連貫概念是語(yǔ)篇分析領(lǐng)域中重要的概念,一直被視為研究熱點(diǎn)。過(guò)去的研究從多個(gè)角度對(duì)這一問(wèn)題進(jìn)行了闡述,而且大部分研究限于詞匯層,語(yǔ)篇層面的研究鮮有涉及。臺(tái)灣著名詞人方文山的歌詞作品因意象跳躍、表達(dá)方式奇特等原因而令人感到難以構(gòu)成連貫。因此本文將運(yùn)用認(rèn)知語(yǔ)言學(xué)的理想認(rèn)知模型(ICM)、概念隱喻(CMT)及象似性三個(gè)理論對(duì)方文山歌詞的連貫性進(jìn)行了嘗試性研究,旨在豐富語(yǔ)篇連貫研究,進(jìn)一步驗(yàn)證認(rèn)知語(yǔ)言學(xué)對(duì)語(yǔ)篇連貫的解釋力,以及為歌詞研究提供全新視角。 本文共分為五章。第一章是引論,簡(jiǎn)單介紹了研究背景、目的、意義和本文的基本框架。第二章是文獻(xiàn)綜述,簡(jiǎn)單回顧了國(guó)內(nèi)外學(xué)者對(duì)此課題的研究,并提出本文的研究方法。第三章為理論基礎(chǔ),簡(jiǎn)述了語(yǔ)篇、銜接和連貫以及連貫在方文山歌詞中的具體概念,并簡(jiǎn)述了認(rèn)知語(yǔ)言學(xué)關(guān)于連貫的基本觀點(diǎn),為第四章歌詞連貫的具體分析做好鋪墊。第四章是本文的主體部分,選取了方文山部分代表性歌詞,分別用三個(gè)理論給予分析,闡述語(yǔ)篇接受者如何通過(guò)認(rèn)知努力更好地鑒賞歌詞,實(shí)現(xiàn)語(yǔ)篇的心理連貫。最后一章是文章的結(jié)論及研究的局限性和建議。

【文章頁(yè)數(shù)】：50 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Abstract
摘要
Chapter 1 Introduction
    1.1 Background of the Study
    1.2 Aim and Significance of the Study
    1.3 Structure of the Thesis
Chapter 2 Literature Review
    2.1 Study of discourse coherence
        2.1.1 Previous studies on discourse coherence from abroad
        2.1.2 Domestic studies on discourse coherence
    2.2 Study on Fang’s Song Lyrics
Chapter 3 Theoretical Framework
    3.1 An definition of discourse and discourse coherence
        3.1.1 Definition of discourse
        3.1.2 Cohesion and Coherence
    3.2 The Concept of Discourse Coherence in the Thesis
    3.3 Cognitive View on Discourse Coherence in General
        3.3.1 ICM and Coherence in Fang’s lyrics
            3.3.1.1 A Brief Introduction to ICM
            3.3.1.2 The Relevant properties of ICM with discourse coherence
        3.3.2 Conceptual Metaphor Theory and Coherence in Fang’s Lyrics
            3.3.2.1 Introduction of Conceptual Metaphor Theory
            3.3.2.2 Metaphor Systematicity
        3.3.3 Iconicity and Coherence in Fang’s Lyrics
            3.3.3.1 A Brief Introduction to Iconicity
Chapter 4 Cognitive Analysis of Coherence in Fang Wenshan’s Song Lyrics
    4.1 Application of ICM to interpretation of discourse coherence in Fang’s lyrics
    4.2 Conceptual Metaphor Theory and Discourse Coherence in Fang’s Lyrics
    4.3 Application of Iconicity to Interpretation of Discourse Coherence in Fang’s Lyrics
        4.3.1 Iconic Sequencing and Discourse Coherence in Fang’s Lyrics
        4.3.2 Iconic Quantity and Discourse Coherence in Fang’s Lyrics
Chapter 5 Conclusion
    5.1 Major findings
        5.1.1 Dynamic Analysis
        5.1.2 Mental Coherence
    5.2 Limitations and Suggestions
Bibliography
Acknowledgements
在讀期間公開發(fā)表論文(著)及科研情況



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