本文選題：浪漫主義東方　切入點(diǎn)：《忽必烈汗》　出處：《浙江財(cái)經(jīng)大學(xué)》2017年碩士論文

【摘要】：英國(guó)浪漫主義文學(xué)代表了19世紀(jì)歐洲文學(xué)史的最高成就,其顯著特點(diǎn)是感情自然流露、情感源于靜謐、想象力馳騁不羈,而對(duì)神秘異國(guó)情調(diào)的向往更使其標(biāo)新立異、亦使浪漫主義東方在浪漫主義文學(xué)之林中獨(dú)樹(shù)一幟。塞繆爾·泰勒·柯?tīng)柭芍我蚱湓谛味系难辛?xí)、上帝啟示的冥思以及詩(shī)學(xué)的真知灼見(jiàn),而在英國(guó)乃至世界文學(xué)史上蜚聲遐邇。同時(shí)他對(duì)神秘東方濃烈的興趣,亦使其脫穎而出,其詩(shī)歌《忽必烈汗》更是東方與夢(mèng)境結(jié)合的經(jīng)典之作。身處社會(huì)之中,浪漫主義詩(shī)人不可能獨(dú)善其身,同樣柯?tīng)柭芍我嗖荒鼙苁蓝?所以將文本置于歷史語(yǔ)境、從新歷史主義角度出發(fā)研究《忽必烈汗》中浪漫主義東方元素顯得至關(guān)重要。于浪漫主義詩(shī)人而言,浪漫主義時(shí)期工業(yè)革命與法國(guó)革命的紛至沓來(lái),嚴(yán)重摧毀了其靈感載體的自然,并挫敗了其構(gòu)建理想世界的希冀,最終陷入意識(shí)形態(tài)之囹圄。意識(shí)形態(tài)的混亂使得尋找新的媒介、建立新的超驗(yàn)世界迫在眉睫。而此時(shí)風(fēng)靡英國(guó)且極具神秘特性的東方文化恰逢其時(shí)地為浪漫主義詩(shī)人的哲學(xué)、宗教、社會(huì)和諧多元發(fā)展提供了媒介,致使浪漫主義東方的出現(xiàn)具有必然性�！逗霰亓液埂芬蚱錆庥舻漠悋�(guó)情調(diào)而馳名中外。首先,極具東方色彩的詩(shī)歌題目“忽必烈汗”不僅引領(lǐng)全詩(shī),更被置于標(biāo)題之位使全詩(shī)籠罩于濃郁的東方意境之下。其次,詩(shī)歌中呈現(xiàn)了一副意象蒼茫幽邃、地勢(shì)錯(cuò)落有致的自然及人造景觀,這一園林景象與中國(guó)園林設(shè)計(jì)觀念如出一轍。同時(shí)詩(shī)中深不見(jiàn)底的洞穴、不見(jiàn)天日的海洋以及對(duì)自然景觀與人造景觀的精準(zhǔn)描述凸顯了東方意象的無(wú)限性,正是這一無(wú)限性為柯?tīng)柭芍谓⒍嘣椭C社會(huì)提供了可能性。柯?tīng)柭芍伪旧硪嗯c極具神秘異國(guó)情調(diào)的東方密不可分。首先,鴉片這一東方產(chǎn)物在一定程度上緩解了柯氏疾病的疼痛,使其感官更為敏銳,亦使其詩(shī)學(xué)素材更為崇高。其次,柯氏秉持著對(duì)清朝三拜九叩之禮的批判態(tài)度,并視之為清政府專(zhuān)權(quán)暴政的象征。此外,貫穿柯氏詩(shī)學(xué)始終的“同一”哲學(xué)思想觀又與東方哲學(xué)所崇尚的“和諧統(tǒng)一”異曲同工,兩者皆強(qiáng)調(diào)世間萬(wàn)物的和諧統(tǒng)一。論文以新歷史主義批評(píng)方法對(duì)柯氏超自然詩(shī)歌《忽必烈汗》所表現(xiàn)的濃郁的東方文化色彩進(jìn)行研究,深入理解和正確解讀柯?tīng)柭芍蔚壤寺髁x詩(shī)人的東方情結(jié)。論文認(rèn)為英國(guó)浪漫主義文學(xué)中的東方元素表現(xiàn)是歷史與文學(xué)互文關(guān)系的自然結(jié)果,《忽必烈汗》中的意象及主題完美地呈現(xiàn)了英國(guó)浪漫主義東方色彩,柯?tīng)柭芍螌?duì)東方文化的情感是復(fù)雜和矛盾的:迷戀又疑惑,而貫穿柯氏詩(shī)學(xué)的自然哲學(xué)觀和對(duì)“同一性”和諧整體的畢生追求與中國(guó)傳統(tǒng)的生態(tài)哲學(xué)觀具有本質(zhì)上的一致性。
[Abstract]:British Romantic Literature represents the highest achievement in the history of European literature in the 19th century. Its remarkable characteristics are natural emotion, which originates from tranquility and unrestrained imagination, and its yearning for mysterious and exotic sentiment makes it more innovative. It also makes Romantic Orient unique in the realm of Romantic Literature. Samuel Taylor Coleridge, for his metaphysical study, the meditation of God's revelation, and the insight of poetics, At the same time, his strong interest in the mysterious Orient also made him stand out. His poem Kublai Khan is a classic combination of the East and the Dream. Romantic poets cannot be left alone, nor can Coleridge escape from the world, so he puts the text in the historical context. From the perspective of new historicism, it is very important to study the Eastern elements of Romanticism in Kublai Khan. To romantic poets, the industrial revolution and the French revolution of the Romantic period have poured in. Seriously destroying the nature of its medium of inspiration and thwarting its desire to build an ideal world, and finally falling into ideological prison. The confusion of ideology has led to the search for new media, It is urgent to build a new transcendental world. At this time, the popular and mysterious oriental culture provides the medium for the harmonious and pluralistic development of Romantic poets' philosophy, religion and society. The emergence of romanticism in the East is inevitable. "Kublai Khan" is famous both at home and abroad for its strong exotic atmosphere. First of all, the poem title "Kublai Khan", which has an oriental color, not only leads the whole poem, Placed in the title position, the whole poem is enveloped in a rich oriental mood. Secondly, the poem presents an image of a deep, scattered natural and artificial landscape. This landscape is similar to the concept of Chinese garden design. At the same time, the cave with no bottom in the poem, the ocean in the sky and the precise description of the natural and artificial landscape highlight the infinity of the eastern image. It is this infinity that makes it possible for Coleridge to build a pluralistic and harmonious society. Coleridge itself is inextricably linked to the orient, which is very mysterious and exotic. Opium, an oriental product, to some extent alleviated the pain of Koch's disease, sharpened its senses and made its poetic materials more sublime. And regarded it as the symbol of the dictatorship and tyranny of the Qing government. In addition, the "same" philosophy, which runs through Koch's poetics, is similar to the "harmony and unity" advocated by oriental philosophy. Both of them emphasize the harmony and unity of everything in the world. This paper studies the rich oriental culture color of Kublai Khan, a supernatural poem by Kublai Khan, with the method of new historicism criticism. Understanding and correctly interpreting the oriental complex of Romantic poets such as Coleridge. The paper holds that the expression of oriental elements in English Romantic literature is the natural result of the intertextuality between history and literature, and the meaning of Kublai Khan. The images and themes perfectly present the oriental color of British Romanticism. Coleridge's emotion towards oriental culture is complicated and contradictory: infatuation and doubt, and the natural philosophy that runs through Koch's poetics and his lifelong pursuit of "identity" as a harmonious whole are essentially consistent with Chinese traditional ecological philosophy.
【學(xué)位授予單位】：浙江財(cái)經(jīng)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I561.072

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本文編號(hào)：1694447