【摘要】：1999年艾里斯·西伯德出版了自傳《幸運兒》(Lucky),被媒體譽為“最具潛力的作家”,2002年她的小說處女作《可愛的骨頭》(The Lovely Bones)出版,一經(jīng)上市便榮登冠軍寶座,書評界更是一片贊嘆。該書在《紐約時報》排行榜上高居榜首近30周,連續(xù)在榜70余周。被美國“每月讀書會”選為推薦書,并獲“美國年度最佳小說”獎,入選“英國年度好書大獎”。 《可愛的骨頭》講述的是一個十四歲女孩蘇茜,在死后世界里,以一種特殊的“活著”的狀態(tài),面對自己的死亡,觀察人間的生活的一系列故事,敘述者就是死者本人。在對于《可愛的骨頭》的研究中,有女性主義學(xué)者從象征主義角度切入,研究書中比如“照片”之類的意象,來探討婦女在家庭生活中遭遇的苦悶與煎熬①；也有學(xué)者選擇故事中的犯罪人物為對象,從犯罪學(xué)角度研究心理障礙者與家庭暴力等問題的產(chǎn)生及其社會危害②；也有學(xué)者從書中描寫的天堂場景切入,選擇在天堂中活著的人物為研究對象,闡述作者這種敘述處理所追求的藝術(shù)效果③……而本文則從《可愛的骨頭》的敘述方式入手,研究死去的主人公蘇茜的視角所特有的敘述功能,意在引起大家對該書中這一死者視角的關(guān)注,期待更多學(xué)者對這類視角做出更深入的探索。 敘述視角是人物觀察和感知故事的角度,包括其體現(xiàn)出來的觀念和感情態(tài)度,而死者視角是指觀察和感知的行為由死者來實施,并綜合了全知與限知視角模式特性的一種視角模式,是作家們在敘述方式上的革新,豐富了他們的創(chuàng)作構(gòu)思、創(chuàng)作理念和敘事手法。 論文由五部分構(gòu)成：引言、蘇茜視角的內(nèi)涵、蘇茜視角的功能、蘇茜視角功能的實現(xiàn)以及結(jié)語。緒論部分,介紹視角理論研究的現(xiàn)狀,包括視角模式的分類、功能,綜合闡述出蘇茜的死者視角的概念。 正文第一章首先論述視角的概念和死者充當(dāng)敘述者的特殊性,辨析蘇茜的死者視角是綜合了全知視角和限制視角的特點的并引入它的概念。對于視角的分類歷來分歧很大,本文以申丹在其著作對視角的歸納與總結(jié)為依據(jù),對蘇茜的死者視角所屬類型進行論說,以明晰蘇茜的死者視角的內(nèi)涵。 第二章主要論述蘇茜這一死者視角的功能：修辭、意識形態(tài)與主題功能。修辭功能的論述以布斯的理論為支點,并根據(jù)王陽的小說修辭研究中對視角的修辭功能的分類,將修辭功能具體分為宏觀修辭與微觀修辭兩部分。所謂宏觀修辭,是指視角作為敘事層面的技巧,幾乎涉及所有與敘事相關(guān)的技巧因素,諸如距離、講述與展示、聲音、時空、人稱和節(jié)奏等。微觀修辭則從懸念和陌生化兩個角度出發(fā),結(jié)合文本效果論證死者視角的修辭功能；蘇茜的死者視角的意識形態(tài)功能部分首先是辨析意識形態(tài)的概念,展示意識形態(tài)研究的發(fā)展過程,從視角的意識形態(tài)表現(xiàn)來論述這一死者視角的意識形態(tài)功能；最后按照王菊麗對視角功能的分類,提出死者視角的主題功能,并將蘇茜的死者視角的主題功能細分為死亡和家庭兩個主題加以闡述。死者身份的特殊性使得蘇茜的視角在對死亡問題的認識與對家庭變遷的感受上,提供了特別的角度。 第三章論述《可愛的骨頭》中蘇茜視角如何實現(xiàn)轉(zhuǎn)換及轉(zhuǎn)換的原因。 最后的結(jié)語部分,總結(jié)了全文對蘇茜的死者視角的功能問題的研究。死者視角作為對現(xiàn)實人生的觀照,深化了小說的主題意義,承載著作者對生死問題的思考和探索。
[Abstract]:Alice Siebert, who published her autobiography Lucky in 1999, was hailed as "the most promising writer" by the media. Her novel The Lovely Bones, published in 2002, won the championship and was praised by the critics. The Book topped the New York Times list for nearly 30 weeks. In the list of more than 70 weeks, was selected by the United States "monthly reading society" as a recommendation, and won the "best novel of the year" award, selected as the "British Book of the Year Award".
"Lovely Bones" tells a series of stories about a 14-year-old girl, Susie, who faces her own death and observes human life in a special "living" state in the world after her death. The narrator is the deceased. In the study of "Lovely Bones", some feminist scholars cut into symbolism and studied it. Some scholars choose the criminals in the story to study the causes and social harms of psychological disorders and domestic violence from the perspective of criminology. Some scholars describe the scene of Paradise from the book. Beginning with the narrative style of Lovely Bones, this paper studies the unique narrative function of the perspective of the dead hero Susie, aiming to arouse people's attention to the perspective of the dead in this book and expect more. Scholars make further explorations of these perspectives.
The narrative perspective is the perspective of the characters'observation and perception of stories, including their ideas and emotional attitudes. The dead perspective refers to a kind of perspective mode in which the behavior of observation and perception is carried out by the dead and integrates the characteristics of the omniscient and limited perspective mode. It is the innovation of the writers' narrative mode and enriches their creative ideas. Creative ideas and narrative techniques.
The thesis consists of five parts: introduction, the connotation of Susie's perspective, the function of Susie's perspective, the realization of Susie's perspective function and the conclusion. The introduction introduces the current situation of perspective theory research, including the classification and function of perspective mode, and comprehensively expounds the concept of Susie's perspective of the dead.
The first chapter of the text first discusses the concept of perspective and the particularity of the deceased as a narrator, and then analyzes that Susie's perspective of the deceased integrates the characteristics of the omniscient perspective and the restricted perspective and introduces its concept. According to the type of person's perspective, we should clarify the meaning of Susie's perspective.
The second chapter mainly discusses the function of Susie's perspective of the dead: rhetoric, ideology and thematic function. The discussion of rhetoric function is based on Booth's theory. According to the classification of rhetoric function of perspective in Wang Yang's novel rhetoric research, the rhetoric function is divided into two parts: macro rhetoric and micro rhetoric. It refers to the point of view as a narrative technique, which involves almost all the factors related to narration, such as distance, narration and display, sound, time and space, person and rhythm, etc. The first part is to analyze the concept of ideology, to show the development process of ideological research, and to discuss the ideological function of the perspective of the deceased from the perspective of the ideological performance; finally, according to Wang Juli's classification of the function of the perspective, the theme function of the perspective of the deceased is proposed, and the theme function of Susie's perspective of the deceased is subdivided into two parts. The particularity of the identity of the deceased gives Susie a special perspective on her understanding of death and her feeling of family change.
The third chapter discusses how to transform and transform the "Lovely Bones" from the perspective of the Susie perspective.
The last part of the conclusion summarizes the research on the function of Susie's perspective on the dead, which deepens the theme of the novel and carries the author's thinking and Exploration on the issue of life and death.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I712.074

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相關(guān)期刊論文 前2條

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本文編號：2216538