本文選題：馬克思主義　切入點(diǎn)：21世紀(jì)　出處：《探索與爭(zhēng)鳴》2013年04期

【摘要】：正回首整個(gè)20世紀(jì),特別是最后的20多年,美學(xué)是促進(jìn)中國(guó)現(xiàn)代化發(fā)展最重要的思想資源和文化資源之一。其中,馬克思主義擔(dān)當(dāng)了重要角色,它的人學(xué)立場(chǎng)為中國(guó)美學(xué)研究奠定了堅(jiān)實(shí)的價(jià)值基礎(chǔ);而馬克思主義的批判性和反思性,又為其不斷開(kāi)拓新視閾提供了理論武器。所謂的馬克思主義要面對(duì)21世紀(jì)中國(guó)發(fā)展著的現(xiàn)實(shí),就是要面對(duì)前現(xiàn)代、現(xiàn)代和后現(xiàn)代交錯(cuò)的現(xiàn)實(shí),并與以巫術(shù)為代表的原始神性文化、以儒學(xué)為代表的傳
[Abstract]:Looking back on the whole 20th century, especially in the last 20 years, aesthetics is one of the most important ideological and cultural resources to promote the development of China's modernization. Its humanistic stand has laid a solid value foundation for the study of Chinese aesthetics, while the critical and reflective nature of Marxism, The so-called Marxism has to face the reality of China's development in the 21st century, that is, to face the interlaced reality of pre-modern, modern and post-modern. And with the original divinity culture represented by witchcraft and the transmission represented by Confucianism.
【分類號(hào)】：B83-0
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本文編號(hào)：1674648