本文選題：女性主義敘事學(xué)　切入點(diǎn)：聚焦　出處：《海南大學(xué)》2013年碩士論文

【摘要】：本文通過對(duì)弗吉尼亞·伍爾夫的作品《奧蘭多：一部傳記》進(jìn)行女性主義敘事學(xué)角度的分析,試圖探尋這部小說中的敘事話語、時(shí)空設(shè)計(jì)和性別化策略背后隱含的女性主義思想。 敘事學(xué)在二十世紀(jì)九十年代末經(jīng)歷了從封閉的以文本為中心的形式的研究方法到開放的形式與內(nèi)容相結(jié)合的研究方法的轉(zhuǎn)變。女性主義敘事學(xué)作為敘事學(xué)的分支,結(jié)合了女性主義批評(píng)與敘事學(xué)理論,探尋敘事文本中隱含的意識(shí)形態(tài),特別是性別意識(shí)。 作為意識(shí)形態(tài)的載體以及敘事學(xué)中的一個(gè)重要概念,敘事話語是本研究的出發(fā)點(diǎn)。聚焦和聲音作為敘事話語的兩個(gè)重要元素一直都是敘事學(xué)家和女性主義敘事學(xué)家關(guān)注的焦點(diǎn)�！秺W蘭多：一部傳記》中的聚焦和聲音體現(xiàn)了弗吉尼亞·伍爾夫的女性主義思想。 在故事層面上,《奧蘭多：一部傳記》中的時(shí)空設(shè)計(jì)也體現(xiàn)了伍爾夫的女性主義思想。在時(shí)間設(shè)計(jì)方面,象征男性權(quán)威的物理時(shí)間與象征女性意識(shí)的心理時(shí)間并行,構(gòu)造了一種新的敘事結(jié)構(gòu),并且打破了傳統(tǒng)傳記按照線性時(shí)間的敘事結(jié)構(gòu)。在空間處理方面,倫敦象征男性的固定性,而君士坦丁堡則象征男性的固定性與女性的流動(dòng)性的融合。 伍爾夫的女性主義性別思想還體現(xiàn)在她的性別化策略中。她有意識(shí)地將小說中的一些人物、易裝事件以及意象如水和橡樹詩性別化,使它們?nèi)诤夏行蕴刭|(zhì)和女性特質(zhì),即達(dá)到雙性同體的狀態(tài)。 綜上所述,本論文通過結(jié)合女性主義批評(píng)與敘事學(xué)的方法,深入分析弗吉尼亞·伍爾夫的敘事文本《奧蘭多：一部傳記》,旨在探尋形式(即敘事技巧和文本策略)與內(nèi)容(即女性主義思想)之間的互動(dòng)關(guān)系。作者希望本論文能夠?qū)μ钛a(bǔ)伍爾夫敘事技巧研究和其女性主義思想研究之間的空白做出一點(diǎn)貢獻(xiàn)。
[Abstract]:By analyzing Virginia Woolf's Orlando: a Biography, this paper tries to find out the narrative discourse in this novel from the perspective of feminist narratology. The feminist thought behind the design of time and space and the strategy of sexism. In the late 1990s, narratology underwent a transformation from a closed text-centered approach to an open one that combines form and content. Feminist narratology is a branch of narratology. Combined with feminist criticism and narratology, this paper explores the ideology implied in narrative texts, especially gender consciousness. As a carrier of ideology and an important concept in narratology, Narrative discourse is the starting point of this study. Focus and sound as two important elements of narrative discourse have always been the focus of attention of narratologists and feminist narratologists. Focus and Sound in Orlando: a Biography. It embodies Virginia Woolf's feminist thought. At the story level, the space-time design in Orlando: a Biography also embodies Woolf's feminist thinking. In time design, the physical time symbolizing male authority parallels the psychological time that symbolizes female consciousness. A new narrative structure has been constructed, and the narrative structure of traditional biographies has been broken according to linear time. In terms of spatial processing, London symbolizes the fixed nature of men. Constantinople, on the other hand, symbolizes the fusion of male inflexibility and female mobility. Woolf's feminist gender thinking is also reflected in her sexist strategy. She consciously sexualizes some of the characters in the novel as well as images such as water and oak poetry, which combine masculinity and femininity. That is to say, the state of being bisexual. To sum up, this paper combines feminist criticism with narratology. An in-depth analysis of Virginia Woolf's narrative text Orlando: a Biography aimed at exploring the interaction between form (i.e. narrative techniques and textual strategies) and content (i.e. feminist thought). The thesis can contribute a little to fill the gap between Woolf's narrative technique and his feminist thought.
【學(xué)位授予單位】：海南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I561.074

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本文編號(hào)：1663696