【摘要】：20世紀中后期出現(xiàn)的言語行為理論和可能世界理論為文學虛構問題研究分別提供了語用學和新語義學的闡釋思路:前者將虛構視為一種語言行為,重點在于討論其施為性功能的實現(xiàn);后者則突破了虛構研究的單一世界框架,尋求建立多元世界框架下的虛構語義學。兩者的結(jié)合,形成了20世紀文學虛構研究的語言論模式,開啟了從行為視點與多元世界框架研究文學虛構問題的思路,這不僅拓寬了文學虛構研究的視角和范圍,而且有力地扭轉(zhuǎn)了當下語境中文學虛構問題的懸置和泛化發(fā)展趨勢,進而揭示了文學的跨界性質(zhì)與特征,對文學虛構和文學性質(zhì)的研究都提供了富有啟發(fā)性的思考。
[Abstract]:The speech act theory and the possible world theory in the middle and late 20th century provide pragmatic and new semantic ideas for the study of literary fiction, respectively: the former regards fiction as a linguistic act, focusing on the realization of its sexual function, while the latter breaks through the single world framework of fictional research and seeks to establish fictional semantics under the framework of pluralistic world. The combination of the two forms the mode of speech in the study of literary fiction in the 20th century, which opens up the idea of studying the problem of literary fiction from the perspective of behavior and the framework of the pluralistic world, which not only broadens the perspective and scope of the study of literary fiction, but also effectively reverses the development trend of the suspension and generalization of literary fiction in the current context, and then reveals the cross-border nature and characteristics of literature. The study of literary fiction and literary nature provides enlightening thinking.
【作者單位】： 浙江工商大學人文與傳播學院;
【基金】：國家社科基金重大項目“當代西方前沿文論研究”(14ZDB087)階段性成果
【分類號】：I04

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