【摘要】： 作為二十世紀俄國最重要的文學批評家之一,米哈伊爾·米哈伊洛維奇·巴赫金在《陀思妥耶夫斯基詩學問題》一書中首次提出了復調(diào)小說理論。巴赫金認為有著眾多的各自獨立而不相融合的聲音和意識,由具有充分價值的不同聲音組成真正的復調(diào)。“復調(diào)小說”雖然是巴赫金提出用以形容陀思妥耶夫斯基小說創(chuàng)作特點的,但無論是在中國還是在西方文壇,還有不少作家的作品都具有明顯的復調(diào)特征。美國著名作家威廉·�？思{創(chuàng)作的小說《喧嘩與騷動》與中國當代作家賈平凹的力作《秦腔》正是這樣的兩部作品。它們雖誕生于不同時代和國度,但在諸多方面都具有明顯的復調(diào)特征。本論文在對兩部作品深入分析的基礎(chǔ)之上,借助比較研究,從“眾聲喧嘩”、“全面對話”和“未完成性”三方面研究了這兩部小說相似的復調(diào)特征,進而指出造成小說復調(diào)性的一是創(chuàng)作背景的復調(diào)性,即兩部作品的創(chuàng)作背景都處于“歷史的十字路口”,多種聲音在爭奪著話語權(quán);二是兩部作品中相似的“瘋癲之愛”所演繹出的作家思想的復調(diào)性,即對傳統(tǒng)的留戀與對社會發(fā)展歷史必然性的理性認識。通過對這兩部作品的復調(diào)特征解讀還發(fā)現(xiàn)了這樣一個事實,即不同國家演繹著相同的社會發(fā)展規(guī)律及矛盾。
[Abstract]:As one of Russia's most important literary critics in the 20th century, Mikhail Mikhilovich Bakhtin put forward the theory of polyphonic novel for the first time in Dostoevsky's Poetics. Bakhtin believes that there are many independent and non-integrated voices and consciousness, which are composed of fully valuable different sounds to form a true polyphony. Although "polyphonic novel" was put forward by Bakhtin to describe Dostoevsky's novel creation characteristics, there are still many writers' works with obvious polyphonic characteristics both in China and in the western literary world. The famous American writer William Faulkner's novel the Sound and the Fury and the Chinese contemporary writer Jia Pingao's masterpiece Qin Xuan are just such two works. Although they were born in different times and countries, they have obvious polyphonic characteristics in many aspects. On the basis of in-depth analysis of the two novels, this paper studies the similar polyphonic features of the two novels from three aspects of "the Sound", "Total Dialogue" and "unfinished" by means of comparative research. Furthermore, the author points out that one of the reasons for the polyphony of the novel is that the background of the two works is at "the crossroads of history", and many kinds of voices are fighting for the right to speak. The second is the polyphony of the writer's thought deduced from the similar "madly love" in the two works, that is, the nostalgia for the tradition and the rational understanding of the historical inevitability of social development. Through the interpretation of the polyphonic features of the two works, we also find the fact that different countries deduce the same laws and contradictions of social development.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：I106.4;I0-03

【參考文獻】

相關(guān)期刊論文 前10條

1 楊俊國;;“日暮鄉(xiāng)關(guān)何處是?”——讀賈平凹的《秦腔》兼與�？思{比較[J];安康學院學報;2007年03期

2 張勝友,韓魯華,牛玉秋,雷達,陳曉明,李敬澤,孟繁華,張頤武,王強,謝有順,胡平,王干,李潔非,白燁,賀紹俊,白描,張水舟,王必勝;《秦腔》:鄉(xiāng)土中國敘事終結(jié)的杰出文本——北京《秦腔》研討會發(fā)言摘要[J];當代作家評論;2005年05期

3 朱靜宇;欒梅健;;論《秦腔》在鄉(xiāng)土小說史上的意義[J];當代作家評論;2006年03期

4 張琳;凱蒂·康普生:令人心碎的女性悲劇[J];東華大學學報(社會科學版);2003年03期

5 查日新;解析美國南方的困境——論威廉·福克納《喧嘩與騷動》中的“焦慮”主題[J];西華師范大學學報(哲學社會科學版);2004年04期

6 武月明;天使/妖婦《喧嘩與騷動》中的凱蒂形象讀解[J];外國文學;2002年01期

7 李德虎;;堅守與尋找——兼談《秦腔》中引生的象征意味[J];貴州民族學院學報(哲學社會科學版);2007年01期

8 方志彪;《喧嘩與騷動》的象征藝術(shù)初探[J];海南師范學院學報(人文社會科學版);2002年05期

9 錢中麗;從《喧嘩與騷動》的人物探察�？思{的內(nèi)心世界[J];解放軍外國語學院學報;2005年04期

10 范晶晶;;鄉(xiāng)土中國的最后守望——評賈平凹的小說《秦腔》[J];晉中學院學報;2006年01期

，

本文編號：2383210