【摘要】：在我國傳統(tǒng)技藝種類繁多,但在世界范圍內(nèi)獨一無二且具有突出的標志性技藝之一則是篆刻工藝。篆刻藝術在漫長的歷史文化長河中凝練了獨有的藝術氣質(zhì)和文化底蘊,構成了豐富完整且嚴謹?shù)姆柣Z言,同時也是中國古典文化傳承的重要載體,表征了中華民族傳統(tǒng)藝術的視覺元素與表達藝術。在工業(yè)時代和當今信息時代的發(fā)展過程中,傳統(tǒng)的篆刻工藝由于工具的進步、思想的解放、多元文化的交融,呈現(xiàn)出豐富多彩的藝術內(nèi)涵,在不斷的發(fā)展中呈現(xiàn)出傳統(tǒng)文化底蘊下的哲學脈絡和審美情趣,在篆刻刀法、篆刻色彩、篆刻章法、篆刻意境塑造等多個層面凸顯出典型的設計美學風格,是平面設計中重要的發(fā)展脈絡之一,在現(xiàn)代平面設計的發(fā)展中,起著舉足輕重的作用,產(chǎn)生了巨大的影響。本研究通過二零零八年北京奧運會標志中國印為切入點,分析了面向篆刻工藝的平面設計發(fā)展現(xiàn)狀,對民族化和世界化的發(fā)展趨勢下,剖析了篆刻工藝運用于平面設計的未來愿景。其次,剖析了篆刻工藝在平面設計中存在的問題,這些問題包括:篆刻文字設計演化不夠細致、篆刻形態(tài)設計不夠活潑、缺乏新穎的章法布局等。究其背后的原因,則是對篆刻工藝技法缺乏發(fā)展、對篆刻工藝文化缺乏傳承的原因。再次,根據(jù)這些原因,深入探索了篆刻工藝的技法發(fā)展,包括運刀方法、工藝色彩方法、構圖方法等,為平面設計提供借鑒;另一方面指出應深入挖掘和傳承篆刻工藝文化,倡導產(chǎn)品與設計二者在文化價值層面的統(tǒng)一。最后,將這一系列方法進行實踐運用,給出了獨立設計的案例。
[Abstract]:There are many kinds of traditional techniques in China, but one of the unique and outstanding landmarks in the world is seal cutting. Seal cutting art has condensed its unique artistic temperament and cultural background in the long history and culture, which constitutes a rich and complete and rigorous symbolic language, and is also an important carrier for the inheritance of Chinese classical culture. It represents the visual elements and expression art of Chinese traditional art. In the development process of the industrial age and the present information age, the traditional seal cutting technology presents rich and colorful artistic connotations due to the advancement of tools, the liberation of ideas and the blending of multiple cultures. In the continuous development of the traditional culture under the philosophical context and aesthetic taste, in seal cutting knife method, seal cutting color, seal cutting rules, seal carving artistic conception molding and other aspects of the typical design aesthetic style, Graphic design is one of the important development context, in the development of modern graphic design, plays a pivotal role, has produced a huge impact. Through the entry point of China Seal Seal marking in 2008 Beijing Olympic Games, this study analyzes the development status of seal cutting process oriented graphic design, and the trend of nationalization and cosmopolitzation. The future vision of the application of seal cutting technology in graphic design is analyzed. Secondly, the problems of seal cutting technology in graphic design are analyzed. These problems include: the evolution of seal cutting characters is not detailed enough, the design of seal cutting form is not lively enough, and there is a lack of novel layout and so on. The reasons behind it are the lack of development of seal cutting techniques and the lack of inheritance of seal cutting culture. Thirdly, according to these reasons, the development of seal cutting technology is deeply explored, including the method of moving knife, the method of color, the method of composition, and so on. On the other hand, it is pointed out that the culture of seal cutting should be deeply excavated and inherited. Advocate the unity of product and design in the level of cultural value. Finally, this series of methods are applied in practice, and an independent design case is given.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J51;J292.4

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