本文選題：“陌生化” + “象征化”�。� 參考：《中國文學(xué)研究》2017年04期

【摘要】："陌生化"作為形式主義的一面旗幟,與中國傳統(tǒng)的"象征化"手法有著相似之處,即通過認(rèn)知——陌生——認(rèn)知的過程,完成其對事物的"陌生化"和"象征化"。然而,在具體的實踐過程中,"陌生化"和"象征化"具有不同的特質(zhì),從而產(chǎn)生了不同的效果和影響。陌生化的"一次性"與"時效性"特征導(dǎo)致其無法長時間對某個事物產(chǎn)生穩(wěn)定的影響,而象征化通過不斷重復(fù)和循環(huán),最終獲得了一種穩(wěn)定性。作為兩種重要的藝術(shù)手法,"陌生化"和"象征化"在今天仍然具有十分重要的理論意義和廣闊的運用空間。
[Abstract]:As a banner of formalism, "defamiliarization" is similar to the traditional Chinese "symbolization", that is, through the process of cognition-unfamiliar-cognition, it completes the "defamiliarization" and "symbolization" of things.However, in the process of practice, "defamiliarization" and "symbolization" have different characteristics, resulting in different effects and effects.The characteristics of "one-off" and "timeliness" of defamiliarization make it unable to produce a stable influence on something for a long time, but symbolization obtains a kind of stability through continuous repetition and circulation.As two important artistic techniques, "defamiliarization" and "symbolization" still have very important theoretical significance and wide application space today.
【作者單位】： 武漢大學(xué)文學(xué)院;
【分類號】：I0-02

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