本文選題：揚(yáng)州八怪 + 徽商�。� 參考：《南京航空航天大學(xué)》2010年碩士論文

【摘要】：清代揚(yáng)州憑借優(yōu)越的地理位置、兩淮鹽業(yè)經(jīng)濟(jì)的發(fā)展、政治思想禁錮的偏弱、鹽商的附庸風(fēng)雅與官吏崇文對(duì)文化的熏陶,這些得天獨(dú)厚的條件促使了揚(yáng)州藝術(shù)市場(chǎng)的形成以及商品經(jīng)濟(jì)的繁榮。在整個(gè)“喜新尚奇”的社會(huì)風(fēng)尚環(huán)境下,以畫謀生的他們必須正視藝術(shù)市場(chǎng)的流通機(jī)制和規(guī)律,并按照藝術(shù)資助人的審美需求進(jìn)行藝術(shù)變革,從繪畫題材、藝術(shù)觀念到創(chuàng)作風(fēng)格等各個(gè)方面進(jìn)行一一創(chuàng)新。 其次通過借鑒“藝術(shù)資助”這個(gè)西方研究視點(diǎn),解讀“揚(yáng)州八怪”的兩種經(jīng)濟(jì)運(yùn)作模式——私人資助與公眾資助,在此基礎(chǔ)上進(jìn)一步分析資助行為對(duì)揚(yáng)州八怪藝術(shù)創(chuàng)作帶來的弊端。最后論述了揚(yáng)州八怪藝術(shù)作品的價(jià)值與市場(chǎng)價(jià)格兩大主要問題。自古以來,藝術(shù)的創(chuàng)作是不能用價(jià)格來衡量的,每一個(gè)藝術(shù)作品都包含了畫家的布局構(gòu)思、個(gè)性風(fēng)格、創(chuàng)新理念、情感表達(dá)等因素,但是從藝術(shù)成為商品走向市場(chǎng)之后,卻不得不用價(jià)格尺度去定位它、衡量它。清中期揚(yáng)州八怪之板橋“潤(rùn)格”的標(biāo)榜,打破了文人恥于言利的觀念,表明在當(dāng)時(shí)商業(yè)化經(jīng)營(yíng)觀念已經(jīng)開始明朗化。
[Abstract]:In the Qing Dynasty, Yangzhou depended on its superior geographical position, the development of the salt industry in the Lianghuai River, the weakness of the political ideology, the subservience of the salt merchants and the influence of the government officials on the culture. These unique conditions led to the formation of Yangzhou art market and the prosperity of commodity economy. In the whole social environment of "Xi Xin Shangqi", they who earn their living by painting must face up to the circulation mechanism and law of the art market, and carry out artistic changes according to the aesthetic needs of the art patrons, starting from the painting subject matter. The artistic concept to the creation style and so on each aspect carries on the innovation one by one. Secondly, through drawing lessons from the western research point of view of "Art Aid", we interpret the two modes of economic operation of "eight Strangers of Yangzhou"-private funding and public funding. On this basis, the further analysis of the funding behavior of Yangzhou eight strange artistic creation brought shortcomings. Finally, it discusses the value and market price of Yangzhou's eight strange works of art. Since ancient times, the creation of art cannot be measured by price. Every work of art contains factors such as the artist's layout, personality, innovation, emotional expression, and so on. But after art has become a commodity, it has moved to the market. But have to use the price scale to locate it, measure it. In the middle of the Qing Dynasty, the "Runge" of Banqiao of eight strange places in Yangzhou broke the idea that the literati were ashamed of talking about profit, indicating that the concept of commercial management had begun to become clear at that time.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J124

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉淼;徽商鮑志道及其家世考述[J];江淮論壇;1983年03期

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本文編號(hào)：2065792