【摘要】：作為一種批評(píng)理論和批評(píng)方法,倫理批評(píng)經(jīng)歷了提出、興起、繁榮、衰落、復(fù)興、再發(fā)展的過(guò)程。二十世紀(jì)八十年代是其發(fā)展過(guò)程的分界線。在此之前,其繁榮表現(xiàn)在文學(xué)倫理學(xué)研究的蓬勃發(fā)展;在此之后,其復(fù)興首先表現(xiàn)在對(duì)其定義的重新界定。此次的復(fù)興不是道德批評(píng)的重申,而是倫理批評(píng)的進(jìn)一步發(fā)展,并由此演變出了以韋恩·布斯和瑪莎·努斯鮑曼為代表的新人文主義倫理批評(píng)和以希利斯·米勒為代表的解構(gòu)主義倫理批評(píng)。二十一世紀(jì)初,中國(guó)學(xué)者聶珍釗也提出了中國(guó)的文學(xué)倫理學(xué)批評(píng)并逐步完善,使之成為具有系統(tǒng)理論框架和批評(píng)術(shù)語(yǔ)的批評(píng)方法。
[Abstract]:As a critical theory and method, ethical criticism has experienced the process of putting forward, rising, flourishing, declining, reviving and redeveloping. The 1980's was the dividing line of its development process. Before that, its prosperity was manifested in the vigorous development of literary ethics research; after that, its revival first manifested in the redefinition of its definition. This revival is not a reaffirmation of moral criticism, but a further development of ethical criticism. And thus evolved the new humanistic ethical criticism represented by Wayne Booth and Marsha Nussbauman and the deconstruction ethical criticism represented by Hillis Hans Muller. At the beginning of the 21 century, the Chinese scholar Nie Zhenzhao also put forward the criticism of Chinese literary ethics and gradually perfected it, making it a criticism method with systematic theoretical framework and critical terminology.
【作者單位】： 華中農(nóng)業(yè)大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：國(guó)家社科基金項(xiàng)目“美國(guó)倫理批評(píng)的歷時(shí)發(fā)展及其演變研究”(編號(hào):12CWW004) 中央高�；究蒲袠I(yè)務(wù)費(fèi)專(zhuān)項(xiàng)資金資助項(xiàng)目“西方倫理批評(píng)的復(fù)興及其在21世紀(jì)的新發(fā)展”(編號(hào):2662015PY215)
【分類(lèi)號(hào)】：I0-05

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