【摘要】：2005年諾貝爾文學(xué)獎(jiǎng)得主,哈羅德·品特是二十世紀(jì)下半葉英國(guó)最杰出的戲劇家�！捌诽仫L(fēng)格的”(pinteresque)這一形容詞已經(jīng)列入《牛津英語(yǔ)詞典》。由此可見他在英國(guó)戲劇史上的地位。諾貝爾文學(xué)獎(jiǎng)評(píng)語(yǔ)是這樣評(píng)論他：“在作品中揭示出隱藏在日常閑談之下的危機(jī),并強(qiáng)行打開了受壓抑的封閉房間。”瑞典皇家科學(xué)院說(shuō)：“品特讓戲劇回歸它的最基本元素：一個(gè)封閉的空間,不可預(yù)測(cè)的對(duì)話,人物相互之間都可能被對(duì)方擊敗,虛偽土崩瓦解�！� 品特早期的作品《回家》表現(xiàn)了一系列幻想的內(nèi)容,即一個(gè)關(guān)于愿望或者欲望得到滿足的夢(mèng)想。本文從拉康的精神分析學(xué)角度重點(diǎn)分析《回家》中人與人之間的欲望,揭示人性的本質(zhì)。本文共分為五個(gè)部分。 第一部分是導(dǎo)論。導(dǎo)論部分主要介紹品特的國(guó)內(nèi)外研究狀況,本文的主要內(nèi)容和研究的現(xiàn)實(shí)意義。 第二部分是理論基礎(chǔ)。理論部分主要介紹拉康的主體理論,特別是介紹拉康的欲望觀。 第三部分以分析人物關(guān)系為平臺(tái),以性別為界點(diǎn),詳細(xì)分析了《回家》中男人之間和男女之間的欲望。魯斯作為家中唯一的女子,利用自己的性別和身體優(yōu)勢(shì),在和男性的欲望斗爭(zhēng)中取得了最終的勝利。 第四部分主要討論欲望產(chǎn)生的威脅感。欲望的爭(zhēng)斗不僅有著勝負(fù)的結(jié)果,也有著強(qiáng)烈的威脅感。在回家的路上,沒(méi)有家人的溫馨,有的卻是對(duì)自己欲望不能實(shí)現(xiàn)的擔(dān)心。 最后一部分是結(jié)論。結(jié)論是對(duì)文章前幾部分的回顧,讓讀者深入了解品特的欲望主題,并把欲望的爭(zhēng)斗深入到人性的角度進(jìn)行探索,啟迪我們的人生,讓我們更好的把握自己內(nèi)心的欲望之火。
[Abstract]:Harold Pinter, winner of the 2005 Nobel Prize for Literature, was Britain's most prominent dramatist in the second half of the twentieth century. The adjective "Pinter style" (pinteresque) has been included in the Oxford English Dictionary. This shows his position in the history of English drama. The Nobel Prize for Literature commented on him as follows: "the work reveals a crisis hidden under everyday gossip and forces the oppressed closed room." The Royal Swedish Academy of Sciences said: "Pinter brings drama back to its most basic elements: a closed space, unpredictable dialogue, characters that can be defeated by each other, hypocrisy collapsing." Pinter's early work Home shows a series of illusions, a dream of desire or desire to be fulfilled. This paper, from Lacan's psychoanalytic point of view, focuses on the analysis of the desire between people and reveals the essence of human nature. This paper is divided into five parts. The first part is an introduction. The introduction mainly introduces Pinter's research situation at home and abroad, the main contents of this paper and the practical significance of the research. The second part is the theoretical basis. The theoretical part mainly introduces Lacan's subject theory, especially Lacan's desire view. In the third part, the author analyzes the desire between men and women on the basis of analyzing the relationship between men and women and taking gender as the boundary point. Ruth, the only woman in the family, took advantage of her gender and body strength to win the battle against men's desires. The fourth part mainly discusses the sense of threat produced by desire. The struggle of desire has not only the result of victory and defeat, but also a strong sense of threat. On the way home, without the warmth of family, some are worried that their desires can not be realized. The last part is the conclusion. The conclusion is the review of the first parts of the article, let the reader deeply understand the theme of Pinter's desire, and explore the struggle of desire into the angle of human nature, enlighten our life, let us better grasp the fire of desire in our own heart.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I561.073

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本文編號(hào)：2241504