【摘要】：“美國現(xiàn)代戲劇之父”尤金·奧尼爾是美國有史以來最偉大的劇作家,他的作品及他對美國乃至世界劇壇做出的貢獻為他贏得了諸多榮譽。他先后四次榮獲普利策戲劇獎,并于1936年獲諾貝爾文學獎�！镀娈惖牟迩纷鳛槠浯碜髦�,為他贏得了第三次普利策獎,進一步奠定了其在美國戲劇界的泰斗地位。 國內(nèi)外大多數(shù)文學評論家對本劇的研究集中在對其主題意義的女性主義,清教思想和兩性關(guān)系的研究,很少有對該劇進行狂歡化理論解讀的文章和著作。事實上,《奇異的插曲》中充滿了狂歡化的特征,如狂歡廣場上的加冕和脫冕儀式、狂歡式的世界感受,顛覆與重建和兩重性的狂歡精神等,這一研究角度是一個全新的角度,給人們帶來了新的啟示。 論文包括六部分。 引言部分簡略介紹了作者,作品內(nèi)容,并對國內(nèi)外對該劇的研究現(xiàn)狀進行了概括和總結(jié),從而引出本文的研究目的和意義。 第一章介紹被譽為人類學的“理論百科全書”,二十世紀偉大的思想家之一的前蘇聯(lián)著名文藝學家、文藝理論家、批評家、符號學家以及結(jié)構(gòu)主義理論學家巴赫金及其狂歡化詩學理論。與傳統(tǒng)的批評理論相比,巴赫金的狂歡化理論為《奇異的插曲》的解讀提供了新的視角和新的思維方式。 第二章運用巴赫金狂歡化詩學理論對《奇異的插曲》中的狂歡廣場進行分析,展現(xiàn)劇本狂歡化的戲劇特色,體現(xiàn)出狂歡式的世界感受。 第三章分析了狂歡節(jié)中最重要的儀式--脫冕和加冕。尼娜被其周圍男性在狂歡廣場上同時加冕和脫冕。尼娜既是一位在狂歡節(jié)上被加冕的小丑,又是一位被脫冕的女王。 第四章從狂歡精神的角度對《奇異的插曲》中的人物進行解讀。通過分析人物狂歡式的性格特征和行為,展現(xiàn)劇本所體現(xiàn)的顛覆與重建和兩重性的狂歡精神。 結(jié)論部分總結(jié)前文,指出《奇異的插曲》是一部充滿了狂歡化特點的劇作。雖然狂歡式的快樂生活只是現(xiàn)實生活中的一個插曲,但它所帶來的生活的希望依然值得人們?nèi)プ非蟆?br/>[Abstract]:Eugene O'Neill, the father of modern American drama, is the greatest playwright in the history of the United States. He won the Pulitzer Prize for Drama four times, and the Nobel Prize for Literature in 1936. As one of his masterpieces, Strange Interlude won the third Pulitzer Prize for him, which further established his status as a champion in American drama. Most literary critics at home and abroad focus on the study of feminism, puritanism and gender relations in its thematic meaning, and few articles and works on the interpretation of the play's carnival theory. In fact, the strange episode is full of carnival features, such as the coronation and discoronation in the carnival square, the carnival feeling of the world, the subversion and reconstruction of the spirit of the carnival, and so on. This research angle is a new angle. It brings new enlightenment to people. The thesis consists of six parts. The introduction briefly introduces the author and the content of the works, and summarizes the present research situation of the play at home and abroad, which leads to the purpose and significance of this paper. The first chapter introduces the famous Soviet literature and art theorists, literary theorists and critics, who are known as the encyclopedia of theory of anthropology, one of the great thinkers of the 20th century. Bakhtin, a semiotic and structuralist, and his carnival poetic theory. Compared with the traditional critical theory, Bakhtin's carnival theory provides a new perspective and a new way of thinking for the interpretation of the strange episode. The second chapter uses Bakhtin's theory of carnival poetics to analyze the carnival square in "the strange interlude", to show the dramatic characteristics of the script carnival, and to reflect the carnival world feeling. The third chapter analyzes the most important ceremony in Carnival-coronation and coronation. Nina is coronated and discrowned by men around him in Carnival Square at the same time. Nina was both a clown crowned at Carnival and a de-crowned queen. The fourth chapter interprets the characters in Strange episode from the perspective of carnival spirit. By analyzing the character and behavior of the characters, this paper presents the spirit of subversion and reconstruction and duality of the carnival spirit embodied in the script. In conclusion, the author points out that Strange episode is a play full of carnival characteristics. Although the carnival happy life is only an interlude in real life, the hope of life it brings is still worth pursuing.
【學位授予單位】：鄭州大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.073

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本文編號：2201573