本文關鍵詞： “串把式” 蓮花山花兒會 花兒 創(chuàng)作　出處：《蘭州大學》2008年碩士論文　論文類型：學位論文

【摘要】： “串把式”作為花兒會中“歌攤”的領頭人物,在花兒會前期準備、中期運作、后期總結(jié)等方面起到了不可替代的作用。但迄今為止,對花兒會中“串把式”這一“文化承載者”的研究沒有得到相應的重視,幾乎為零。筆者希望通過本文的研究,不僅可以彌補花兒學界長期以來對花兒的真正主人——“串把式”的研究空白,更可以起到拋磚引玉的作用,以示引起花兒學人研究視角和視線的轉(zhuǎn)移,推動花兒藝術和花兒研究的全面繁榮。 本文主要對蓮花山花兒會中“串把式”的身份特征、期間作用、創(chuàng)作特點、創(chuàng)作風格及其影響因素等進行了詳實的論證。具體內(nèi)容如下: 首先,介紹了本文的研究背景、研究意義和研究方法。指出本文的研究可以彌補花兒學界長期以來對“串把式”的研究空白,并進一步引起花兒學人研究視角和視線的轉(zhuǎn)移,推動花兒藝術和花兒研究的全面繁榮。 其次,介紹了蓮花山的人文、地理知識,并就蓮花山花兒會的基本情況以及新時期出現(xiàn)的一些新變化進行了簡單論述。 再次,詳細闡述了蓮花山花兒會“串把式”的角色定位、存在原因、期間作用、一般特征。主要采用實地調(diào)查、人物訪問和理論探討的方法完成。 最后,重點論證了“串把式”的創(chuàng)作特點、創(chuàng)作規(guī)律及其影響因素。在論述其創(chuàng)作的即興性時,采用并發(fā)揮了物理學中“場”的原理,結(jié)合心理學的相關理論,提出了音樂的三種“場”論—“物質(zhì)場”、“社會關系場”、“文化意識場”,并加以闡述。
[Abstract]:As the leading figure of the "Song stand" in the Flower Club, the "string Type" has played an irreplaceable role in the preparation of the Flower Club, the mid-term operation, and the summing up of the later period, etc., but up to now it has played an irreplaceable role. The research on the "string" in the Huahua meeting has not been paid much attention to, and it is almost zero. The author hopes that the research will be carried out in this paper. It can not only make up for the blank of the research on "string type", but also play a role in drawing the attention of the flower scholars to show the shift of perspective and sight of the flower scholars. To promote the overall prosperity of flower art and flower research. In this paper, the identity characteristics, the role of the period, the creative characteristics, the creation style and the influencing factors of the "string type" in the Lotus Mountain Huayuan Association are discussed in detail. The specific contents are as follows: First of all, it introduces the research background, significance and research methods of this paper, pointing out that the research in this paper can make up for the long study of "string" in the field of flowers. It also causes the shift of the perspective and sight of the Flower Scholars, and promotes the overall prosperity of the Flower Art and the Flower Research. Secondly, it introduces the knowledge of humanity and geography of Lianhua Mountain, and briefly discusses the basic situation of Lotus Mountain Flower Club and some new changes in the new period. Thirdly, the role orientation, the reason of existence, the function of the period, the general characteristics of the "string" of Lotus Mountain Flower Club are explained in detail. The methods of field investigation, character interview and theoretical discussion are mainly used. In the end, the author focuses on the characteristics, rules and influencing factors of "string" creation. In discussing the improvisation of its creation, it adopts and gives play to the principle of "field" in physics. Combined with the related theories of psychology, this paper puts forward three kinds of "field" theory of music-"material field", "social relation field", "cultural consciousness field", and expounds them.
【學位授予單位】：蘭州大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J607

【共引文獻】

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