本文選題：谷崎潤一郎　切入點(diǎn)：身體敘事　出處：《蘭州大學(xué)》2015年碩士論文

【摘要】：谷崎潤一郎及其作品研究已逐漸成為國內(nèi)學(xué)界的熱點(diǎn)。然而,對于這樣一個窮其一生追求女性身體之美的唯美派作家,人們卻忽視了對其作品中顯而易見的身體敘事的研究,至今尚未見有相關(guān)研究論文發(fā)表。本文在前人對谷崎唯美主義研究的基礎(chǔ)上,對谷崎小說中的身體主體性和身體敘事手法進(jìn)行了初步的分析和論述。一方面,考察了谷崎不同時(shí)期的小說作品中身體敘事方式及其變遷,揭示出其審美意識的流變。在谷崎早期的創(chuàng)作中,唯官能美的狂熱與唯肉欲的耽迷合二為一,同時(shí),靈與肉呈現(xiàn)二元關(guān)系,靈魂屈服于肉體；在谷崎中期的創(chuàng)作中,作家試圖在官能性的自我陶醉中,將身體精神化,追求想象中的“永恒身體”,“母”與“女”的統(tǒng)一成就了他的這一理念；晚年的谷崎對老年人如何生存這一人本問題的思考促使他主動地開始了如何使自己與美的世界一體化的探索。在不同的時(shí)期,谷崎總是以不同的策略處理身體,以不同的方式呈現(xiàn)身體。從早期創(chuàng)作中無處不在的身體欲望的投射,到中期創(chuàng)作中錯綜復(fù)雜的身體想象,再到晚期創(chuàng)作所體現(xiàn)的身體本能的突圍,皆呈現(xiàn)出_種身體本能與身體想象交織、快感與美感融合的風(fēng)格。值得指出的是,基于對“美”的內(nèi)涵的不斷質(zhì)疑和發(fā)展,谷崎的身體敘事是一種肉體和精神相互承載的本真話語。另一方面,論文對谷崎作品中出現(xiàn)的典型的身體符號所傳達(dá)的多維信息進(jìn)行了分析梳理,闡釋了谷崎將身體符號作為審美表達(dá),在渲染他畢生所追求的“美”的同時(shí),將對“美”的理解推向了一個新的境界。
[Abstract]:The study of Tanizaki and his works has gradually become a hot topic in domestic academic circles. However, for such a aesthetically minded writer who pursues the beauty of the female body in his whole life, people neglect the study of the body narration, which is obvious in his works. So far, no related research papers have been published. On the basis of previous studies on Koizaki's aestheticism, this paper makes a preliminary analysis and discussion on the body subjectivity and body narrative techniques in Kuzaki's novels. This paper examines the way of body narration and its changes in the novels of different periods, and reveals the evolution of his aesthetic consciousness. In his early works, the fanaticism of functional beauty and the fascination of sensuality are combined, and at the same time, There is a dualistic relationship between spirit and flesh, and the soul succumbs to the body. In the middle of Tanazaki's creation, the writer tries to turn the body into spirit in the narcissism of functionalism. Pursuing the imaginary "eternal body", the unity of "mother" and "female" achieved his idea; In his later years, Kuzaki's consideration of how the elderly should survive prompted him to take the initiative to explore how to integrate himself into the world of beauty. At different times, he always dealt with the body with different strategies. Presenting the body in different ways. From the projection of ubiquitous body desires in early creation, to the intricate body imagination in the intermediate creation, to the breakthrough of the body instinct embodied in the late creation, It is worth pointing out that, based on the constant questioning and development of the connotation of "beauty", it is worth pointing out that there are _ kinds of styles in which body instinct interweaves with body imagination, pleasure and beauty merge. On the other hand, the thesis analyzes and combs the multidimensional information conveyed by the typical body symbols in Kuzaki's works. This paper expounds that Guzaki regards body symbol as aesthetic expression, which not only exaggerates the "beauty" he pursues all his life, but also pushes the understanding of "beauty" to a new level.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I313.074

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本文編號：1660203