本文選題：語(yǔ)言 + 圖像　； 參考：《湖南師范大學(xué)社會(huì)科學(xué)學(xué)報(bào)》2017年01期

【摘要】：語(yǔ)言與圖像的關(guān)系一直是西方文藝?yán)碚摰闹匾},達(dá)·芬奇及埃德蒙·伯克有關(guān)視覺(jué)藝術(shù)與聽(tīng)覺(jué)藝術(shù)的區(qū)分、萊辛有關(guān)時(shí)間藝術(shù)與空間藝術(shù)的區(qū)分、貢布里希有關(guān)自然符號(hào)與習(xí)俗符號(hào)的區(qū)分以及古德曼關(guān)于圖畫(huà)與段落的區(qū)分,基本上呈現(xiàn)了西方思想史中有關(guān)語(yǔ)言與圖像關(guān)系問(wèn)題的代表性觀點(diǎn)。通過(guò)對(duì)這些人物及其思想的解讀,可以發(fā)現(xiàn),語(yǔ)言與圖像之間更多的是逃逸與背離的關(guān)系,不僅僅呈現(xiàn)于意義層面,也呈現(xiàn)于接受方式、審美風(fēng)格等方面。這種關(guān)系不僅展示了文化間固有的矛盾,也揭示了意識(shí)形態(tài)、權(quán)力利益等在理論家們形成捍衛(wèi)語(yǔ)言或圖像的思想過(guò)程中所起的作用,因此,不可能存在著徹底解決爭(zhēng)端的統(tǒng)一性理論,只能讓語(yǔ)詞和圖像展開(kāi)深入、自由的對(duì)話。
[Abstract]:The relationship between language and image has always been an important proposition in western literary theories. Da Vinci and Edmund Burke distinguish between visual art and auditory art, and Lessing's distinction between time art and space art. Gonbridge's distinction between natural symbols and custom symbols and Goodman's distinction between pictures and paragraphs basically presents a representative view of the relationship between language and image in the history of Western thought. Through the interpretation of these characters and their thoughts, we can find that the relationship between language and image is more escape and deviation, not only in the meaning level, but also in the way of acceptance, aesthetic style and so on. This relationship not only reveals the inherent contradictions between cultures, but also reveals the role of ideology, power interests, etc., in the process of theorists forming ideas to defend language or images. It is impossible to have the unity theory of resolving disputes thoroughly. It can only make the words and images carry out deep and free dialogue.
【作者單位】： 武漢大學(xué)文學(xué)院;黃岡師范學(xué)院美術(shù)學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)青年基金項(xiàng)目“審美現(xiàn)代性視域中的‘八五美術(shù)運(yùn)動(dòng)’研究”(16YJC760026) 武漢大學(xué)自主科研項(xiàng)目(人文社會(huì)科學(xué))階段性研究成果 “中央高�；究蒲袠I(yè)務(wù)費(fèi)專(zhuān)項(xiàng)資金”資助
【分類(lèi)號(hào)】：H0-05

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