【摘要】：二十一世紀(jì)以來,伴隨著網(wǎng)絡(luò)技術(shù)、信息技術(shù)的迅猛發(fā)展,人類的生產(chǎn)生活發(fā)生了巨大的改變,社會經(jīng)濟(jì)的發(fā)展也出現(xiàn)了歷史性的轉(zhuǎn)折。從社會消費(fèi)的物質(zhì)層面來看,大眾以消費(fèi)為心中的經(jīng)濟(jì)生活逐漸取代了以往以生產(chǎn)為中心的經(jīng)濟(jì)生活,從社會意識層面來看,人們的審美活動和審美理念也隨著消費(fèi)主義的發(fā)展發(fā)生著深刻的轉(zhuǎn)變。消費(fèi)主義時代的來臨極大地影響了人們的消費(fèi)理念。而現(xiàn)代人們的審美轉(zhuǎn)向和消費(fèi)理念的變化有著必然的聯(lián)系。當(dāng)今時代,審美與消費(fèi)在一定程度上存在內(nèi)在的耦合性、同質(zhì)性,它們正在共同建構(gòu)著人類社會的生產(chǎn)形式、生存語境、消費(fèi)模式和話語模式,并不斷影響著現(xiàn)代人的思考模式和行為模式,審美與消費(fèi)的轉(zhuǎn)向也日漸彰顯出時代特征、社會特征與價值特征。圖像化、大眾化是現(xiàn)代消費(fèi)背景下的審美轉(zhuǎn)向的主要趨勢,本文著力探究了消費(fèi)主義時代的現(xiàn)代審美轉(zhuǎn)向過程中的緣起、演進(jìn)歷程及其轉(zhuǎn)向的特征與結(jié)果,并進(jìn)一步理清了現(xiàn)代審美轉(zhuǎn)向的新趨勢,深刻探究了與審美泛化相關(guān)的一系列內(nèi)涵,最后將審美的轉(zhuǎn)向納入藝術(shù)歷史的領(lǐng)域中,綜合分析審美、藝術(shù)、商品、生活等相互之間的關(guān)系,并將其置于市場化、全球化和多樣性并存的現(xiàn)代消費(fèi)語境之中,為未來的現(xiàn)代美學(xué)研究開拓新的視野和領(lǐng)域。同時,本研究對現(xiàn)實生活中存在的消費(fèi)與審美的矛盾性與融合性等問題進(jìn)行了一些理論解構(gòu)的嘗試,旨在反思由審美轉(zhuǎn)向與消費(fèi)主義的相互異化、相互影響引發(fā)的深層次后果,以期推動我國消費(fèi)主義與審美文化的正常化、秩序化、規(guī)范化、持續(xù)性發(fā)展。
[Abstract]:Since 21 century, with the rapid development of network technology and information technology, great changes have taken place in human production and life, and the development of social economy has also taken a historic turn. From the material aspect of social consumption, the economic life in which the masses take consumption as their heart has gradually replaced the previous economic life centered on production, and from the perspective of social consciousness, With the development of consumerism, people's aesthetic activities and aesthetic ideas are undergoing profound changes. The advent of consumerism has greatly affected people's consumption concept. But the modern people's esthetic turn and the consumption idea change have the inevitable connection. In the present era, there is an inherent coupling and homogeneity between aesthetics and consumption to a certain extent. They are jointly constructing the production form, living context, consumption mode and discourse mode of human society. And it constantly influences the thinking mode and behavior mode of modern people, and the turn of aesthetics and consumption also shows the characteristics of the times, society and value day by day. Image, popularization is the main trend of aesthetic turn under the background of modern consumption. This paper probes into the origin, evolution process, characteristics and results of the modern aesthetic turn in the consumerism era. Furthermore, it clarifies the new trend of modern aesthetic transformation, deeply explores a series of connotations related to aesthetic generalization, and finally brings the aesthetic turn into the field of art history, comprehensively analyzes aesthetics, art, commodities, etc. The relationship between life and other is put into the modern consumption context of marketization, globalization and diversity, which opens up a new field of vision and field for the future research of modern aesthetics. At the same time, this study attempts to deconstruct some problems in real life, such as the contradiction and integration of consumption and aesthetics, in order to reflect on the profound consequences caused by the mutual alienation of aesthetics and consumerism. The aim is to promote the normalization, orderization, standardization and sustainable development of consumerism and aesthetic culture in China.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：B83-0

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本文編號：2235319