本文選題：盧卡奇 + 早期美學(xué)思想��； 參考：《中南財經(jīng)政法大學(xué)》2017年碩士論文

【摘要】：作為西方馬克思主義哲學(xué)的代表人物之一,盧卡奇一生著述眾多,其思想豐富而深刻。在反猶主義盛行與歐洲文明危機出現(xiàn)的時代背景下,盧卡奇寫作了《現(xiàn)代戲劇發(fā)展史》、《心靈與形式》、《小說理論》以及致保爾·恩斯特(Paul Ernst)的書信。由于受新康德主義者、黑格爾哲學(xué)以及19世紀(jì)俄國批判的現(xiàn)實主義文學(xué)的影響,在這些文本中盧卡奇主要從美學(xué)理論角度表達了自己對資本主義的批判。事實上,這種批判是一種意識形態(tài)層面的批判,它是盧卡奇現(xiàn)代性批判理論的有機組成部分。本文主要分為三大部分:緒論、正文和結(jié)語。在緒論這一部分主要交代了文章的選題背景與意義、國內(nèi)外研究綜述、研究思路與方法以及文章的創(chuàng)新與不足。具體來講,研究盧卡奇本人的現(xiàn)代性批判思想,尤其是透過其美學(xué)思想研究現(xiàn)代性批判是一種研究視角的轉(zhuǎn)變;它有助于揭示美學(xué)理論背后的深刻寓意,同時有助于在今后的研究中歷史性地把握盧卡奇整個現(xiàn)代性批判理論。對于盧卡奇現(xiàn)代性批判思想的研究,大量的研究者將重心放在了《歷史與階級意識》,這篇文章則以盧卡奇早期美學(xué)思想為突破口探究早期美學(xué)思想中的現(xiàn)代性批判,具有一定的研究價值。正文部分主要包括三章,從盧卡奇早期美學(xué)思想1中的現(xiàn)代性批判的“發(fā)生學(xué)考察”、主要內(nèi)容以及理論得失三個方面,表達了對資本主義現(xiàn)代性的反思與審視。論文的第一章是盧卡奇早期美學(xué)思想中現(xiàn)代性批判的歷史背景與理論淵源分析,其歷史背景表現(xiàn)在反猶主義的興起與歐洲文明危機的出現(xiàn);在理論淵源這一部分,筆者認為新康德主義者、黑格爾以及19世紀(jì)俄國批判的現(xiàn)實主義文學(xué)家對盧卡奇的理論產(chǎn)生了影響。論文的第二章是主體部分,是盧卡奇早期美學(xué)思想中現(xiàn)代性批判的具體內(nèi)容,筆者從“資本主義社會:一個異化的社會”、“資本主義社會:一個喪失總體性的社會”以及“藝術(shù)形式:資本主義的解決途徑”這三個部分作了具體闡述。在論文的第三章,筆者對盧卡奇早期美學(xué)思想中的現(xiàn)代性批判作了理論得失的分析,該分析從理論貢獻與理論限度兩個方面加以展開,早期美學(xué)思想中的現(xiàn)代性批判不僅對盧卡奇本人的思想產(chǎn)生了影響,同時也影響著國外馬克思主義的其他流派。具體來說,盧卡奇早期美學(xué)思想中的現(xiàn)代性批判不僅促進了他物化批判理論的形成,也對馬爾庫塞與赫勒的思想產(chǎn)生了影響。該思想的理論限度表現(xiàn)在藝術(shù)形式改造現(xiàn)實的力量薄弱以及實踐上的烏托邦色彩。結(jié)語部分是對文章中心思想的把握,文章的主旨在于闡明盧卡奇在早期著作中通過藝術(shù)手段批判資本主義,是一種意識形態(tài)的批判,這種意識形態(tài)層面的批判從屬于盧卡奇的現(xiàn)代性批判理論。
[Abstract]:As one of the representative figures of Western Marxist philosophy, Lukacs wrote many works in his life, and his thoughts were rich and profound. Against the background of the prevalence of anti-Semitism and the emergence of the crisis of European civilization, Lukacs wrote the History of Modern Drama, the mind and form, the Theory of Fiction and the letter to Paul Ernstr. Influenced by Neo-Kantian, Hegel's philosophy and Russian critical realism literature in the 19th century, Lukacs expressed his criticism of capitalism mainly from the angle of aesthetic theory. In fact, this criticism is an ideological criticism, which is an organic part of Lukacs' critique theory of modernity. This paper is divided into three parts: introduction, text and conclusion. In the introduction part, the background and significance of the topic, the research review at home and abroad, the research ideas and methods, and the innovation and deficiency of the article are explained. Specifically, studying Lukacs' critique of modernity, especially through his aesthetic thought, is a change of research perspective, which is helpful to reveal the profound meaning behind aesthetic theory. At the same time, it is helpful to grasp Lukacs' whole critique theory of modernity in the future research. For the study of Lukacs' critical thought of modernity, a large number of researchers have focused on History and Class consciousness. This article takes Lukacs's early aesthetic thought as a breakthrough to explore the criticism of modernity in the early aesthetic thought. It has certain research value. The main body part mainly includes three chapters, from Lukacs' early aesthetic thought 1 in the modernity critique "the generology investigation", the main content as well as the theory gain and loss three aspects, has expressed the reflection and the examination to the capitalist modernity. The first chapter is the historical background and theoretical origin analysis of modernity criticism in Lukacs' early aesthetic thought, which is manifested in the rise of anti-Semitism and the emergence of European civilization crisis. The author believes that Neo-Kantists, Hegel and 19 ~ (th) century Russian critical realism writers have influenced Lukacs' theory. The second chapter is the main part, which is the concrete content of modernity criticism in Lukacs' early aesthetic thought. The author starts from "capitalist society: a dissimilated society". "capitalist society: a society without totality" and "art form: the solution of capitalism" are elaborated in detail. In the third chapter, the author analyzes the theoretical gains and losses of the criticism of modernity in Lukacs's early aesthetic thoughts, which is carried out from the two aspects of theoretical contribution and theoretical limitation. The criticism of modernity in the early aesthetic thought not only influenced Lukacs' thought, but also influenced other schools of Marxism abroad. Specifically, the criticism of modernity in Lukacs' early aesthetic thought not only promoted the formation of his materialized critical theory, but also influenced Marcuse and Heller's thoughts. The theoretical limitation of this thought is that the power of artistic form to transform reality is weak and the utopian color in practice. The main idea of the article is to clarify that Lukacs criticized capitalism through artistic means in his early works, which is a kind of ideological criticism. This kind of ideological criticism belongs to Lukacs' critique theory of modernity.
【學(xué)位授予單位】：中南財經(jīng)政法大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：B089.1

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