發(fā)布時(shí)間：2018-03-30 17:48

  本文選題：影像　切入點(diǎn)：影像語(yǔ)言　出處：《西北師范大學(xué)》2009年碩士論文

【摘要】： 信息時(shí)代,人們學(xué)會(huì)了利用一切媒介搭建傳播平臺(tái)。影像作為眾多傳播媒介中的一員,其信息承載量、視覺(jué)沖擊力、藝術(shù)表現(xiàn)力、心靈震撼力、記憶保持期似乎比別的媒介更為突出。數(shù)字化時(shí)代,影像不僅是人們傳播活動(dòng)的重要工具,也是老少皆宜的藝術(shù)載體。有效地傳播信息需要?jiǎng)?chuàng)意,打造精良的影像藝術(shù)作品更需創(chuàng)意。影像作為敘事文本,必然有自身的敘事結(jié)構(gòu)和修辭方法。全球化傳播中,各種思想文化激蕩碰撞,努力追尋認(rèn)同與獨(dú)立;各類媒介競(jìng)相生存,自覺(jué)走向融合與發(fā)展。所有這些在影像技術(shù)的支持下暗流涌動(dòng)、心照不宣。在此背景下,數(shù)字時(shí)代影像藝術(shù)創(chuàng)意與傳播研究有其理論與現(xiàn)實(shí)需要。 本論文從影像本體入手,對(duì)影像、影像藝術(shù)的創(chuàng)意層面、影像媒介及影像藝術(shù)流變與發(fā)展趨勢(shì)等一系列問(wèn)題進(jìn)行了理論的剖析與實(shí)例的論證,主要分為五部分。 第一部分論述影像本體及影像藝術(shù)審美特征。這一部分主要對(duì)影像的認(rèn)識(shí)功能、傳播特性進(jìn)行了解讀,在此基礎(chǔ)上歸納總結(jié)了影像、影像藝術(shù)的定義及影像藝術(shù)的審美特征。 第二部分論述了影像語(yǔ)言。這一部分從對(duì)普通語(yǔ)言的解讀入手,分析了影像語(yǔ)言特性及具體層面。 第三部分論述了影像藝術(shù)生態(tài)環(huán)境。這一部分從解讀創(chuàng)意時(shí)代為切入點(diǎn),歸納了創(chuàng)意的概念,總結(jié)了影像藝術(shù)創(chuàng)意產(chǎn)業(yè)的創(chuàng)意需求,分析論證了數(shù)字代時(shí)影像藝術(shù)傳播環(huán)境。 第四部分論述了影像藝術(shù)創(chuàng)意。這一部分從本文召喚結(jié)構(gòu)、影像藝術(shù)文本層、影像敘事層、影像修辭層等四個(gè)方面分析論證了影像藝術(shù)創(chuàng)意的具體層面,并對(duì)影像藝術(shù)創(chuàng)意的文化意義進(jìn)行了分析論證。 第五部分論述了數(shù)字時(shí)代影像傳播媒體融合及藝術(shù)的流變。這一部分主要分析論證了傳統(tǒng)媒體傳播困境與主體作為,對(duì)影像媒體融合發(fā)展、影像藝術(shù)流變等現(xiàn)象進(jìn)行了梳理論證。
[Abstract]:In the information age, people have learned to use all the media to build a communication platform.Image as a member of many media, its information carrying capacity, visual impact, artistic expression, mind shock, memory retention period seems to be more prominent than other media.In the digital age, image is not only an important tool for people's communication activities, but also a suitable artistic carrier for all ages.Effective dissemination of information requires creativity, and creating sophisticated image art works requires creativity.As a narrative text, images must have their own narrative structure and rhetoric.All these undercurrent flows with the support of image technology are tacitly understood.In this context, the digital age image art creative and communication research has its theoretical and practical needs.Starting with the image ontology, this paper analyzes a series of problems, such as the creative level of image and image art, the evolution and development trend of image media and image art, etc. It is mainly divided into five parts.The first part discusses the image Noumenon and the aesthetic characteristics of image art.The second part discusses the image language.This part starts with the interpretation of common language, and analyzes the characteristics and specific level of image language.The third part discusses the ecological environment of image art.This part sums up the concept of creativity, summarizes the creative needs of the creative industry of image art, and analyzes and demonstrates the communication environment of digital generation image art.The fourth part discusses the creative image art.This part analyzes and demonstrates the concrete level of the image art creativity from four aspects of the calling structure, the image art text layer, the image narrative layer and the image rhetoric layer, and analyzes and demonstrates the cultural significance of the image art creativity.The fifth part discusses the fusion of image communication media and the evolution of art in the digital age.This part mainly analyzes and demonstrates the traditional media communication predicament and the main body as, the image media fusion development, the image art evolution and so on phenomenon has carried on the combing demonstration.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J110.99;G206

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 邵羽西;;淺談媒體融合時(shí)代電視編導(dǎo)的創(chuàng)作技能[J];中國(guó)報(bào)業(yè);2013年06期

2 婁世民;袁丁月;;攝影在新媒體中的發(fā)展變化[J];新西部(理論版);2013年Z1期

相關(guān)碩士學(xué)位論文 前2條

1 馬莉;數(shù)字影像藝術(shù)在跨文化傳播中的策劃研究[D];北京印刷學(xué)院;2010年

2 楊寅;影像藝術(shù)在產(chǎn)品設(shè)計(jì)中的應(yīng)用研究[D];南京航空航天大學(xué);2010年

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本文編號(hào)：1686964