本文選題：成仿吾 + 文藝思想�。� 參考：《牡丹江師范學(xué)院》2016年碩士論文

【摘要】：本文主要研究成仿吾的文藝思想及文藝批評的相關(guān)理論,在以往學(xué)者對成仿吾文學(xué)理論研究的基礎(chǔ)上,全面系統(tǒng)地總結(jié)成仿吾文藝觀研究的現(xiàn)狀以及薄弱之處,對成仿吾文藝思想的形成、發(fā)展和演變詳細地分析和闡釋。重點論述成仿吾文藝觀中的主體性文藝觀、革命文藝思想以及文藝批評的理論建構(gòu)。在此基礎(chǔ)上,進一步對成仿吾的文藝觀進行再評價。全文共分為四個部分,第一部分主要研究成仿吾的主體性文藝觀,成仿吾的文藝觀是主客體相互融合的,然而主體性的文藝觀在其文藝思想中仍然占據(jù)主導(dǎo)地位,其浪漫主義的文藝觀和“同情”的批評觀都是主體情感的最佳呈現(xiàn)方式。第二部分主要針對成仿吾后期的文藝觀的轉(zhuǎn)型變化進行探討,重點探究成仿吾革命文藝觀的形成原因以及意識形態(tài)地轉(zhuǎn)變。成仿吾革命時期的文學(xué)轉(zhuǎn)向并非偶然,是受主觀傾向和客觀環(huán)境所影響。本部分會對此問題加以分析。第三部分主要針對成仿吾文藝批評觀的建設(shè)問題進行探究,分析成仿吾建設(shè)真確批評和超越兼建設(shè)批評標(biāo)準(zhǔn)的實質(zhì)性意義。第四部分主要是對成仿吾文藝觀的現(xiàn)實意義及文藝觀的局限進行辯證評價。
[Abstract]:This paper mainly studies Cheng Fangwu's literary and artistic thoughts and related theories of literary criticism. On the basis of previous scholars' research on Cheng Fangwu's literary theory, this paper summarizes the present situation and weakness of Cheng Fangwu's literary and artistic theory research in an all-round and systematic way. The formation, development and evolution of Cheng Fangwu's literary and artistic thoughts are analyzed and explained in detail. This paper mainly discusses the subjective view of literature and art in Cheng Fangwu's view of literature and art, the thought of revolutionary literature and art and the theoretical construction of literary criticism. On this basis, the further re-evaluation of Cheng Fangwu's view of literature and art. This paper is divided into four parts. The first part mainly studies Cheng Fangwu's subjective view of literature and art, Cheng Fangwu's view of literature and art is the fusion of subject and object, but the subjective view of literature and art still occupies the leading position in his literary and artistic thought. His romantic view of literature and art and sympathy of criticism are the best way of presenting the subject's emotion. The second part mainly discusses the transformation and changes of Cheng Fangwu's late literary and artistic views, and probes into the formation reasons and ideological changes of Cheng Fangwu's revolutionary literary and artistic views. The literary turn during the Cheng Fangwu Revolution was not accidental, but influenced by subjective tendency and objective environment. This section will analyze this problem. In the third part, the author probes into the construction of Cheng Fangwu's literary and art criticism, and analyzes the substantive significance of the true criticism of Cheng Fangwu construction and the transcending of the standards of both construction criticism and construction criticism. The fourth part is the dialectical evaluation of the practical significance and limitation of Cheng Fangwu's literary and artistic views.
【學(xué)位授予單位】：牡丹江師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：I0

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本文編號：1882629