發(fā)布時間：2018-01-16 22:00

  本文關鍵詞：論圖像文化語境中小說敘事的變化　出處：《揚州大學》2009年碩士論文　論文類型：學位論文

  更多相關文章： 圖像文化 小說敘事 敘事內容 敘事方法 敘事觀念

【摘要】： 目前,文化領域正發(fā)生著深刻的變化。傳統的以語言—文字為主導的文化由中心滑向邊緣,代之而起的是蓬勃發(fā)展的“圖像文化”。文化的圖像化轉向重建了人類社會的文化秩序,由圖像符號所形成的文化霸權,正改變著我們整個時代文化的生存模式。文學,作為傳統文化模式中最基本的構成,自然受到了極大的影響。作為當下主要的文化范式,圖像文化內部的文化邏輯特征所具有的強大的輻射與吸附功能不僅深刻地影響了作家的寫作思維和創(chuàng)作心理,而且也在很大程度上改變了讀者的審美接受心理。為了迎合新的文化語境,文學也隨之發(fā)生了不少變化,反映在文學創(chuàng)作上即為文學敘事的變化。本文探討的是文學敘事中最具代表性的小說敘事在圖像文化語境中呈現出的一些新的變化,因為小說敘事可以在某種程度上反映同時代的其它文學敘事的變化。 全文除引言和結語外,共分為四個部分。引言部分從圖像文化語境出發(fā),對國內外的相關研究進行了學術綜述,并就此揭示了選題的意義。 文章第一部分主要闡明圖像文化何以與小說敘事結緣。首先描述了圖像文化語境和對“圖像文化”這一概念進行了界定,然后分析圖像文化何以會對小說敘事產生影響。 文章第二部分探討了圖像文化對小說敘事內容的影響。作為消費社會的產物,圖像文化帶有的濃郁的消費性大大增強了人們的文化消費主義觀念。為了迎合人們新的審美趣味,小說敘事也開始追求消費性,具體表現為敘事空間開始轉向各種消費性的城市空間,敘事主題也轉向了各種消費時尚。 文章第三部分探討了圖像文化對小說敘事方法的影響。圖像文化強烈的可參與性和一些作家對小說敘事的積極探索,使得小說出現了一種新的敘事方法,即圖文化敘事;作為圖像文化的代表和時代的最強音,影視對小說敘事產生的影響是巨大的,影視的勃興帶來了小說的影像化敘事。 文章第四部分探討了圖像文化對小說敘事觀念的影響。圖像文化具有空間性、去深度性和虛擬性的邏輯特征。作為當下主要的文化范式,圖像文化的這些文化邏輯使得一些小說敘事也開始走向空間化、去深度化和虛擬化。 結語部分對全文進行總結,一方面肯定圖像文化語境中小說敘事產生的一些變化;同時,也指出小說創(chuàng)作應該堅守“文學精神”,應該在屬于自己的領域里發(fā)揮人類精神家園的主體地位。
[Abstract]:At present, profound changes are taking place in the field of culture. The traditional language-word-oriented culture slips from the center to the edge. Instead, the flourishing "image culture". The image of culture turned to rebuild the cultural order of human society, the cultural hegemony formed by image symbols. Literature, as the most basic component of the traditional cultural model, has been greatly affected. As the main cultural paradigm of the present, literature is changing the mode of survival of the whole culture of our times. The powerful radiation and adsorption function of the logical characteristics of the culture inside the image culture not only profoundly affect the writer's writing thinking and creative psychology. Moreover, to a great extent, it has changed the readers' aesthetic acceptance psychology. In order to cater to the new cultural context, literature has also changed a lot. Reflected in literary creation is the change of literary narration. This paper discusses some new changes in the image culture context of the most representative novel narration in literary narration. Because the novel narration can reflect the change of other literature narration of the same time to some extent. In addition to the introduction and conclusion, the full text is divided into four parts. The introduction from the context of image culture, domestic and foreign related research carried out an academic review, and this paper reveals the significance of the topic. The first part of the article mainly explains why the image culture is connected with the novel narrative. Firstly, it describes the context of image culture and defines the concept of "image culture". Then it analyzes the influence of image culture on novel narration. The second part discusses the influence of image culture on the narrative content of the novel as a product of consumer society. The strong consumption of image culture has greatly enhanced people's concept of cultural consumerism. In order to meet the new aesthetic taste, novel narration also began to pursue consumption. The concrete manifestation is that the narrative space begins to shift to various consuming urban spaces, and the narrative theme also turns to various consumption fashions. The third part discusses the influence of image culture on novel narrative methods. The strong participation of image culture and the active exploration of novel narration by some writers make the novel a new narrative method. That is, graphic culture narrative; As the representative of image culture and the strongest voice of the times, the influence of film and television on novel narration is great. Part 4th discusses the influence of image culture on the narrative concept of novel. Image culture has the logical characteristics of spatial, de- depth and fictionality. It is the main cultural paradigm at present. These cultural logic of image culture make some novel narration begin to space, de- depth and virtualization. The conclusion part summarizes the full text, on the one hand, affirms some changes of novel narration in the context of image culture; At the same time, it also points out that the novel creation should stick to the "literary spirit" and give play to the main position of the human spiritual homeland in its own field.
【學位授予單位】：揚州大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：I054

【引證文獻】

相關碩士學位論文 前1條

1 孫霜霜;網絡超文本小說的敘事及接受特征研究[D];浙江師范大學;2011年

，

本文編號：1434974