本文關(guān)鍵詞：河瑾燦短篇小說(shuō)主題意識(shí)研究　出處：《吉林大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

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【摘要】：河瑾燦是在韓國(guó)6.25戰(zhàn)爭(zhēng)背景下以短篇小說(shuō)《受難二代》登上文壇的作家。之后隨著年代發(fā)展，不斷創(chuàng)作出各種題材的小說(shuō)。作者以小說(shuō)形式向人們生動(dòng)的展示了韓國(guó)歷史、社會(huì)的發(fā)展，并表達(dá)了自己對(duì)于現(xiàn)實(shí)的冷靜態(tài)度。 本文根據(jù)主題對(duì)河瑾燦短篇小說(shuō)的進(jìn)行了分類，戰(zhàn)爭(zhēng)主題小說(shuō)，殖民地體驗(yàn)小說(shuō)，生活時(shí)態(tài)小說(shuō)，進(jìn)而通過(guò)對(duì)各部分的代表作小說(shuō)的分析，來(lái)具體把握作者的主題意識(shí)。 河瑾燦通過(guò)戰(zhàn)爭(zhēng)主題小說(shuō)表達(dá)了對(duì)于戰(zhàn)爭(zhēng)的拒絕意識(shí)和對(duì)于受難的克服意識(shí)�！逗逍Α返刃≌f(shuō)里作者表現(xiàn)出戰(zhàn)陣的慘烈性以及對(duì)于戰(zhàn)爭(zhēng)的厭惡心。《王陵和駐屯軍》，《紅色山坡》等作品里河瑾燦表現(xiàn)了對(duì)于韓國(guó)對(duì)美依存態(tài)度的批判意識(shí)。對(duì)于戰(zhàn)爭(zhēng)遺留問(wèn)題，河瑾燦在自己的小說(shuō)里也表達(dá)了對(duì)于傷痕的克服意識(shí)�！妒茈y二代》里作者向我們展示了戰(zhàn)爭(zhēng)對(duì)于人們的傷害�？墒亲髌凡](méi)有以絕望收尾，，而是摸索如何克服傷痕之路。殖民地體驗(yàn)小說(shuō)可以看作河瑾燦的自傳性小說(shuō)。小說(shuō)以河瑾燦兒時(shí)的殖民地生活體驗(yàn)為基礎(chǔ)，對(duì)于殖民時(shí)代韓國(guó)人們悲慘的生活以及日本的非人統(tǒng)治進(jìn)行披露。并且在小說(shuō)《日本刀》中反映出解放以后韓國(guó)人對(duì)于日本的態(tài)度。生活事態(tài)小說(shuō)主要反映的是作者步入晚年對(duì)于人生的一種回顧與思考�！懂�(huà)家南宮君的胡子》中反映作者對(duì)于漸漸消失的傳統(tǒng)文化產(chǎn)生的思念和作者的復(fù)古意識(shí)。《電車參觀》中反映了作者步入晚年對(duì)于人生的一種虛無(wú)意識(shí)的態(tài)度。
[Abstract]:Jin River Chan is 6.25 in Korea under the background of the war in two generation short stories "passion > boarded literary writers. With the development, and constantly create a variety of novels. The author in novel form to people vividly in the Korean history, social development, and expressed his calm attitude for reality.
According to the theme of Jin River Chan short stories were classified, war novels, colonial experience novels, live novels, and then through the analysis for a novel representation of each part, to grasp the author's specific subject consciousness.
Ha Keun Chan expressed through the war novels about the war and to overcome the suffering consciousness to consciousness. From the novel the author shows such as "tragic war and the war in disgust. Tomb and garrison >, < > and other works in red hill ha Keun Chan performance of the attitude of dependence in South Korea the critical consciousness for the legacy of war, ha Keun Chan in his fiction. Also expressed the scars. The two generation of suffering consciousness to overcome" the author shows us the war for the people hurt. But the work is not to despair ending, but how to overcome the scars of the road. The colonial autobiography experience novels can be regarded as a river. The river novel Jin Chan Chan Jin childhood colonial life experience as the basis for the South Korean people miserable life and the Japanese colonial rule and inhuman disclosure. In a small < > said the Japanese sword reflected after the liberation of South Koreans for Japan's attitude. Mainly reflects the life situation of the novel is the author entered old age. For the life consciousness of retro tram a review and reflection. The painter Nangong Jun beard > reflect the author for disappearing traditional culture thoughts and the author's visit "reflects the author's attitude towards life into a sense of nihility in old age.

【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I312.607.4

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本文編號(hào)：1377330