本文選題：納博科夫 + 殘酷　； 參考：《浙江大學(xué)》2013年碩士論文

【摘要】：弗拉基米爾·納博科夫(1899-1977)是二十世紀(jì)最重要的文學(xué)家之一,其作品具有深刻的美學(xué)和倫理價(jià)值。納博科夫作品中的“殘酷”書寫現(xiàn)象廣泛存在,但對(duì)此并未形成系統(tǒng)化的論述。本文將通過(guò)文本細(xì)讀和傳記研究,全面地整理納博科夫作品中的“殘酷”書寫現(xiàn)象,從納博科夫“自由主義反諷者”的形象角度出發(fā),厘清“殘酷”書寫背后的情感起源和人文關(guān)懷,清晰“殘酷”書寫是為了表征納博科夫構(gòu)建“好奇、溫柔、善良、狂喜”四維合一世界的愿望,并從中探討通向“彼岸世界”的可能。 在納博科夫打造的“好奇、溫柔、善良、狂喜”缺失的世界里,彌布著夸張的庸俗氣息,個(gè)體危機(jī)時(shí)時(shí)發(fā)生,最終,一切在納博科夫締造的“時(shí)間之獄”里,走向了終極意義上的“殘酷”圈套。論文主體分為三部分。第一部分討論納博科夫作品中的庸俗現(xiàn)象,從媚“權(quán)”和媚“俗”兩方面進(jìn)行分析,其中媚“俗”包括社會(huì)文化的墮落和人群身上天然的庸俗。第二部分討論納博科夫作品中的個(gè)體危機(jī),在此,個(gè)人的困境包括其本人是殘酷的制造者或被殘酷所傷,原因包括被極權(quán)所害、受時(shí)代所迫以及固守自我。第三部分討論納博科夫作品中的“時(shí)間之獄”,展現(xiàn)人物在應(yīng)對(duì)主觀欲念與時(shí)間流逝之間的沖突時(shí)表現(xiàn)出的“對(duì)抗”、“探尋”以及“和解”。
[Abstract]:Vladimir Nabokov (1899-1977) is one of the most important writers in the 20th century, whose works have profound aesthetic and ethical values. The phenomenon of cruel writing exists widely in Nabokov's works, but there is no systematic discussion on it. This paper will sort out the phenomenon of "cruelty" in Nabokov's works through the study of texts and biographies, starting from the image of Nabokov's "liberal ironists". To clarify the emotional origin and humanistic concern behind the "cruel" writing, and to make it clear that the "cruel" writing is to represent Nabokov's desire to build a four-dimensional world of curiosity, gentleness, kindness and ecstasy. And from this to explore the possibility of leading to "the other side of the world." In Nabokov's lost world of curiosity, gentleness, kindness, ecstasy, there is an exaggerated vulgarity, individual crises occur from time to time, and ultimately everything is in the prison of time created by Nabokov. Towards the ultimate sense of the "cruel" trap. The main body of the paper is divided into three parts. The first part discusses the vulgar phenomenon in Nabokov's works and analyzes it from two aspects of obsequious "power" and "vulgarity", in which obsequious "vulgarity" includes the depravity of social culture and the natural vulgarity of the crowd. The second part discusses the individual crisis in Nabokov's works. In this part, the personal dilemma includes being a cruel maker or being brutally wounded, including being hurt by totalitarianism, being forced by the times, and sticking to oneself. The third part discusses the "prison of time" in Nabokov's works, showing the "confrontation", "exploration" and "reconciliation" of the characters in dealing with the conflict between subjective desire and the passage of time.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I712.06

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 王衛(wèi)東;論納博科夫的時(shí)間觀[J];國(guó)外文學(xué);2001年01期

2 劉佳林;納博科夫與堂吉訶德[J];外國(guó)文學(xué)評(píng)論;2001年04期

3 歐陽(yáng)燦燦;;論納博科夫的時(shí)間意識(shí)[J];外國(guó)文學(xué)研究;2007年04期

4 劉佳林;論納博科夫的小說(shuō)主題[J];揚(yáng)州大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);1997年01期

，

本文編號(hào)：1895928