本文選題：孔子　切入點(diǎn)：禮樂　出處：《求索》2003年01期

【摘要】：孔子在中國美學(xué)史上最早奠定了禮樂相親、善美相成的原則。孔子的禮樂思想源于周公 ,但有很大創(chuàng)造。孔子說的欲仁、好仁、樂仁分別為知性的、物性的、情性的對(duì)待仁的態(tài)度 ,相當(dāng)于康德說的善的快樂、感覺的快樂與審美的快樂。禮樂均建立在仁的基礎(chǔ)上 ,禮樂相通 ,均是仁的“文”化。禮是樂底子 ,樂是禮的升華。孔子說的“興于詩、立于禮、成于樂” ,體現(xiàn)出人格建造從感性始 ,經(jīng)理性的作用 ,再到感性 ,最后實(shí)現(xiàn)理性與感性的完美統(tǒng)一的過程。
[Abstract]:In the history of Chinese aesthetics, Confucius first laid down the principle of courteous matchmaking, kindness and beauty complementary. Confucius' idea of ritual music originated from Zhou Gong, but there was great creation. Confucius said that the desire for benevolence, good benevolence, and music benevolence were intellectual and material, respectively. The attitude of affection towards benevolence is equivalent to the happiness of goodness, the joy of feeling and the joy of appreciation of beauty as stated by Kant. All rites and music are based on the benevolence, and the etiquette and music are interlinked with each other, all of which are the "text" of benevolence, and the ceremony is the foundation of the music. Music is the sublimation of propriety. Confucius said that "in poetry, in courtesy, in music" reflected the process of personality construction from the beginning of sensibility, the role of manager, and then to sensibility, and finally realized the process of the perfect unity of reason and sensibility.
【作者單位】： 武漢大學(xué)哲學(xué)系
【分類號(hào)】：B83-09

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