發(fā)布時間：2018-03-30 07:29

  本文選題：體驗　切入點：自明性　出處：《復旦學報(社會科學版)》2017年03期

【摘要】：在當代美學中,"體驗"一詞有多重含義,它首先是指生命化的個人感受,這種感受可以通過共鳴而獲得普遍性,也指具有自明性的經(jīng)驗認識。"體驗"一詞還包括了"真知"這層含義,體驗是意識的意向性構成和意義統(tǒng)一體的建構過程,是真知的開始。體驗作為一種認識方式,它的基本機制是海德格爾所說的"在之中"的領會,而這種領會是經(jīng)驗認識的開始,同時體驗也是以身體圖式對外部世界的直接感知。"體驗"在具體的審美與藝術創(chuàng)作活動中會形成獨特的"審美體驗",審美體驗是建立在純粹直觀之上的,對對象的審美區(qū)分,包含了想象力的自由和情感的發(fā)生。在中國文化的語境中,體驗還包含著認知過程中的情感發(fā)生、生命活動中的感知,以及想象力的自由等內(nèi)涵。當代美學與文藝學中的體驗概念,實際上是中西方的多種思想傳統(tǒng)在語言的匯通中產(chǎn)生的,是文化融合的結果。
[Abstract]:In contemporary aesthetics, the word "experience" means, first of all, the personal feeling of life, which can be universal through resonance. The term "experience" also includes the meaning of "true knowledge". Experience is the construction process of the intentionality of consciousness and the unity of meaning, and it is the beginning of true knowledge. Its basic mechanism is Heidegger's understanding of what Heidegger calls "in the middle," which is the beginning of empirical understanding. At the same time, the experience is also the direct perception of the external world with the body schema. "experience" will form a unique "aesthetic experience" in the specific aesthetic and artistic creation activities. The aesthetic experience is based on pure intuition and the aesthetic distinction of the object. It contains the freedom of imagination and the occurrence of emotion. In the context of Chinese culture, experience also involves the occurrence of emotion in the process of cognition, the perception of life activities, The concept of experience in contemporary aesthetics and literature and art is in fact the result of the fusion of culture and the convergence of language between Chinese and western ideological traditions.
【作者單位】： 上海師范大學人文與傳播學院;
【基金】：上海市教委“高峰高原建設計劃(哲學)”的階段性成果
【分類號】：B83-0

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