【摘要】：漢畫像磚(石)是漢代墓葬建筑的一部分,是應(yīng)用在漢代墓室建筑和漢畫磚石上,進(jìn)行紀(jì)念漢代歷史人物生平和民族傳統(tǒng)文化活動(dòng)的一種藝術(shù)形式。漢畫十二生肖造型的形象百態(tài)靈動(dòng),讓人回味其神情,流戀其意蘊(yùn)。漢畫動(dòng)物形象中的奔跑、觀望、靜穆等姿態(tài)被刻畫的惟妙惟肖。對(duì)漢畫生肖形象稍加留意,就會(huì)心生向往。通過對(duì)漢畫中動(dòng)物造型形象的研究,需要我們更加認(rèn)真的學(xué)習(xí)、理解、認(rèn)識(shí)、分析、闡述漢畫造型語(yǔ)言的規(guī)律,并進(jìn)行更深層次的挖掘、研究和學(xué)習(xí)。期望未來的藝術(shù)形式可以向具有中華民族文化特征的藝術(shù)方向發(fā)展,通過學(xué)習(xí)借鑒、引用創(chuàng)新的發(fā)展和傳承,為中國(guó)圖形裝飾語(yǔ)言和傳統(tǒng)文化身份的再現(xiàn)提供更多的動(dòng)力。本文以漢畫像中的動(dòng)物肖形為研究對(duì)象,對(duì)漢畫中出現(xiàn)的生肖形象做了現(xiàn)代性概括。并通過對(duì)漢畫生肖造型的研究,探討漢畫生肖造型在現(xiàn)代圖形設(shè)計(jì)中的應(yīng)用。上半部分對(duì)于漢畫生肖造型的結(jié)構(gòu)和造型構(gòu)成特點(diǎn)進(jìn)行分析,下半部分是對(duì)漢畫在現(xiàn)代圖形設(shè)計(jì)中的轉(zhuǎn)化和發(fā)展前景的論述。通過對(duì)漢畫像石造型特點(diǎn)和現(xiàn)代裝飾應(yīng)用兩個(gè)層面的分析,以期設(shè)計(jì)者從漢畫的重要性和對(duì)漢畫生肖圖案造型的角度有較為理性和深入的研究。
[Abstract]:Han Dynasty portrait brick (stone) is a part of the Han Dynasty tomb building, is used in the Han Dynasty tomb building and Han painting masonry, to commemorate the Han Dynasty historical figures and national traditional cultural activities of an art form. Han painting zodiac shape of the image of a variety of smart, let people taste its look, flow love its meaning. Han painting of the animal image of the run, wait and see, silence and other gestures are depicted vividly. With a little attention to the image of the Chinese zodiac animal, I will yearn for it. Through the study of animal modeling image in Chinese painting, we need to study, understand, analyze and explain the rules of modeling language of Chinese painting, and dig, study and learn more deeply. It is expected that the art form in the future can be developed to the artistic direction with the characteristics of the Chinese nation's culture. Through the study and reference, the development and inheritance of the innovation can provide more impetus for the reproduction of the Chinese graphic decorative language and the identity of the traditional culture. In this paper, the animal portraits in Chinese portraits are taken as the research object, and the image of Chinese zodiac animal in Chinese paintings is summarized in modernity. Based on the study of Chinese zodiac animal modeling, this paper discusses the application of Chinese zodiac animal modeling in modern graphic design. In the first part, the structure and characteristics of the Chinese zodiac animal model are analyzed, and the second part is the discussion of the transformation and development prospect of the Chinese painting in the modern graphic design. Through the analysis of the characteristics of stone relief in Han Dynasty and the application of modern decoration, it is hoped that the designers will have a more rational and in-depth study on the importance of Chinese painting and the angle of pattern modeling of Chinese zodiac patterns.
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205

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