【摘要】：以主體性為主導(dǎo)的現(xiàn)代藝術(shù)常以“對(duì)象”的方式處理事物,而人與事物通靈,需“懸隔”主體性,藝術(shù)的發(fā)生具有人類相通性,本文試圖論證藝術(shù)經(jīng)驗(yàn)的連續(xù)性來(lái)自作為基因的藝術(shù)本意。藝術(shù)的通靈本意自始就把藝術(shù)引向精神之路,藝術(shù)的本意在于人對(duì)事物用敬,藝術(shù)的時(shí)刻是人與事物靈性相會(huì)的時(shí)刻,藝術(shù)就是人答謝萬(wàn)物的禮節(jié)和儀式。家-國(guó)-天下是化為中國(guó)古典藝術(shù)的經(jīng)驗(yàn)坐標(biāo)系的一種意義鏈,事實(shí)上,任何一種具有精神負(fù)荷的意義鏈都有可能化為經(jīng)驗(yàn)尺度,從而構(gòu)成經(jīng)驗(yàn)的延伸能力,使經(jīng)驗(yàn)變得厚實(shí)遼闊,同樣,如果一個(gè)藝術(shù)品內(nèi)含某種縱深的意義鏈,就能夠成為激活經(jīng)驗(yàn)之“作”。
[Abstract]:Modern art, which is dominated by subjectivity, often deals with things in the way of "object", and the connection between people and things requires "suspension" of subjectivity, and the occurrence of art is of the same nature as human beings. This paper attempts to demonstrate that the continuity of artistic experience comes from the original intention of art as a gene. The original intention of art is to lead art to the spiritual road from the beginning. The original intention of art lies in the respect of things. The moment of art is the time of spiritual meeting between man and things, and art is the courtesy and ceremony of thanking all things. The family, country and the world are a chain of meaning that can be transformed into an empirical coordinate system of Chinese classical art. In fact, any kind of chain of meaning with spiritual load can be turned into a measure of experience, thus forming the ability to extend experience. Make experience thick and vast, and if a work of art contains a deep chain of meaning, it can become the "work" that activates experience.
【作者單位】： 中國(guó)社會(huì)科學(xué)院哲學(xué)研究所;
【分類號(hào)】：J01;;I01
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本文編號(hào)：2152221