本文選題：近代山西 + 晉北地區(qū)��； 參考：《太原理工大學(xué)》2014年碩士論文

【摘要】：山西晉北地區(qū)近代建筑是隨著清末洋務(wù)運(yùn)動(dòng)思潮的傳入開始發(fā)生了變化。中國(guó)近代,1840-1949年,這個(gè)時(shí)期不論從政治、經(jīng)濟(jì)、軍事、文化,還是當(dāng)時(shí)國(guó)民思想,都發(fā)生了前所未有的大轉(zhuǎn)變,導(dǎo)致了新建筑類型的產(chǎn)生。 本文從山西近代晉北地區(qū)建筑的歷史發(fā)展、地域分布、建筑藝術(shù)成就作了較為詳盡的研究與分析,并由此探討山西晉北近代建筑產(chǎn)生的原因。在這個(gè)變化萬(wàn)千的時(shí)代背景下,建設(shè)的發(fā)展也與當(dāng)時(shí)獨(dú)特的時(shí)代性有著緊密的聯(lián)系。 作者通過(guò)查閱大量的文獻(xiàn)資料,整理出建筑發(fā)展的框架,隨后又對(duì)大同地區(qū)的建筑進(jìn)行了大量的實(shí)地調(diào)研,在導(dǎo)師的引薦下得到大同市相關(guān)部門的幫助,對(duì)一些典型的建筑實(shí)例收集到更為完備的資料。之后結(jié)合中國(guó)建筑史和西方建筑史等相關(guān)專業(yè)書籍,對(duì)山西近代晉北建筑進(jìn)行嚴(yán)謹(jǐn)?shù)姆治龊涂偨Y(jié)。 本文以介紹山西晉北地區(qū)主要城市大同、朔州地區(qū)的規(guī)劃、建筑、交通等的歷史演變過(guò)程及其特點(diǎn)為為主要研究?jī)?nèi)容。建筑方面主要以當(dāng)時(shí)具有代表性并且保存完好的學(xué)校,醫(yī)院,教堂等作為具體實(shí)例分析。之后歸納整理了山西近代晉北地區(qū)建設(shè)的史料并且以現(xiàn)存的實(shí)例大同首善醫(yī)院,省立第三中學(xué),大同天主教堂和許堡天主教堂作為實(shí)例。分別從這些建筑的發(fā)展史、建筑的平面,立面,細(xì)部裝飾分析其特點(diǎn)說(shuō)明當(dāng)時(shí)建筑的特點(diǎn)及其形成的原因。 大同作為山西一個(gè)重要的城市,其規(guī)劃、建筑發(fā)展很大部分受到了時(shí)代和政治背景的影響,這兩者的變化使其建筑也呈現(xiàn)出階段性的發(fā)展特征。中西方文化的交融對(duì)山西大同建筑的階段性的發(fā)展更是產(chǎn)生了不小的影響。近代西方文化傳入、中國(guó)政權(quán)更迭以及地方傳統(tǒng)文化等多方面的作用,使的山西近代晉北地區(qū)建筑的發(fā)展經(jīng)歷了以下三個(gè)發(fā)展階段： 一,清末時(shí)期,新建筑的萌芽期。那個(gè)年代政府軟弱貧窮,洋務(wù)派掀起了“師夷長(zhǎng)技以制夷”的興國(guó)方略,最早的一些新式學(xué)堂在大同開辦起來(lái)。 二,民國(guó)時(shí)期,新建筑的發(fā)展期。這一時(shí)期,西方文化大量的滲透進(jìn)來(lái),建筑主要分為兩種形式：一是,模仿西方形式；二是,西方建筑與中國(guó)傳統(tǒng)建筑型式、空間結(jié)構(gòu)和建筑技術(shù)的結(jié)合,形式晉北地區(qū)特有的建筑形式。這事的建筑藝術(shù)有了很大的發(fā)展。 三,日本侵略時(shí)期,衰敗期。這時(shí)建筑及其各方面的發(fā)展主要是為滿足日本的侵華目的而建設(shè)的,由于受到戰(zhàn)爭(zhēng)影響,建筑方面不僅沒有新的成就,原有的建筑也遭到毀壞。但是交通方面卻有了一定的建設(shè)發(fā)展。 通過(guò)以上方法對(duì)山西近代晉北地區(qū)的建筑進(jìn)行研究,展現(xiàn)了晉北地區(qū)建筑在省內(nèi)的發(fā)展演變過(guò)程。山西近代晉北建筑歷史的研究,能填補(bǔ)山西近代建筑的研究意義,同時(shí)為將來(lái)的建筑歷史遺產(chǎn)保護(hù)提供參考。
[Abstract]:Modern architecture in Shanxi Province changed with the introduction of Westernization Movement in the late Qing Dynasty. During the period of 1840-1949 in modern China, no matter in politics, economy, military affairs, culture or national thought at that time, unprecedented changes took place, which led to the emergence of new architectural types. This paper makes a detailed study and analysis on the historical development, regional distribution and architectural art achievements of the architecture in the north of Shanxi Province, and probes into the reasons for the emergence of the modern architecture in the north of Shanxi Province. Under the background of the changing times, the development of construction is closely related to the unique epoch at that time. By consulting a large number of documents, the author sorted out the framework of architectural development, and then carried out a large number of field research on the architecture in Datong area, and obtained the help of the relevant departments of Datong City under the introduction of his tutor. More complete data were collected for some typical architectural examples. Then combining with the history of Chinese architecture and western architectural history and other related professional books, this paper makes a rigorous analysis and summary of Shanxi's modern architecture in northern Shanxi. The main research contents of this paper are to introduce the historical evolution process and characteristics of the major cities of Shanxi and North Shanxi Province, such as Datong, Shuozhou and Shuozhou. Architectural aspects of the representative and well-preserved schools, hospitals, churches and so on as specific examples. Then it summarizes and arranges the historical data of Shanxi's modern construction in the north of Shanxi and takes the existing examples of Datong Shou-shan Hospital, the third Middle School of the province, the Datong Catholic Church and the Xubao Catholic Church as examples. From the history of the development of these buildings, the plane, facade and detail decoration of these buildings, the characteristics of the architecture at that time and the reasons for its formation are analyzed respectively. Datong, as an important city in Shanxi, its planning and architectural development are mostly influenced by the times and political background. The blending of Chinese and western culture has had a great influence on the stage development of Shanxi Datong architecture. The introduction of modern western culture, the change of political power in China and the local traditional culture have made the development of architecture in Shanxi modern Shanxi and northern Shanxi go through the following three stages of development: First, the late Qing Dynasty, the budding period of new buildings. At that time, the government was weak and poor, the Westernists set off the strategy of "master Yi to control foreigners", and some of the earliest new schools were opened in Datong. Second, the period of the Republic of China, the development of new buildings. During this period, the western culture infiltrated a lot, the architecture was divided into two forms: one was to imitate the western form, the other was the combination of the western architecture with the Chinese traditional architecture, the spatial structure and the architectural technology. The form of the north of Shanxi unique architectural form. The architectural art of this matter has made great progress. Third, the period of Japanese aggression, the period of decline. At this time, architecture and its various aspects of development were mainly built to meet the purpose of Japanese invasion of China. Because of the war, there was not only no new achievements in the construction, but also the destruction of the original buildings. But the transportation aspect actually has the certain construction development. Based on the above methods, this paper studies the architecture of Shanxi province in modern times, and shows the evolution process of the architecture in Shanxi province. The study of the architectural history of Shanxi modern Shanxi can fill the significance of the research of Shanxi modern architecture and provide reference for the protection of architectural historical heritage in the future.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU-092

【共引文獻(xiàn)】

相關(guān)期刊論文 前9條

1 謝X;崔玲玲;;“一五”時(shí)期太原工業(yè)建筑初探[J];北京規(guī)劃建設(shè);2011年01期

2 田蘇蘇;日軍在中國(guó)華北的戰(zhàn)爭(zhēng)犯罪述論[J];河北師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2005年04期

3 舒習(xí)龍;;20世紀(jì)史家對(duì)紀(jì)事本末體史書的反思與實(shí)踐[J];廣西社會(huì)科學(xué);2012年03期

4 楊彩丹;;山西大學(xué)堂首批留日學(xué)生考[J];歷史檔案;2011年02期

5 倉(cāng)修良,陳仰光;紀(jì)事本末譜新篇——讀《山西歷代紀(jì)事本末》[J];山西大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2001年04期

6 黃晉太;楊栗;;太原近現(xiàn)代工業(yè)建筑遺產(chǎn)的保護(hù)與利用[J];太原理工大學(xué)學(xué)報(bào);2013年05期

7 張莉;;試論令德堂書院在近代化轉(zhuǎn)型中的艱難蛻變[J];山西大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2014年01期

8 王京強(qiáng);;清末民初基督教在山西的教育事業(yè)[J];忻州師范學(xué)院學(xué)報(bào);2008年01期

9 侯娟;;唐至清代河?xùn)|鹽池信仰中的官與商[J];運(yùn)城學(xué)院學(xué)報(bào);2012年06期

相關(guān)博士學(xué)位論文 前3條

1 尉博博;春秋大都耦國(guó)政治現(xiàn)象剖析[D];陜西師范大學(xué);2010年

2 王志芳;抗戰(zhàn)時(shí)期晉綏邊區(qū)農(nóng)村經(jīng)濟(jì)研究[D];山東大學(xué);2012年

3 任穎卮;唐代蒲州研究[D];山東大學(xué);2014年

相關(guān)碩士學(xué)位論文 前10條

1 馬飛;山西臨縣1946-1948年的土地改革運(yùn)動(dòng)[D];華東師范大學(xué);2011年

2 趙玉珍;明清時(shí)期長(zhǎng)城沿線回民聚落的變遷[D];中央民族大學(xué);2011年

3 王蕾;晉商題材電視劇文化藝術(shù)特色研究[D];西北師范大學(xué);2011年

4 歐陽(yáng)縈雪;《山右石刻叢編》初探[D];山西大學(xué);2006年

5 陳福來(lái);遼金西京研究[D];東北師范大學(xué);2007年

6 王純婧;山西地區(qū)宋金時(shí)期瓷器研究[D];吉林大學(xué);2009年

7 段少華;《詩(shī)經(jīng)·唐風(fēng)》研究[D];西北師范大學(xué);2009年

8 楊嬋娟;晚明到民國(guó)山西臨汾堯廟兩次重大變化研究[D];山西大學(xué);2009年

9 竇磊;顧炎武在山西的游歷及其游記研究[D];山西大學(xué);2009年

10 陰迎新;張佩綸詩(shī)歌研究[D];暨南大學(xué);2010年

，

本文編號(hào)：1857489