本文選題：青綠山水畫 + 水墨山水畫�。� 參考：《陜西師范大學》2014年碩士論文

【摘要】：中國傳統(tǒng)青綠山水畫歷史悠久,魏晉南北朝時期,作為人物畫背景出現(xiàn)的山水畫帶有色彩的痕跡。隋代展子虔為青綠山水畫的始祖,唐代李思訓、李昭道把青綠山水畫進一步充實、發(fā)展、完善。宋代在隋唐繪畫的基礎上得到了進一步發(fā)展。到了元代,筆墨沖淡的文人畫漸漸占據(jù)主流地位,青綠山水畫由主流中心地位退卻到支流邊緣位置,但青綠山水畫仍舊緩慢發(fā)展在畫壇中。到了明清兩代,從事青綠山水畫的畫家屈指可數(shù),明代的仇英、清代的袁江、袁耀以及“四王”都能作青綠山水畫,把青綠山水畫繼承下來。近現(xiàn)代,張大千、何海霞、林風眠、劉海粟、謝稚柳、吳湖帆等畫家在繼承傳統(tǒng)青綠山水畫的基礎上進行了創(chuàng)新。張大千依靠堅實而渾厚的傳統(tǒng)修養(yǎng),首創(chuàng)了潑墨潑彩畫,以多層次、大塊面的強烈視覺效果,創(chuàng)建了一種清新放逸、色彩斑斕的藝術風貌,打破了傳統(tǒng)青綠山水畫勾勒填染的敷色程式,這是對發(fā)展中國畫可貴的探索。何海霞師承張大千,大青綠、小青綠、金碧、潑墨潑彩高度嫻熟地融為一體,作金碧山水,金碧輝煌,意境幽遠,完成了重彩與寫意的結合,體現(xiàn)了鮮明的時代感,符合現(xiàn)代人的審美理想。林風眠改進中國畫的材料和工具,甚至純用色彩作中國畫,為現(xiàn)代青綠山水畫提供了新的思路。劉海粟作潑墨潑彩畫體現(xiàn)了鮮明的個性和精神氣質,其潑墨潑彩呈現(xiàn)出潑辣、雄健的意境。謝稚柳吸取落墨法精華,創(chuàng)立了“落墨青綠山水畫”。吳湖帆實現(xiàn)了水墨和青綠的和諧完美統(tǒng)一,形成了水墨烘染與青綠設色熔鑄于體的山水畫,作品充分借助色彩的語言特點,全面激發(fā)對色彩的感覺和情感,拓展色彩的表現(xiàn)力,表現(xiàn)出清新雅麗、色墨交融的藝術境界。在這些畫家的努力下,青綠山水畫繼續(xù)存在并發(fā)揚光大。 本論文對青綠山水畫從古代到現(xiàn)代的發(fā)展做了概述,對現(xiàn)代青綠山水畫創(chuàng)作的理念及內涵作了總結,著重分析了現(xiàn)代青綠山水畫在章法、造型、筆墨、色彩、意境上的審美特征。在章法上,現(xiàn)代青綠山水畫家不再對客觀景物進行重復羅列,而是帶有思想性的構思,把畫家的情感和精神賦予畫面中,使畫面產(chǎn)生一種獨特的意境。在造型上,為了突出畫面的視覺效果,畫家借鑒西方繪畫的色塊表現(xiàn),把畫面分成大的幾何形體,使畫面具有很強的視覺沖擊力和震撼力,氣勢宏大,形成一種新的造型觀念�，F(xiàn)代青綠山水畫的筆墨隨著時代也發(fā)生了很大變化,筆墨突破了傳統(tǒng)表現(xiàn)的局限,筆墨和色彩緊密結合,墨中有色,色中有墨,以色助墨光,以墨助色彩,用筆更加靈活生動,有著強烈的運動感,筆和墨的運用把畫家的感受和創(chuàng)作激情表現(xiàn)的淋漓盡致。現(xiàn)代青綠山水畫中,水墨和色彩互相促進,設色更為靈活生動,融合了“潑墨”“積墨”“積色”“破色”等多種技法,色彩的運用結合意境的創(chuàng)造,注重色彩的表現(xiàn)價值,強調色彩的意象性、裝飾性、符號性、象征性和表達性。現(xiàn)代畫家潑墨潑彩法的表現(xiàn),使畫面產(chǎn)生朦朧感和神秘感,生成空幻迷離的奇妙意境�，F(xiàn)代青綠山水畫具有存在的現(xiàn)實意義和藝術價值,當代青綠山水畫家進一步繼承和發(fā)展了現(xiàn)代青綠山水畫,青綠山水畫應順應時代潮流,繼續(xù)發(fā)揚光大,煥發(fā)其特有的魅力。
[Abstract]:China traditional landscape painting has a long history, northern and Southern Dynasties, appears as a background figure painting landscape painting with color marks. The Sui Dynasty Chan tzu-ch'ien as the ancestor of the green landscape painting of the Tang Dynasty Li Sixun, Li Zhaodao to further enrich the green landscape painting, development, perfect. The Song Dynasty in Sui and Tang Dynasties painting has been further development. The Yuan Dynasty, literati painting gradually dilute the mainstream green landscape painting by the mainstream center to retreat tributary edge, but the blue and green landscape painting development is slow. In the Ming and Qing Dynasties two generations, in the green landscape painting painter numbered, Qiu Ying of the Ming Dynasty, the Qing Dynasty Yuan Jiang, Yuan Yao and the "Four Wangs" can make the green landscape painting, the inheritance of the green landscape painting. In modern times, Zhang Daqian, He Haixia, Lin Fengmian, Liu Haisu, Xie Zhiliu, painting in the tradition of the green mountain Wu Hufan Water based painting on innovation. Zhang Daqian rely on solid and rich traditional culture, pioneered the splashed ink painting, multi-level, large surface strong visual effect, create a fresh heedlessness, colorful art style, breaking the traditional landscape painting sketch dye coloration program, this is on explore the development of Chinese draw valuable. He Haixia is a disciple of Zhang Daqian, blue green, green green, green, ink splash of color highly skillfully blend, as golden landscape, beautiful decoration, distant mood, complete with color and brushwork, embodies the distinctive sense of the times, in line with the modern aesthetic ideal. Lin Fengmian improved materials and the tool Chinese painting, even with pure color as Chinese painting, provides a new idea for the modern landscape painting. Liu Haisu splashed ink painting embodies the distinctive personality and temperament, the ink splash of color showing a vigorous, With the artistic conception. Xie Zhiliu absorb road method essence, the creation of a "road green landscape painting". Hufan Wu realized perfect harmony and unity of the green ink, ink form and bake with green colors cast in the landscape painting language features full use of color works, fully stimulate the sense of color and emotion, expand the expressive force of color, showing bright and elegant blend of color and ink art realm. In the painter's efforts, continue to exist and carry forward the green landscape painting.
In this paper, the green landscape painting from ancient to modern development is summarized, the concept and connotation of modern landscape painting creation is summarized, analyzed the modern landscape painting in the art of composition, shape, color, painting, the aesthetic characteristics of artistic conception. In art, modern landscape painters no longer repeat lists the objective scenery, but with the thought of the idea of the painter's emotion and spirit to the screen, so that the screen has a unique artistic conception. In the modeling, in order to highlight the visual effect of the screen, the painter from the western painting color performance, the screen is divided into geometric large, so that the screen has a very strong vision impact and power, the mighty, the formation of a new idea. The modern green landscape paintings with the times have changed a lot, and break through the traditional performance limitations, ink and color. Secret combination, ink color, ink color, ink color to help light ink to help color pen, more flexible and vivid, with a strong sense of movement, the use of pen and ink to the painter's feelings and creative passion. The most incisive performance of modern green landscape painting, ink color and promote each other, more colors flexible and vivid, the fusion of the "splash ink" "ink" "product color" and "breaking the color" and other techniques, the use of color with the creation of artistic conception, pay attention to the performance of color image, color value, emphasizing the decorative, symbolic, and symbolic expression. Modern painter ink splash of color method performance, makes the picture hazy and mysterious, wonderful artistic conception a blurred. Modern landscape painting has practical significance and artistic value, contemporary green landscape painter further inheritance and development of modern landscape painting, landscape painting should comply with the time The tide, continue to flourish, radiate its unique charm.

【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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