韓國現(xiàn)代紀行文中的上海記事研究
發(fā)布時間：2018-10-20 16:39
【摘要】：20世紀二三十年代的上海是一座現(xiàn)代化的國際大都市,素有“東方巴黎”、“東方倫敦”之稱,這對于正處于日帝統(tǒng)治之下的韓國現(xiàn)代文人而言,現(xiàn)代化的上海充滿致命的誘惑。他們有關(guān)上海的紀行文是一種特殊的文本。透過這些紀行文我們可以更直觀地感受到,在近現(xiàn)代殖民地的社會現(xiàn)實下,韓國現(xiàn)代文人對現(xiàn)代化的憧憬和向往,以及由此引發(fā)的對現(xiàn)代文明和本民族現(xiàn)實的反思。 初臨上海的韓國人對上海充滿好奇和贊美,他們看到的是現(xiàn)代化的物質(zhì)文明、建筑、音樂以及異國情調(diào),這一時期的他們忽視了上海的殖民性,或是部分人只看到了西方人所帶來的現(xiàn)代文明。然而在進一步了解上海之后,他們發(fā)現(xiàn)了文明背后的各種矛盾以及社會問題。他們對上海的認識已經(jīng)不僅僅停留在現(xiàn)代文明的表象上,而是看到了物質(zhì)文明所產(chǎn)生的社會問題,認識到西方人所標榜的現(xiàn)代文明是帶有殖民色彩的、不平等的文明,并能從資本主義的入侵和物質(zhì)文明的弊端來分析產(chǎn)生社會問題的原因,這與之前的表象認識相比是一個大的進步。 充滿殖民色彩、不平等的上海是西方殖民者的樂園,在認清這點之后韓國現(xiàn)代文人開始反思自己盲目追求的、所謂的現(xiàn)代文明。如果對貪婪的西方殖民者的刻畫是為了使本國民眾認清殖民者的真面目,那么在刻畫愚昧無知、逆來順受的中國人形象時,其中零散記錄的中國工人階級的罷工、因巴黎和會而引發(fā)的民眾運動、中國的童子童女軍、以及中國女子參政等現(xiàn)象則是對中國形象的肯定,對中國未來的期待。這也從側(cè)面反映出作者希望啟發(fā)和教育韓國民眾。這說明上海黑暗的社會現(xiàn)實以及上海的中國民眾運動都對部分韓國人產(chǎn)生了深刻的內(nèi)在影響,使他們能反觀韓國國內(nèi)受殖民的社會現(xiàn)實。 比較文學(xué)形象學(xué)研究的主要是異國形象。因此,本文主要采用比較文學(xué)形象學(xué)、傳播學(xué)、歷史學(xué)相結(jié)合的研究方法。目前學(xué)界對上海紀行文的專門研究并不多見,并且主要集中在城市的殖民性方面,中國方面從韓國人的視角出發(fā)對紀行文中上海形象的研究也很少。 因此,本文擬以上海紀行文為對象,在利用韓國現(xiàn)有紀行文資料的基礎(chǔ)上結(jié)合中國方面的材料,重點分析韓國文人眼中的上海。對這一時期上海紀行文的研究不僅可以考察韓國人面對上海時的心理力程,史能解讀殖民地時代韓國文人對現(xiàn)代文明和殖民地現(xiàn)實的反思意識。此外,這也是補充近現(xiàn)代時期上海研究的重要資料之一。
[Abstract]:Shanghai in the 1920s and 1930s was a modern international metropolis, known as "Oriental Paris" and "Oriental London". Modern Shanghai is full of deadly temptations. Their style of writing about Shanghai is a special text. Through these writings we can feel more intuitively the yearning and yearning for modernization of modern Korean literati and the reflection of modern civilization and national reality under the social reality of modern colony. The Koreans who first came to Shanghai were full of curiosity and praise for Shanghai. What they saw was modern material civilization, architecture, music and exotic atmosphere. During this period, they ignored the colonization of Shanghai. Or some people only see the modern civilization brought about by Westerners. However, after further understanding of Shanghai, they discovered the contradictions behind civilization and social problems. Their understanding of Shanghai has not only remained on the surface of modern civilization, but also seen the social problems arising from material civilization. They realized that the modern civilization preached by Westerners is a colonial, unequal civilization. And it can analyze the causes of social problems from the invasion of capitalism and the malpractice of material civilization, which is a great progress compared with the previous superficial understanding. Shanghai, which is full of colonial color and inequality, is the paradise of western colonists. After recognizing this point, the modern Korean scholars began to reflect on their blind pursuit of the so-called modern civilization. If the avaricious Western colonists are portrayed in order to make their people aware of the true colors of the colonists, then in portraying the image of the ignorant and unruly Chinese, there is a piecemeal record of the strike of the Chinese working class. The popular movement triggered by the Paris Peace Conference, the Chinese Boy Girl Scouts, and the participation of Chinese women in politics are the affirmation of the image of China and the expectation of its future. This also reflects the author's desire to enlighten and educate the Korean people. This shows that the dark social reality in Shanghai and the Chinese people's movement in Shanghai have had a profound internal impact on some Koreans, enabling them to look at the colonial social reality in Korea. The study of comparative literature image is mainly about foreign images. Therefore, this article mainly adopts the comparative literature image science, the communication science, the history science unifies the research method. At present, there are few academic researches on Shanghai Ji's writing, and mainly on the colonization of the city, and China's research on the Shanghai image of Ji Xing's text from the perspective of Korean people is also very few. Therefore, this paper intends to take Shanghai Ji as an object, based on the existing Korean literature, combined with Chinese materials, to focus on the analysis of Shanghai in the eyes of Korean literati. The study of Shanghai Ji's writing in this period can not only investigate the psychological power of Koreans when they face Shanghai, but also interpret the rethinking consciousness of Korean literati on modern civilization and colonial reality in colonial era. In addition, it is one of the important materials to supplement the study of Shanghai in modern times.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I312.607.6
本文編號：2283739
[Abstract]:Shanghai in the 1920s and 1930s was a modern international metropolis, known as "Oriental Paris" and "Oriental London". Modern Shanghai is full of deadly temptations. Their style of writing about Shanghai is a special text. Through these writings we can feel more intuitively the yearning and yearning for modernization of modern Korean literati and the reflection of modern civilization and national reality under the social reality of modern colony. The Koreans who first came to Shanghai were full of curiosity and praise for Shanghai. What they saw was modern material civilization, architecture, music and exotic atmosphere. During this period, they ignored the colonization of Shanghai. Or some people only see the modern civilization brought about by Westerners. However, after further understanding of Shanghai, they discovered the contradictions behind civilization and social problems. Their understanding of Shanghai has not only remained on the surface of modern civilization, but also seen the social problems arising from material civilization. They realized that the modern civilization preached by Westerners is a colonial, unequal civilization. And it can analyze the causes of social problems from the invasion of capitalism and the malpractice of material civilization, which is a great progress compared with the previous superficial understanding. Shanghai, which is full of colonial color and inequality, is the paradise of western colonists. After recognizing this point, the modern Korean scholars began to reflect on their blind pursuit of the so-called modern civilization. If the avaricious Western colonists are portrayed in order to make their people aware of the true colors of the colonists, then in portraying the image of the ignorant and unruly Chinese, there is a piecemeal record of the strike of the Chinese working class. The popular movement triggered by the Paris Peace Conference, the Chinese Boy Girl Scouts, and the participation of Chinese women in politics are the affirmation of the image of China and the expectation of its future. This also reflects the author's desire to enlighten and educate the Korean people. This shows that the dark social reality in Shanghai and the Chinese people's movement in Shanghai have had a profound internal impact on some Koreans, enabling them to look at the colonial social reality in Korea. The study of comparative literature image is mainly about foreign images. Therefore, this article mainly adopts the comparative literature image science, the communication science, the history science unifies the research method. At present, there are few academic researches on Shanghai Ji's writing, and mainly on the colonization of the city, and China's research on the Shanghai image of Ji Xing's text from the perspective of Korean people is also very few. Therefore, this paper intends to take Shanghai Ji as an object, based on the existing Korean literature, combined with Chinese materials, to focus on the analysis of Shanghai in the eyes of Korean literati. The study of Shanghai Ji's writing in this period can not only investigate the psychological power of Koreans when they face Shanghai, but also interpret the rethinking consciousness of Korean literati on modern civilization and colonial reality in colonial era. In addition, it is one of the important materials to supplement the study of Shanghai in modern times.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I312.607.6
【參考文獻】
相關(guān)期刊論文 前1條
1 海巴子;;婚床搖擺——九十年前關(guān)于婚姻廢存的一場“筆墨官司”[J];檔案春秋;2012年12期
，本文編號：2283739
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