本文選題：詩意棲居　切入點(diǎn)：儒釋道美學(xué)　出處：《西安電子科技大學(xué)》2010年碩士論文

【摘要】： 進(jìn)入九十年代以來,隨著長期以來占統(tǒng)治地位的西方文化中心主義的不斷衰落,文化多元論的普遍被接受,更多的思想家開始考慮如何借鑒世界各民族的寶貴文化傳統(tǒng),重建人與人的關(guān)系、人與自然的關(guān)系。在科學(xué)技術(shù)高度發(fā)達(dá)的今天,在享有物質(zhì)生活的同時(shí),能夠在精神的家園中“詩意地棲居”,這是一種至上的境界。 “詩意地棲居”是一種本質(zhì)意義上的存在狀態(tài),是海德格爾為人類設(shè)想的一種嶄新的生存方式和境界,表達(dá)了人類對本真的生存方式的追求�！霸娨狻本褪且环N自由自在的境界,就是人與自然自由自在的相處。人詩意地棲居,是生命的存在矛盾的終極解決,詩化的生活是生命存在的最高形式。 在我們民族文化傳統(tǒng)中,儒家以“和”為美,它特別關(guān)注人與自然、人與社會、人與人的和諧。在人與自然的關(guān)系上,把人類看作自然界的產(chǎn)物的一部分,追求人類活動與自然界的協(xié)調(diào)與和諧,儒家“中和”的理想人格可以提升現(xiàn)代人生存中的倫理審美境界。道家以虛無為本,“道法自然”。老子所謂“大音希聲,大象無形”的命題,莊子所謂“恬靜寂寞虛無無為,此天地之本而道德之質(zhì)也”和“淡然無跡而眾美從之”的審美觀念,都給后世的理論家以無窮的啟迪。道家的“道”體現(xiàn)出高遠(yuǎn)、超越、自然的宇宙觀、人生觀,給現(xiàn)代人以神圣、自然的生命感,深沉的宇宙情懷,高遠(yuǎn)的人生境界;“與道齊一”的物我觀、生死觀讓現(xiàn)代人心胸開闊、豁達(dá)。佛家的“禪悟”、“懺悔”也有極大的影響,“神思”、“妙悟”、“境界”、“現(xiàn)量”等佛家語和體證人生世相的方式,皆成為后人在應(yīng)對一切生活壓力時(shí)可貴的思想法寶。 儒家“仁者愛人”、“天人合一”的人生哲學(xué),道家逍遙、回歸自然的質(zhì)樸的生活形態(tài)與禪宗“無本無著”、“不滯不著”處世方法,都是現(xiàn)代人身處這個(gè)信仰缺失物欲橫流的社會中通向超越、自由境界的有效途徑。由此,本文將中國古代儒釋道三家的代表學(xué)說同海德格爾的詩意棲居理論聯(lián)系起來,提出“真”、“善”、“和”、“樂”作為現(xiàn)代人詩意棲居的四原則,以期找到一條通向詩意之路。
[Abstract]:Since the 1990s, with the decline of Western cultural centrism, which has been dominant for a long time, and the widespread acceptance of cultural pluralism, more and more thinkers have begun to consider how to learn from the valuable cultural traditions of all nationalities in the world. Today, when science and technology are highly developed, while enjoying material life, we can "inhabit poetically" in the spiritual homeland, which is a supreme realm. "poetic dwelling" is a state of existence in the essential sense, a new way and realm of existence that Heidegger envisions for mankind, and expresses the human pursuit of the original way of living. "poetic" is a state of freedom. Living poetically is the ultimate solution to the contradiction of existence of life, and poetic life is the highest form of existence of life. In our national cultural tradition, the Confucian school regards "harmony" as the beauty. It pays special attention to the harmony between man and nature, between man and society, between man and man. In the relationship between man and nature, it regards human beings as a part of the products of nature. In pursuit of harmony and harmony between human activities and nature, the ideal personality of Confucian "neutralization" can promote the ethical aesthetic realm in modern people's existence. Taoism is based on nihilism, "Taoism is natural". The proposition of "elephant invisible", Zhuangzi's aesthetic concept of "quiet, lonely, nothingness, the root of this world and the quality of morality" and "indifferent without trace and all beauty from it", The Taoist "Tao" embodies a high, transcendent, natural outlook on the universe, outlook on life, giving modern people a sense of sanctity, a sense of natural life, and a deep feeling of the universe. The lofty realm of life; the "one with the Tao" view of things, the view of life and death so that modern people open their hearts, "Zen realization" and "repentance" of Buddhism also have great influence. The ways of Buddhist language and physical evidence of life phase, such as "Divine thought", "Miao Wu", "realm" and "present quantity", have all become valuable ideological weapons for future generations to deal with all the pressures of life. Confucian "benevolent lover", "harmony of nature and man" philosophy of life, Taoism at ease, return to the nature of the simple life form and Zen "have nothing to do", "can not stay" way of life, This is an effective way for modern people to lead to the realm of transcendence and freedom in a society where the belief is lacking in materiality. Therefore, this paper links the representative theories of the three schools of Confucianism, Buddhism and Taoism in ancient China with Heidegger's theory of poetic dwelling. This paper puts forward the four principles of "truth", "goodness", "harmony" and "music" as the poetic dwelling of modern people in order to find a way to poetry.
【學(xué)位授予單位】：西安電子科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：B83

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 楊津;基于生態(tài)美學(xué)思想的家居產(chǎn)品設(shè)計(jì)研究[D];東華大學(xué);2011年

2 李艷菊;中國俄羅斯僑民文學(xué)中的儒釋道文化研究[D];齊齊哈爾大學(xué);2013年

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本文編號：1684226