本文選題：塔布 + 文學(xué)寫作�。� 參考：《揚(yáng)子江評(píng)論》2016年06期

【摘要】：正如果我們把夢(mèng)看成一個(gè)作品不知是不是因?yàn)橹庇X和本能愈晚近愈被推重,夢(mèng)越來越成為文學(xué)幾近公開的隱秘來源,甚至有人奢望,夢(mèng)可以直接就是一個(gè)作品——"如果能有一種夢(mèng),夢(mèng)中的我寫好一首詩、一篇文字或者一篇小說,那么有多好,我只要醒來時(shí)一字一字抄下來就行了"a。聲稱能夠把夢(mèng)平移到紙上的寫作者,也幾乎立即會(huì)被認(rèn)定為某種特別的天才。不必知道莎士比亞說過,"我們是用與我們的
[Abstract]:If we look at a dream as a work, I wonder if it is because intuition and instinct are being pushed more and more recently, and dreams are becoming more and more a secret source of almost open literature, and some people even hope. A dream can be a work directly-"if I can have a dream, if I can write a poem, a text or a novel, then how good it is, I just have to copy a word when I wake up" a. Writers who claim to be able to translate dreams onto paper are almost immediately recognized as some special genius. There's no need to know that Shakespeare said, "We use it with us."
【作者單位】： 《上海文化》;
【分類號(hào)】：I04
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本文編號(hào)：2101023