(yè)藝術(shù)家”到“培養(yǎng)生活藝術(shù)家”的轉(zhuǎn)變,較之前期,可以看出曾繁仁先生開(kāi)始在人類存在問(wèn)題上進(jìn)行思考與關(guān)注。新世紀(jì)以后,他進(jìn)一步在生態(tài)美學(xué)領(lǐng)域延伸自己的美學(xué)探討,這是曾繁仁在美學(xué)理論領(lǐng)域上重大飛躍的一個(gè)標(biāo)志,在這個(gè)階段,他開(kāi)始在生態(tài)美學(xué)領(lǐng)域探索人的基本問(wèn)題,即生存問(wèn)題,把抽象的“美學(xué)”和現(xiàn)實(shí)生活狀態(tài)緊密聯(lián)系起來(lái),建構(gòu)符合中國(guó)國(guó)情的現(xiàn)代化美學(xué)體系。曾繁仁先生在漫長(zhǎng)的學(xué)術(shù)生涯中,始終堅(jiān)持用發(fā)展的觀點(diǎn)看待“美學(xué)”,在社會(huì)發(fā)展中尋求用抽象的美學(xué)來(lái)解決社會(huì)與人生的有效途徑。雖然他的美學(xué)研究視角不斷更換,但是,在整個(gè)研究脈絡(luò)中,始終貫徹著一條不變的內(nèi)核-----人的精神提升問(wèn)題�？v觀曾繁仁先生的美學(xué)思想,所有的理論建設(shè)與努力,無(wú)不是為了尋找現(xiàn)代人精神生存困境的出口:從文藝美學(xué)傳達(dá)的審美化生存的希冀,到美育的研究意旨為培養(yǎng)生活的藝術(shù)家,再到后來(lái)的生態(tài)美學(xué)研究,核心都是在探索當(dāng)代人的審美救贖路徑,在批判中實(shí)現(xiàn)生活境界的提升。在人的精神提升這條不變的內(nèi)核支撐下,曾繁仁面對(duì)不同時(shí)代特征又作了不同的回應(yīng),其美學(xué)思想在其對(duì)自身的不斷超越中逐漸豐富,其美學(xué)理論在當(dāng)代美學(xué)史上,具有極其重要的地位和影響,對(duì)當(dāng)下創(chuàng)建中國(guó)特色的美學(xué)學(xué)科具有重要的啟示和促進(jìn)性作用。
[Abstract]:Mr. Zeng Fanren's research in the field of aesthetics is extensive and full of philosophical implications, and his research results in the field of aesthetics lead a new trend of the times for the development of Chinese aesthetics. From the perspective of diachronic and synchronic two-dimensional relations, Mr. Zeng Fanren's research shows different emphases in different periods, in general, at the beginning of his involvement in aesthetics, In order to adhere to the Marxist historical materialism principle, to explore the essence of "beauty" and art from aesthetics, and from the concrete realistic background of China, It is an epistemological inquiry into the abstract "inner essence of beauty" and "the idea of beauty" to analyze and judge the materialistic nature of all possible aesthetic phenomena in the social and historical development under the specific preconditions. Since the 1980s, Mr. Zeng Fanren's aesthetic thought has changed obviously: on the one hand, his research focus has shifted to the study of aesthetic education; on the other hand, on the theoretical basis, he has more and more combined aesthetic theory with real life. Whether or not the thought of existentialism has been consciously applied, that is, the combination and unity of "beauty" and literary practice, has opened the prelude to the return of humanity and realized the transformation from "training professional artists" to "cultivating artists of life". Earlier, it can be seen that Mr. Zeng Fanren began to think and pay attention to human existence. After the new century, he further extended his aesthetic discussion in the field of ecological aesthetics, which is a symbol of Zeng Fanren's great leap in the field of aesthetic theory. At this stage, he began to explore the basic problems of human beings in the field of ecological aesthetics. In other words, the problem of existence closely links the abstract "aesthetics" with the state of real life, and constructs a modern aesthetic system in accordance with China's national conditions. In his long academic career, Mr. Zeng Fanren has always regarded "aesthetics" from the viewpoint of development, and sought an effective way to solve the problem of society and life with abstract aesthetics in the course of social development. Although his aesthetic research perspective is constantly changing, but in the whole research context, always carry out a constant core-human spirit promotion. Throughout Mr. Zeng Fanren's aesthetic thought, all the theoretical construction and efforts are aimed at finding the exit of the plight of modern people's spiritual existence: the hope of aesthetic existence conveyed by literary aesthetics, To the aesthetic education research intention is to cultivate the artists of life, and then to the later ecological aesthetics research, the core is to explore the aesthetic redemption path of contemporary people, and to realize the improvement of life realm in the criticism. Supported by the constant core of human spirit promotion, Zeng Fanren has made different responses in the face of different characteristics of the times. His aesthetic thought is gradually enriched in his constant surpassing of himself, and his aesthetic theory is in the history of contemporary aesthetics. It has an extremely important position and influence, and has an important enlightening and promoting effect on the establishment of aesthetic discipline with Chinese characteristics.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I01
本文編號(hào)：2152474
[Abstract]:Mr. Zeng Fanren's research in the field of aesthetics is extensive and full of philosophical implications, and his research results in the field of aesthetics lead a new trend of the times for the development of Chinese aesthetics. From the perspective of diachronic and synchronic two-dimensional relations, Mr. Zeng Fanren's research shows different emphases in different periods, in general, at the beginning of his involvement in aesthetics, In order to adhere to the Marxist historical materialism principle, to explore the essence of "beauty" and art from aesthetics, and from the concrete realistic background of China, It is an epistemological inquiry into the abstract "inner essence of beauty" and "the idea of beauty" to analyze and judge the materialistic nature of all possible aesthetic phenomena in the social and historical development under the specific preconditions. Since the 1980s, Mr. Zeng Fanren's aesthetic thought has changed obviously: on the one hand, his research focus has shifted to the study of aesthetic education; on the other hand, on the theoretical basis, he has more and more combined aesthetic theory with real life. Whether or not the thought of existentialism has been consciously applied, that is, the combination and unity of "beauty" and literary practice, has opened the prelude to the return of humanity and realized the transformation from "training professional artists" to "cultivating artists of life". Earlier, it can be seen that Mr. Zeng Fanren began to think and pay attention to human existence. After the new century, he further extended his aesthetic discussion in the field of ecological aesthetics, which is a symbol of Zeng Fanren's great leap in the field of aesthetic theory. At this stage, he began to explore the basic problems of human beings in the field of ecological aesthetics. In other words, the problem of existence closely links the abstract "aesthetics" with the state of real life, and constructs a modern aesthetic system in accordance with China's national conditions. In his long academic career, Mr. Zeng Fanren has always regarded "aesthetics" from the viewpoint of development, and sought an effective way to solve the problem of society and life with abstract aesthetics in the course of social development. Although his aesthetic research perspective is constantly changing, but in the whole research context, always carry out a constant core-human spirit promotion. Throughout Mr. Zeng Fanren's aesthetic thought, all the theoretical construction and efforts are aimed at finding the exit of the plight of modern people's spiritual existence: the hope of aesthetic existence conveyed by literary aesthetics, To the aesthetic education research intention is to cultivate the artists of life, and then to the later ecological aesthetics research, the core is to explore the aesthetic redemption path of contemporary people, and to realize the improvement of life realm in the criticism. Supported by the constant core of human spirit promotion, Zeng Fanren has made different responses in the face of different characteristics of the times. His aesthetic thought is gradually enriched in his constant surpassing of himself, and his aesthetic theory is in the history of contemporary aesthetics. It has an extremely important position and influence, and has an important enlightening and promoting effect on the establishment of aesthetic discipline with Chinese characteristics.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I01
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