本文關(guān)鍵詞：方東美文藝美學(xué)思想研究　出處：《山東師范大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 方東美 文藝美學(xué) 形象表現(xiàn) 特點意義

【摘要】： 在中國現(xiàn)代哲學(xué)史上,方東美是一位學(xué)貫中西、自成體系、成績卓然的大家。但從現(xiàn)代文藝美學(xué)視野看,現(xiàn)代新儒學(xué)代表方東美其實有著豐富的文藝美學(xué)思想,只是至今沒能引起人們的廣泛關(guān)注。到目前為止,全面闡釋其哲學(xué)思想的專著論文不少,專門論述其文藝美學(xué)特色的卻寥寥可數(shù)。本文力圖系統(tǒng)梳理方東美文藝美學(xué)思想,以填補對其文藝美學(xué)思想研究的不足,同時也可以豐富當代文藝美學(xué)的發(fā)展思路,特別是對重建我們民族特色的文藝美學(xué)話語體系有重要的借鑒意義。 方東美的文藝美學(xué)思想是建立在生命哲學(xué)基礎(chǔ)之上的,無論對文藝現(xiàn)象所持的態(tài)度還是對文藝進行審美的過程中,他都非常重視生命情感與人生體驗。他認為藝術(shù)創(chuàng)造就是美的創(chuàng)造,而美的本質(zhì)在于充滿活力的生命創(chuàng)造,故一切藝術(shù)都是從體貼生命的偉大之處得來的。在治學(xué)過程中,他始終以弘揚中華文化和藝術(shù)精神為學(xué)術(shù)主旨,主張“為人生而藝術(shù)”。 本文旨在從四個方面對方東美的文藝美學(xué)思想進行系統(tǒng)論述。緒論總括研究現(xiàn)狀、研究價值、研究方法及整體特征。正文第一部分介紹思想來源及哲學(xué)基礎(chǔ),為進一步的探討作一個前提交代和鋪墊。第二部分就文藝美學(xué)思想的主要內(nèi)容展開探討,重點闡述藝術(shù)創(chuàng)造的審美特征。第三部分具體分析方東美文藝美學(xué)思想在其詩歌創(chuàng)作中的形象化表現(xiàn)。第四部分是對方東美文藝美學(xué)思想的全面評價。有比較認識才更深刻,把方東美與同時代的文藝美學(xué)家宗白華、徐復(fù)觀做比較,更能突出他的文藝美學(xué)特色。 總的來說,方東美文藝美學(xué)思想有宏觀把握、高屋建瓴的整體性思維特點,觀點獨特、自成體系,當然也有不足之處,如對新興藝術(shù)門類的重視不夠,夸大美育的社會改造功能等。但瑕不掩瑜,方東美以中學(xué)為體,西學(xué)為用的眼界,在具體的藝術(shù)實踐和藝術(shù)審美觀中大膽整合中西固有理論并加以改進,為中國傳統(tǒng)文藝美學(xué)思想的現(xiàn)代轉(zhuǎn)換樹立了榜樣。他始終站在中國傳統(tǒng)學(xué)術(shù)的立場上,捍衛(wèi)民族藝術(shù)精神,博采眾長又融會貫通,對我們民族“失語”的今天,有重要的借鑒意義。而他的美育思想“人生藝術(shù)化”反映在當下,就是藝術(shù)與生活結(jié)合的美學(xué)意義。
[Abstract]:In the history of Chinese modern philosophy, Fang Dongmei is a person who has studied Chinese and Western, formed his own system, and achieved Zhuo Ran's achievements. But from the perspective of modern literary and artistic aesthetics, Fang Dongmei, the representative of modern neo-Confucianism, actually has rich literary and artistic aesthetic thoughts. So far, there have been many monographs explaining his philosophical thoughts. This paper tries to systematically comb Fang Dongmei's literary and artistic aesthetic thoughts in order to fill in the deficiency of his literary and artistic aesthetics research. At the same time, it can enrich the development of contemporary literary aesthetics, especially for the reconstruction of our national characteristics of literary and artistic aesthetic discourse system. Fang Dongmei's aesthetic thought of literature and art is based on the philosophy of life, whether the attitude to literary phenomena or the aesthetic process of literature and art. He thinks that artistic creation is the creation of beauty, and the essence of beauty lies in the dynamic creation of life. Therefore, all art comes from caring for the greatness of life. In the course of studying, he always regards promoting Chinese culture and artistic spirit as the academic purport, and advocates "art for life". The purpose of this paper is to systematically discuss the literature and art aesthetics of Dongmei from four aspects. Introduction to the overall research status, research value, research methods and overall characteristics. The first part of the text introduces the ideological sources and philosophical basis. The second part discusses the main contents of literary and artistic aesthetics. The third part concretely analyzes the visualization of Fang Dong Mei's literary and artistic aesthetics thought in his poetry creation. 4th part is the comprehensive evaluation of the other eastern American literary and artistic aesthetics thought. Knowledge is deeper. Comparing Fang Dongmei with contemporary literary and artistic aestheticists Zong Baihua and Xu Fuguan can highlight his aesthetic characteristics of literature and art. On the whole, Fang Dongmei's literary and artistic aesthetics has macro grasp, the overall thinking characteristics of a strategic position, unique views, self-made system, of course, there are deficiencies, such as insufficient attention to the emerging art category. Exaggerating the social transformation function of aesthetic education, but the shortcomings do not hide the Yu, Fang Dongmei take the middle school as the body, the western study is used as the vision, in the concrete art practice and the artistic aesthetics boldly integrates the Chinese and the western inherent theories and carries on the improvement. He has set an example for the modern transformation of Chinese traditional literary and artistic aesthetics. He has always stood on the stand of Chinese traditional academic, defended the national artistic spirit, learned from all over the world, and "aphasia" to our nation today. His aesthetic education thought "artistry of life" is reflected in the present, which is the aesthetic significance of combining art with life.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：I01

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本文編號：1394839