本文選題：身體 + 符號��； 參考：《湖北美術(shù)學(xué)院》2010年碩士論文

【摘要】：本文的論題為中國當(dāng)代藝術(shù)中的身體符號研究。對于本論題的研究,在中國當(dāng)代藝術(shù)理論研究中并不多見,在加上研究當(dāng)代藝術(shù)是具有社會現(xiàn)實意義的。中國當(dāng)代藝術(shù)看起來異彩紛呈,其實從復(fù)雜的藝術(shù)表象后,可以看出人類社會最核心層的改變。 在第一章中就研究論題里的符號一詞和藝術(shù)中的身體進行解釋。確定使用羅蘭·巴特的符號學(xué)原理,來研究中國當(dāng)代藝術(shù)作品中的身體。符號是來自于后現(xiàn)代的概念,用來研究在后現(xiàn)代主義下中國當(dāng)代身體,是很有意義的。 在第二章中主要就西方后現(xiàn)代思潮影響下,通俗文化與高雅文化的界限被瓦解,當(dāng)代消費語境下身體成為了更能表達當(dāng)代藝術(shù)家思想的載體。在當(dāng)代隨著科技的進步,出現(xiàn)越來越多的藝術(shù)形式,如:行為藝術(shù)、Video藝術(shù)、裝置藝術(shù)等等。身體符號成為這些新潮藝術(shù)形式中的常見藝術(shù)元素。 在第三章中,主要就中國當(dāng)代藝術(shù)作品中出現(xiàn)身體例子進行符號學(xué)的分析。先將身體概括成三種形式:裸露的全身、花的隱喻、被放大的片段。然后分別就每種形式中的藝術(shù)作品進行符號學(xué)梳理。這樣更能突出本文的主旨,身體符號在當(dāng)代中國藝術(shù)中的研究價值。 在第四章,主要就中國當(dāng)代大的環(huán)境及已出現(xiàn)的當(dāng)代中國藝術(shù)作品中的身體符號,來總結(jié)性的闡釋身體符號在中國當(dāng)代藝術(shù)作品中的創(chuàng)作傾向和價值取向。本文共分四章,從第一章的符號學(xué)理論為支持文章的基礎(chǔ),貫穿于整篇文章。第二章主要闡述后現(xiàn)代社會中的社會現(xiàn)象早就了身體成為藝術(shù)家更好的表達自己藝術(shù)語言的載體,因而身體敞開了后現(xiàn)代藝術(shù)之思的道路。在第三段也就是本文的重點段落,對中國當(dāng)代藝術(shù)作品中出現(xiàn)的身體符號進行形式上的歸類和符號學(xué)分析。在探討完身體符號在中國當(dāng)代藝術(shù)中的應(yīng)用,再就中國當(dāng)代藝術(shù)中身體符號的創(chuàng)作傾向、價值取向進行總結(jié)。得出結(jié)論,身體符號將成為新的紀念碑式的符號。整篇文章脈絡(luò)清晰,思路流暢,對藝術(shù)中的身體符號進行了社會學(xué)、符號學(xué)等方面透徹的分析,對于中國當(dāng)代藝術(shù)理論的填補是很有意義的。
[Abstract]:The thesis of this paper is the study of body symbol in Chinese contemporary art. The research on this topic is rare in the theoretical study of contemporary art in China, and it is of social practical significance to study contemporary art. Chinese contemporary art looks colorful, in fact, from the complex artistic appearance, we can see the most core changes of human society. In the first chapter, we explain the word "symbol" in the research topic and the body in art. Determine the use of Roland Bart's semiotic principles to study the body in Chinese contemporary art. Symbol is derived from the concept of post-modern, used to study the contemporary Chinese body in postmodernism, it is very meaningful. In the second chapter, under the influence of western postmodernism, the boundary between popular culture and elegant culture is disintegrated, and the body becomes the carrier to express the thoughts of contemporary artists in the context of contemporary consumption. With the development of science and technology, more and more art forms appear, such as behavior art, installation art and so on. Body symbols have become a common artistic element in these trendy art forms. In the third chapter, we analyze the body examples in Chinese contemporary works of art. The body is first summed up in three forms: a naked body, a flower metaphor, and a magnified fragment. Then the works of art in each form are sorted out by semiotics. In this way, the research value of body symbol in contemporary Chinese art can be highlighted. In the fourth chapter, the author summarizes the creation tendency and value orientation of body symbols in Chinese contemporary works of art on the basis of the great environment of contemporary China and the body symbols in contemporary Chinese works of art. This paper is divided into four chapters, from the semiotics theory of the first chapter as the basis of the article, throughout the article. The second chapter mainly expounds the social phenomenon in the post-modern society. The body has become the carrier for artists to express their artistic language better, so the body has opened the way of thinking about post-modern art. In the third paragraph, which is the key paragraph of this article, the body symbols appearing in Chinese contemporary art works are classified in form and semiotic analysis. After discussing the application of body symbol in Chinese contemporary art, the author summarizes the creation tendency and value orientation of body symbol in Chinese contemporary art. It is concluded that body symbols will become new monumental symbols. The whole article has clear thread and smooth train of thought. It makes a thorough analysis of the body symbols in art in sociology, semiotics and so on, which is of great significance to the filling of Chinese contemporary art theory.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J120.9

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本文編號：1882598