語碼轉(zhuǎn)換是指兩種語碼或語言變體同時(shí)出現(xiàn)在同一語篇中。歌詞中的語碼轉(zhuǎn)換非常普遍,這為語言學(xué)家多方面研究語言開辟了新的領(lǐng)域和渠道。 語碼轉(zhuǎn)換研究主要集中于以下三個(gè)角度：語法角度,研究語碼轉(zhuǎn)換的形式和結(jié)構(gòu)特點(diǎn)；社會語言學(xué)角度,主要從社會因素分析語碼轉(zhuǎn)換的特點(diǎn),動機(jī)和轉(zhuǎn)換功能。第三種途徑是從功能語言學(xué)角度進(jìn)行研究,它以語言使用為基礎(chǔ),提出語言使用原則,包括概念因素,人際因素和篇章因素。在該論文中,作者將應(yīng)用語域理論研究漢語情歌中的語碼轉(zhuǎn)換從而證明功能語言學(xué)在語碼轉(zhuǎn)換中的適用性和可行性。 本文有兩個(gè)目的：一是揭示漢語情歌中語碼轉(zhuǎn)換的特點(diǎn)；二是分析語碼轉(zhuǎn)換的動機(jī)從而探索語域理論的制約作用。 在本文中,作者隨意下載了200首含有中英文語碼轉(zhuǎn)換的漢語情歌及其歌詞,反復(fù)收聽確保歌詞和音樂相一致。然后,作者分三步進(jìn)行研究：第一步,介紹語碼轉(zhuǎn)換的相關(guān)理論；第二步,根據(jù)不同的插入形式將插入語碼分為詞組短語插入,小句插入,語篇插入和混合插入。第三步,作者運(yùn)用語域理論分析語碼轉(zhuǎn)換的特點(diǎn)從而揭示這一理論在語碼轉(zhuǎn)換中的制約功能。 經(jīng)過認(rèn)真分析,作者發(fā)現(xiàn)情歌中語碼轉(zhuǎn)換的所有特點(diǎn)都受到語域三...

【文章頁數(shù)】：76 頁

【學(xué)位級別】：碩士

【文章目錄】：
Acknowledgements
Abstract in English
Abstract in Chinese
Chapter One INTRODUCTION
    1.1 Introduction
    1.2 The Rationale of the Research
    1.3 Research Goals of the Present Study
    1.4 The Structure of This Thesis
Chapter Two LITERATURE REVIEW
    2.1 Introduction
    2.2 Definition of Terms
        2.2.1 Code,Code-switching and Code-mixing
        2.2.2 Matrix Language and Embedded Language
    2.3 Different Approaches to Code-switching Studies
        2.3.1 Grammatical Approach
        2.3.2 Socio-linguistic Approach
        2.3.3 Pragmatic Approach
        2.3.4 Functional Linguistic Approach
        2.3.5 Other Approaches
    2.4 Previous Studies on Song Lyrics
    2.5 Summary and Evaluation
Chapter Three THEORETICAL FRAMEWORK
    3.1 Introduction
    3.2 A Brief Introduction to Register Theory
    3.3 Three Determinants of Register
        3.3.1 The Field of Discourse
        3.3.2 The Tenor of Discourse
        3.3.3 The Mode of Discourse
        3.3.4 Integrating the Three into One
    3.4 The Relationship between Context and Language in Systemic Functional Linguistics
    3.5 Summary
Chapter Four ANALYSIS AND INTERPRETATION
    4.1 Introduction
    4.2 Data Collection
        4.2.1 Research Questions
        4.2.2 Research Organization and Methodology
    4.3 Data Analysis
    4.4 Summary
Chapter Five REGISTER EXPLORATIONS
    5.1 Introduction
    5.2 Field Exploration in Love Song Lyrics Discourse
    5.3 Field Exploration in Love Song Lyrics Discourse
    5.4 Mode Exploration in Love Song Lyrics Discourse
    5.5 Three Dimensions Work as a Whole
    5.6 Summary
Chapter Six CONCLUSION
    6.1 Introduction
    6.2 Findings of the Study
    6.3 The Significance of this Study
    6.4 Limitations and Future Research Questions
    6.5 Summary and Conclusion
Reference
Appendix 1
Appendix 2



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