本文選題：阿爾塔米拉 + 畫像磚　； 參考：《美術(shù)觀察》2017年07期

【摘要】：正公元前一萬多年前,阿爾塔米拉洞穴墻壁上的野牛真實地反映出人類同自然和猛獸斗爭的生活場景;漢代戈射收獲畫像磚中的生產(chǎn)圖像則是工匠眼中的現(xiàn)實場景;徐渭點點淚痕般的墨葡萄是他"半生落魄已成翁"的失意人生的縮影;德累斯頓街道上熙熙攘攘的眾生反映出凱什希納筆下日新月異而又令人緊張焦慮的城市生活。藝術(shù)同生活和生命間的關(guān)系十分緊密,藝術(shù)或多或少地以自己獨特的視角參與到對于生命和生活的探討之中。如何在藝術(shù)創(chuàng)作中融入對自己生活和生命的思考,這一直是我創(chuàng)作和實踐過程
[Abstract]:Just over 10,000 years ago, the bison on the wall of the cave in Arta Mila truly reflected the life scene of human beings fighting with nature and beasts, while the production images in the Han Dynasty were the realistic scenes in the artisans' eyes. Xu Wei's tearful grapevine is a microcosm of his frustrated life, and the bustling crowds on the streets of Dresden reflect Keshina's ever-changing and anxious urban life. Art is closely related to life and life. Art is more or less involved in the discussion of life and life from its own unique perspective. How to integrate my own life and life into my artistic creation has always been my creative and practical process.
【作者單位】： 華南師范大學(xué)美術(shù)學(xué)院;
【分類號】：J04

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