本文選題：后現(xiàn)代現(xiàn)實(shí)主義　切入點(diǎn)：現(xiàn)實(shí)關(guān)注　出處：《河北師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：《墜落的人》是美國(guó)當(dāng)代著名作家唐·德里羅發(fā)表于2007年的作品。小說以舉世震驚的“9·11”恐怖襲擊事件為題材,具有恢宏的歷史背景。但在作品中作者將視角限定于極小的光圈,著眼于恐怖事件后一對(duì)普通紐約夫妻的生活和心理體驗(yàn)歷程,以提喻的方式揭示了”9-11”事件造成的巨大損失和帶給世人難以平復(fù)的心理創(chuàng)傷與困惑。同時(shí)作品還巧妙地融入了對(duì)恐怖分子和被稱作“墜落的人”的行為藝術(shù)家描述,形成德里羅對(duì)“9·11”事件的獨(dú)具特色的解讀。國(guó)內(nèi)外對(duì)這部作品的研究多集中于創(chuàng)傷記憶和平復(fù)創(chuàng)傷這一主題以及作品中后現(xiàn)代創(chuàng)作手法。此篇論文將獨(dú)辟蹊徑,從后現(xiàn)代現(xiàn)實(shí)主義的視角分析這部小說。 后現(xiàn)代現(xiàn)實(shí)主義小說體現(xiàn)了作家對(duì)歷史和現(xiàn)實(shí)的深切關(guān)注,又超越了傳統(tǒng)現(xiàn)實(shí)主義對(duì)“現(xiàn)實(shí)”概念的局限—展現(xiàn)“后現(xiàn)代語(yǔ)”境中的現(xiàn)實(shí)。這類作品繼承了傳統(tǒng)實(shí)主義小說注重人物刻畫和講故事的優(yōu)點(diǎn),同時(shí)在現(xiàn)代主義和后代主義作品中借鑒成熟的審美和創(chuàng)作手法,形成獨(dú)特的創(chuàng)作風(fēng)格。在一定程度上,后現(xiàn)代現(xiàn)實(shí)主義小說體現(xiàn)了現(xiàn)實(shí)主義在后現(xiàn)代語(yǔ)境下新的發(fā)展。 《墜落的人》聚焦了后“9·11”時(shí)期民眾的心理波瀾；生動(dòng)地塑造了充滿內(nèi)心矛盾的普通人,講述發(fā)生在他們周邊的故事；描述了被劫持飛機(jī)撞擊向北塔那驚心動(dòng)魄的瞬間,從而以獨(dú)特的視角和細(xì)膩的筆觸展現(xiàn)了幸存者內(nèi)心世界；悼念了襲擊中的遇難者；譴責(zé)了恐怖主義和美國(guó)政府的對(duì)內(nèi)對(duì)外政策。同時(shí)小說的敘事結(jié)構(gòu)和某些創(chuàng)作手法又具有顯著后現(xiàn)代文學(xué)的特征。而這些創(chuàng)作方法和策略服務(wù)于揭示當(dāng)今社會(huì)人們的真實(shí)心態(tài)與生存狀況。由此小說體現(xiàn)了后現(xiàn)代現(xiàn)實(shí)主義特色。 本文由引言,三個(gè)章節(jié)和結(jié)論五部分組成。 引言簡(jiǎn)要介紹作者和其創(chuàng)作風(fēng)格、《墜落的人》的主要情節(jié)并回顧了對(duì)它的文學(xué)評(píng)價(jià),同時(shí)介紹了論文的理論基礎(chǔ)：文學(xué)中的后現(xiàn)代現(xiàn)實(shí)主義。 第一章解讀小說中的后現(xiàn)代現(xiàn)實(shí)主題。小說探討了恐怖襲擊對(duì)民眾造成的輻射性心理創(chuàng)傷,作者對(duì)恐怖主義的進(jìn)行反思同時(shí)指出即便在恐怖襲擊的陰影下仍有人性的溫情存在。 第二章分析小說塑造了后現(xiàn)代現(xiàn)實(shí)主義視域下的典型人物：人們經(jīng)受的心理危機(jī)和為適應(yīng)現(xiàn)實(shí)做出的內(nèi)心調(diào)和與精神求索。 第三章探討了小說的寫作技巧：重復(fù)和平行蒙太奇兩種創(chuàng)作技巧的運(yùn)用解構(gòu)了小說常規(guī)敘事結(jié)構(gòu),重建了德里羅對(duì)“9·11”事件的解讀并重塑了恐怖分子形象,在深化主題的同時(shí)給讀者以全新的審美體驗(yàn)。 論文結(jié)論部分指出：盡管對(duì)于文學(xué)領(lǐng)域內(nèi)的后現(xiàn)代現(xiàn)實(shí)主義界定目前尚不十分明晰,但不妨礙以其本特色來評(píng)價(jià)《墜落的人》—這將是一次有建設(shè)性的有益嘗試。 論文從后現(xiàn)代現(xiàn)實(shí)主義視角分析《墜落的人》。旨在說明在這部作品中德里羅利用多元的創(chuàng)作技巧關(guān)注現(xiàn)實(shí)主題,講述了生動(dòng)故事并塑造了典型人物。因此《墜落的人》體現(xiàn)了后現(xiàn)代現(xiàn)實(shí)主義小說的創(chuàng)作原則。后現(xiàn)代現(xiàn)實(shí)主義鋪設(shè)了研究《墜落的人》的新途徑。而從這一角度對(duì)作品的解讀也必然會(huì)開拓讀者的視野并深化我們對(duì)文學(xué)中后現(xiàn)代現(xiàn)實(shí)主義的理解。
[Abstract]:< > falling is a famous contemporary American writer Don Delera published works in 2007. For the novels to shocking "9 - 11" terrorist attacks, has a historical background. But in the works of the author will be limited to the minimum angle of aperture, focus on the terrorist attacks after a pair of ordinary couples living in New York and the psychological experience, by synecdoche reveals the "9-11" incident caused huge losses to the world and difficult to heal the psychological trauma and confusion. At the same time also works cleverly into the terrorists and called "falling man" behavior artist description, interpretation of Delillo "9 / 11" event the unique. The domestic and foreign research on this work focused on the traumatic memories and heal the theme and works of postmodern writing techniques. This paper will from the modern way The novel is analyzed in the perspective of realism.
Postmodern realism novels reflect the writer deeply concerned about the history and reality, but also beyond the traditional realism of the concept of "reality" limitations - Show "postmodern language" in the environment of reality. This kind of works inherited the traditional realism novels focus on the characters and story and learn from the mature aesthetic advantages. And the creation of modernism and Postmodernism in the works, form a unique writing style. In a certain extent, postmodern realism novels reflects the new development of realism in the postmodern context.
< > falling people focus after "9 - 11" period people's psychological turmoil; vividly portray ordinary people full of inner contradictions, the story happened in the story around them; describes the hijacked aircraft crashed into the north tower that thrilling moment, and with a unique perspective and delicate brushstrokes to show the survivors the inner world; mourn the victims of the attacks on foreign policy; condemned terrorism and the government of the United States. At the same time, the structure of the novels and some creative techniques and features of modern literature. These significant creative methods and strategies to reveal the true service attitude and living conditions of people in modern society. The novel reflects the postmodern features of realism.
This article is composed of the introduction, the three chapters and the five parts of the conclusion.
The introduction briefly introduces the main plot of the author and his writing style, the fallen man, and reviews its literary evaluation. Meanwhile, it introduces the theoretical basis of the thesis: the postmodern realism in literature.
The first chapter interprets the theme of post-modern reality in the novel. The novel explores the radiation psychological trauma caused by terrorist attacks on the public. The author reflects on terrorism and points out that even under the shadow of terrorist attacks, there is still warmth in human nature.
The second chapter analyzes the typical characters in postmodern realism: the psychological crisis people have suffered and the inner coordination and spiritual quest for adaptation.
The third chapter discusses the novel writing techniques: the use of repetition and parallel montage two kinds of creative skills to deconstruct the conventional novel narrative structure, reconstruction of the Delillo interpretation of "9 - 11" incident and reshaping the image of terrorists, in deepening the theme and give the reader a new aesthetic experience.
The conclusion of the paper points out that although the definition of Postmodernism in the literary field is not very clear at present, it will not obstruct the evaluation of falling people with its own characteristics. This will be a constructive and useful attempt.
From the perspective of postmodern realism "falling man. To illustrate in this novel Delillo usingmultivariate creative skills focus on the reality theme, tells a vivid story and created typical characters. So < fall > embodies the creative principle of postmodern realism novels. A new way of" falling > after the laying of modern realism. And from the perspective of reading will also develop readers' horizons and deepen our understanding of the literature in postmodern realism.

【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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相關(guān)期刊論文 前1條

1 李公昭;20世紀(jì)美國(guó)現(xiàn)實(shí)主義小說的發(fā)展與復(fù)興[J];四川外語(yǔ)學(xué)院學(xué)報(bào);2000年03期

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本文編號(hào)：1605657