約瑟夫·康拉德（1857—1924）是19世紀(jì)末20世紀(jì)初英國文壇的重要作家之一。他的眾多作品被公認(rèn)為文學(xué)經(jīng)典�？道碌男≌f《黑暗的心》于1899年以連載的形式發(fā)表于當(dāng)時極具盛譽(yù)的文學(xué)雜志《布萊克伍德雜志》。小說一經(jīng)發(fā)表,立即引起評論界的關(guān)注,并好評如潮。在康拉德眾多優(yōu)秀的小說作品中,《黑暗的心》占有重要的地位。康拉德的航海生涯長達(dá)二十余年,航海生活是他的重要創(chuàng)作源泉。小說《黑暗的心》講述了船長馬洛在一艘停靠于倫敦外的海船上敘述的關(guān)于自己在非洲剛果河所經(jīng)歷的故事。小說自問世以來一直是研究者和評論家們關(guān)注和研究的焦點(diǎn)。在眾多的研究評論中,重點(diǎn)在于對這部小說的人物、主題、小說中所體現(xiàn)的殖民觀、道德觀的探討。綜觀國內(nèi)外的研究,本文作者發(fā)現(xiàn),康拉德的印象主義藝術(shù)創(chuàng)作主張和創(chuàng)作手法雖已有所涉及,但尚未有學(xué)者地對《黑暗的心》這部小說中所體現(xiàn)的印象主義創(chuàng)作手法進(jìn)行系統(tǒng)、全面的討論和研究。鑒于康拉德在小說《“水仙”號船上的黑水手》（1897）、他的個人自傳和他與朋友來往信件中所闡明的藝術(shù)主張、以及《黑暗的心》這部小說中所體現(xiàn)的印象主義因素,本文主要探討印象主義創(chuàng)作手法在康拉德的《黑暗的心》中運(yùn)用。具體... 

【文章來源】：曲阜師范大學(xué)山東省

【文章頁數(shù)】：70 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
Abstract
Contents
Introduction
Chapter One Theoretical Basis and Literature Review
    1.1 From Impressionism to Literary Impressionism
        1.1.1 Impressionism in Painting
        1.1.2. Definition and Characteristics of Literary Impressionism
    1.2 Joseph Conrad and Impressionism
    1.3 Literature Review
        1.3.1 Studies on Literary Impressionism
        1.3.2 Studies on Heart of Darkness
    1.4 Summary
Chapter Two Impressionist Sensibility in Heart of Darkness
    2.1. Impressionist Visual Aspect
        2.1.1 Conrad's Typical Colors:Black and White-A Juxtaposition
        2.1.2 Other Color Images and Images to Form Impressions
    2.2 Conrad's Resort to Other Senses to Form Impressionist Atmosphere
    2.3 Impressionist Sensibility and Conrad's Seeking to Reach Secret Spring of Responsive Emotions
    2.4 Summary
Chapter Three Impressionist Narrative in Heart of Darkness
    3.1 Limited Narration
        3.1.1 The Primary Narrator's Limited Narration
        3.1.2 Marlow's Limited Narration
    3.2 Multiple Narration
        3.2.1 Marlow's Shifting Perspectives
        3.2.2 Multiple Perspectives of Other Characters
    3.3 Delayed Decoding
    3.4 Impressionist Narrative Method and Conrad's Skeptical Views toward Truth
    3.5 Summary
Chapter Four Impressionist Temporality in Heart of Darkness
    4.1 Juxtaposition of Mechanical Time and Human Time
    4.2 Emphasis on Capturing the Contextualized Feeling in a Fleeting Moment
    4.3 Impressionist Temporality and Conrad's Epistemology of Subjectivity
    4.4 Summary
Conclusion
Bibliography
攻讀碩士學(xué)位期間發(fā)表的學(xué)術(shù)論文
Acknowledgements



本文編號：3272610