本文選題：趙孟堅 + 宋宗室��； 參考：《西南大學(xué)》2013年碩士論文

【摘要】：趙孟堅,一直因畫名而被人關(guān)注,后世也有不少研究其畫作的文章,但其詩文卻被人們所忽視,本文試圖將趙孟堅詩畫結(jié)合起來,豐富趙孟堅的歷史形象。首先,抓住趙孟堅的宗室身份,結(jié)合宋宗室文化傳統(tǒng),分析趙孟堅的人生歷程和思想狀態(tài),刻畫出趙孟堅的基本形象。第二部分,對趙孟堅的詩文創(chuàng)作進(jìn)行研究和分析,厘清傳世作品,總結(jié)詩文特點(diǎn),并結(jié)合趙孟堅在江湖詩派中的活動,揭示其詩文藝術(shù)特征和情感內(nèi)蘊(yùn)。第三部分,對趙孟堅的墨畫進(jìn)行分析。通過對趙孟堅代表畫作的分析,總結(jié)其繪畫特點(diǎn),并由此揭示他是文人畫派的承繼者和實(shí)踐者,可以說是比較優(yōu)秀的文人畫家之一。他在創(chuàng)作時,自覺摒棄了文人畫不重形的偏執(zhí)理念,將院畫派細(xì)膩的繪畫技藝融入到水墨畫創(chuàng)作中,成為了形意結(jié)合的典范。第四部分,對趙孟堅詩畫的共同藝術(shù)特征進(jìn)行分析,展示詩畫創(chuàng)作的一律性在趙孟堅身上的體現(xiàn)。這一部分不但是串聯(lián)整篇文章的關(guān)鍵所在,也是趙孟堅的詩畫創(chuàng)作的理論的核心,將起到總結(jié)和提煉的作用。最后,對趙孟堅進(jìn)行評價,總結(jié)出他在歷史上的地位和影響。
[Abstract]:Zhao Mengjian has always been paid attention to because of the name of his paintings, and there are many articles on his paintings in later generations, but his poems and works are ignored by people. This article attempts to combine Zhao Mengjian's poems and paintings to enrich Zhao Mengjian's historical image.First of all, we should grasp Zhao Mengjian's clan identity, combine with Song Dynasty clan culture tradition, analyze Zhao Mengjian's life course and thought state, and depict Zhao Mengjian's basic image.In the second part, the author studies and analyzes Zhao Mengjian's poetry and prose creation, clarifies his handed down works, summarizes the characteristics of his poems and prose, and reveals his artistic characteristics and emotional connotation by combining Zhao Mengjian's activities in Jianghu poetry school.The third part analyzes Zhao Mengjian's ink painting.Through the analysis of Zhao Mengjian's representative paintings, the characteristics of his paintings are summarized, and it is revealed that he is the inheritor and practitioner of literati painting school, and can be said to be one of the better literati painters.In his creation, he consciously abandoned the paranoia of literati painting, and integrated the fine painting techniques of the school of painting into the creation of Chinese ink painting, and became a model of combination of form and meaning.The fourth part analyzes the common artistic characteristics of Zhao Mengjian's poems and paintings, and shows the embodiment of the uniformity of his poetry and painting creation in Zhao Mengjian's body.This part is not only the key of the whole article, but also the core of Zhao Mengjian's theory of poetry and painting.Finally, it evaluates Zhao Mengjian and summarizes his position and influence in history.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I206.2;J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 彭瑋;;宋代士大夫文化心理在繪畫中的體現(xiàn)[J];大家;2012年06期

2 宋云華;;由趙孟堅《水仙圖卷》說開去[J];當(dāng)代藝術(shù);2006年03期

3 張遠(yuǎn)瓏;萬勇;;論“詩中有畫,畫中有詩”——詩情與畫意的結(jié)合[J];美術(shù)大觀;2011年01期

4 黃賢輝;趙曉濤;;宋代文人畫之勃興述評[J];美術(shù)大觀;2012年01期

5 孫世昌;從徐禹功《雪中梅竹圖》談起——簡論墨梅繪畫的宋元變格[J];美苑;2005年01期

6 陶金鴻;;“歲寒三友”圖與意[J];美苑;2010年02期

7 崔錦 ,孫寶發(fā);趙孟堅和他的水仙卷[J];美術(shù);1983年10期

8 傅吉鴻;;略論宋代院畫之“形似”[J];美術(shù)觀察;2011年03期

9 青木正兒,陳其和;水墨畫四君子的由來[J];齊齊哈爾師范學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);1996年06期

10 吳厚炎;審美的人生態(tài)度──宋元“蘭畫”與“文人寄興派”[J];黔西南民族師專學(xué)報;2001年02期

，

本文編號：1749144