本文選題：藝術(shù)創(chuàng)作心理 + 藝術(shù)作品��； 參考：《江西師范大學(xué)》2010年碩士論文

【摘要】：藝術(shù)心理學(xué)是藝術(shù)學(xué)與心理學(xué)交叉的學(xué)科,主要從藝術(shù)創(chuàng)作和藝術(shù)欣賞兩個角度去研究人類在藝術(shù)活動的心理機(jī)制。最著名的藝術(shù)心理學(xué)是格式塔心理學(xué)(Gestalt Psychology),又稱完形心理學(xué),其集大成者為阿恩海姆,其學(xué)說重在腦波力與視覺反應(yīng)的關(guān)系。除此之外,精神分析亦是藝術(shù)心理學(xué)的重點(diǎn)學(xué)科,其創(chuàng)始人為佛洛伊德。 早期格式塔心理學(xué)的創(chuàng)始人韋特墨、考夫卡和苛勒主張格式塔效應(yīng)的普遍有效性,認(rèn)為可以被應(yīng)用于心理學(xué)、哲學(xué)、美學(xué)和科學(xué)的任何領(lǐng)域。主張研究應(yīng)從整體出發(fā),考察以便理解部分。20世紀(jì)30年代后,他們把格式塔方法具體應(yīng)用到美學(xué)中,與心理的各個過程結(jié)合,促進(jìn)了具有格式塔傾向的美學(xué)研究。如把對視覺的研究與對藝術(shù)形式的研究結(jié)合,視覺成為對視覺對象結(jié)構(gòu)樣式整體把握的感覺能力。格式塔心理學(xué)為社會心理學(xué)、美學(xué)研究提供了新的視角,曾在西方心理學(xué)界引起很大的轟動。如今格式塔方法已滲入許多領(lǐng)域的研究方法,但學(xué)說內(nèi)部仍有很多關(guān)于結(jié)構(gòu)的基本問題沒有徹底解決,因此學(xué)說現(xiàn)仍在不斷修正改進(jìn)之中,格式塔對西方文藝界、美學(xué)界的影響延續(xù)至今,如美國美學(xué)家阿恩海姆曾將格式塔方法應(yīng)用到藝術(shù)研究中,取得了豐碩成果。美籍德國心理學(xué)家、藝術(shù)理論家阿恩海姆將完形心理學(xué)的基本理論,尤其是“知覺場”概念和“同形論”引入審美心理研究領(lǐng)域。 在我國的藝術(shù)心理學(xué)研究的人較少,20世紀(jì)20、30年代還是個蔭芽的狀態(tài),以介紹和引進(jìn)西方美學(xué)新觀念新方法為主。到了80、90年代是一個成長期,特點(diǎn)是百花齊放,成果豐碩,以美學(xué)為主流。像胡家祥編寫的《文藝的心理闡釋》,童慶炳編寫的《藝術(shù)與人類心理》,呂景云編寫的《藝術(shù)心理學(xué)新論》,他們認(rèn)為審美主體是美學(xué)研究的主要對象,對審美主體而不是審美對象的研究的深入,成了美學(xué)進(jìn)步的一個顯著標(biāo)志。而到20世紀(jì)90年代至今,我國的藝術(shù)心理學(xué)處于一個停滯時期,主要是以美學(xué)家和文藝學(xué)家的理論為基礎(chǔ)。 本文研究以藝術(shù)心理學(xué)理論為基礎(chǔ),研究不同的藝術(shù)家創(chuàng)作作品的心理狀態(tài),深入剖析藝術(shù)家創(chuàng)作的接受教育背景、情感漸變經(jīng)歷、與所依存社會環(huán)境的心境矛盾。從藝術(shù)家的心理去分析作品最終成像的成因。 本文主要采用的研究方法分別是:演繹法、分析法、列舉法、對比法,調(diào)查法。
[Abstract]:Art psychology is an interdisciplinary discipline of art and psychology. It mainly studies the psychological mechanism of human beings in art activities from the two angles of artistic creation and art appreciation. The most famous artistic psychology is Gestalt Psychology, also known as Gestalt Psychology, whose epitome is Arnheim, whose theory focuses on the relationship between brain wave force and visual response. In addition, psychoanalysis is also a key discipline in artistic psychology, founded by Freud. The founders of early Gestalt Psychology Wetmore, Kafka, and Kohler argued for the universal validity of the Gestalt effect, which could be applied in any field of psychology, philosophy, aesthetics, and science. After the 1930s, they applied the Gestalt method to the aesthetics, combined with the psychological process, and promoted the aesthetic research with the tendency of Gestalt. For example, combining the study of vision with the study of art form, vision becomes the ability to grasp the structural style of visual object as a whole. Gestalt psychology provides a new perspective for social psychology and aesthetic research, which has caused a great sensation in western psychology. Nowadays, the Gestalt method has infiltrated into many research methods in many fields, but there are still many basic problems in the theory about structure that have not been completely solved. Therefore, the theory is still under constant revision and improvement, and the Gestalt is still in the Western literary and art world. American aesthetician Arnheim has applied the Gestalt method to art research, and has achieved fruitful results. Arnheim, an American German psychologist and art theorist, introduced the basic theory of gestalt psychology, especially the concept of "perceptual field" and "homomorphism", into the field of aesthetic psychology. In our country, there are few people who study art psychology in the 20th century or 1930s, mainly by introducing and introducing the new ideas and methods of western aesthetics. In the 1980s and 1990's, it was a growing period, characterized by a hundred flowers bloom, fruitful, aesthetic as the mainstream. Such as Hu Jiaxiang's Psychological interpretation of Literature and Art, Tong Qingbing's Art and Human Psychology, and Lu Jingyun's New Theory of artistic Psychology. They think that the aesthetic subject is the main object of aesthetic research. The study of aesthetic subject rather than aesthetic object has become a remarkable sign of aesthetic progress. From 1990's to now, the art psychology of our country is in a period of stagnation, mainly based on the theories of aestheticians and literary and art scholars. Based on the theory of artistic psychology, this paper studies the psychological state of different artists' creative works, deeply analyzes the educational background of artists' creation, the gradual change of emotion, and the contradiction between the psychological state and the dependent social environment. From the artist's psychology to analyze the cause of the final image of the work. The main research methods used in this paper are deductive method, analysis method, enumeration method, contrast method and investigation method.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J0-05

【共引文獻(xiàn)】

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