【摘要】： 人類進行藝術創(chuàng)作的根本動力是審美需求,而審美需求直指人類欲望的滿足。人類欲望的表達和釋放都經(jīng)由感官來完成,影像藝術對應人類視覺欲望的釋放。虛擬現(xiàn)實藝術作為最前沿的影像藝術在人類視覺欲望的釋放過程中,是如何發(fā)揮作用的呢?本文旨在通過對虛擬現(xiàn)實藝術影像性進行剖析,來解答“虛擬現(xiàn)實藝術對人類視覺欲望的表述,它怎樣釋放人類視覺欲望,這種釋放給人類精神生活帶來怎樣的影響”這一系列問題。這些問題的研究對虛擬現(xiàn)實藝術的發(fā)展,及其藝術理論的完善都具有一定的意義。 文獻法、例證分析法、對比研究法是本文研究所采用的主要方法。 首先,對虛擬現(xiàn)實藝術進行了總體性闡述。從虛擬現(xiàn)實藝術的技術特性入手,分別從正面描述和反面對比兩個角度對虛擬現(xiàn)實藝術進行定義,同時分析闡釋了虛擬現(xiàn)實藝術的特性,并通過舉例介紹了虛擬現(xiàn)實藝術的發(fā)展概況,對虛擬現(xiàn)實藝術進行了整體的描述和相對清晰的界定。 其次,借鑒心理學、精神分析的理論觀點對視覺欲望進行闡釋,對虛擬現(xiàn)實藝術中視覺欲望的表述,及欲望主體的異化進行了解讀。制造影像是虛擬現(xiàn)實技術的根本目的,影像是虛擬現(xiàn)實藝術的物質(zhì)依托,也是觀賞者參與和交流的核心途徑,而影像直指人的視覺欲望。如果說電影等以往的影像藝術是主要通過畫面語言來表述人的視覺欲望,那么虛擬現(xiàn)實藝術更多的是從表現(xiàn)方式和接受方式上對人的視覺欲望進行表述。虛擬現(xiàn)實藝術的獨特影像同時表述了創(chuàng)作者和欣賞者的視覺欲望,而作為欲望主體的同時,他們又受到社會文化的制約,不自覺的成為社會文化的欲望客體。 再次,論證說明了虛擬現(xiàn)實藝術深度釋放人類視覺欲望。從虛擬現(xiàn)實藝術影像的特點入手,探討了虛擬現(xiàn)實藝術通過怎樣的方式釋放人類的視覺欲望。發(fā)現(xiàn)虛擬現(xiàn)實藝術在人類視覺欲望的推動下產(chǎn)生,虛擬現(xiàn)實藝術通過沉浸性、構想性和多感官感受方式,在打破物質(zhì)因素對人類視覺欲望的限制的同時,恢復了人類觀看的自然狀態(tài)。交互性是虛擬現(xiàn)實藝術的根本特性,通過人與影像的交互,虛擬現(xiàn)實藝術將人類身心狀態(tài)視覺化,實現(xiàn)人類對自身的多層次的觀看,滿足了人類最根本的視覺欲望——對自身的觀看。虛擬現(xiàn)實藝術深度釋放了人類的視覺欲望。 在以上研究的基礎上,本文從視覺在人類感官中的地位入手,探討了虛擬現(xiàn)實藝術對人類視覺欲望的釋放對人類精神生活的影響。虛擬現(xiàn)實藝術對人類視覺欲望的深度釋放帶給人類視覺感官的自由,進而帶給人類精神自由的可能。于此同時,由于對內(nèi)向性傳播的高度強化,虛擬現(xiàn)實藝術在深度釋放人類視覺欲望的同時,引起人類外向性交流的丟失,扭曲了人類的精神生活。
[Abstract]:The basic motive force of human artistic creation is aesthetic demand, which directly refers to the satisfaction of human desire. The expression and release of human desire are accomplished by the senses, and the image art corresponds to the release of human visual desire. Virtual reality art as the most advanced image art in the process of human visual desire release is how to play a role? The purpose of this paper is to analyze the image of virtual reality art, and to explain how virtual reality art expresses human visual desire and how it releases human visual desire. What kind of influence this kind of release brings to human's spiritual life "this series of questions." The research of these problems has certain significance to the development of virtual reality art and the perfection of art theory. Literature method, example analysis method and contrast research method are the main methods used in this paper. First of all, the virtual reality art of the overall elaboration. Starting with the technical characteristics of virtual reality art, this paper defines virtual reality art from two angles of positive description and negative contrast, and analyzes and explains the characteristics of virtual reality art. The development of virtual reality art is introduced with examples, and the whole description and relatively clear definition of virtual reality art are given. Secondly, using the theory of psychology and psychoanalysis to explain visual desire, this paper interprets the expression of visual desire and the alienation of the subject of desire in the art of virtual reality. Making image is the basic purpose of virtual reality technology, image is the material support of virtual reality art, it is also the core way for the viewer to participate and communicate, and the image refers to the visual desire of people. If the image art such as film is mainly through the picture language to express human visual desire, then virtual reality art is more from the way of expression and acceptance of human visual desire to express. The unique image of virtual reality art expresses the visual desire of the creator and the appreciator at the same time, as the subject of desire, they are restricted by social culture and unconsciously become the object of desire of social culture. Thirdly, the demonstration shows that virtual reality deeply releases human visual desire. Based on the characteristics of virtual reality art image, this paper discusses how virtual reality art releases human visual desire. It is found that virtual reality art comes into being under the impetus of human visual desire. Virtual reality art breaks the limitation of material factors on human visual desire through immersion, conception and multi-sensory feeling. The natural state of human viewing has been restored. Interaction is the fundamental characteristic of virtual reality art. Through the interaction between people and images, virtual reality art visualizes the state of human body and mind, and realizes the multi-level viewing of human beings. Meet the most fundamental human visual desire-to see itself. The art of virtual reality deeply releases human visual desire. On the basis of the above research, this paper begins with the position of vision in human senses, and probes into the influence of virtual reality art on human spiritual life by releasing human visual desire. The deep release of human visual desire by the art of virtual reality brings the freedom of human visual senses and the possibility of human spiritual freedom. At the same time, the art of virtual reality deeply releases the human visual desire and leads to the loss of human extroverted sexual communication, which distorts the spiritual life of human beings because of the intensive reinforcement of introverted sexual communication.
【學位授予單位】：哈爾濱工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J04;TP391.9

【引證文獻】

相關博士學位論文 前1條

1 王峰;數(shù)字化背景下的城市公共藝術及其交互設計研究[D];江南大學;2010年

，

本文編號：2172677