本文選題：意象油畫 + 油畫風(fēng)景��； 參考：《安徽師范大學(xué)》2017年碩士論文

【摘要】：中國當(dāng)代意象油畫風(fēng)景產(chǎn)生于西方油畫藝術(shù)和傳統(tǒng)文化交融的背景中,代表了當(dāng)代中國油畫發(fā)展的另一個空間,是當(dāng)代油畫家的文化自覺,亦體現(xiàn)了中國古典文化的詩性特質(zhì)。本文第一章從傳統(tǒng)與現(xiàn)代,東方與西方兩個緯度,探析了意象風(fēng)景油畫的概念,并在此基礎(chǔ)上探討傳統(tǒng)文化和西方風(fēng)景油畫對當(dāng)代意象油畫風(fēng)景產(chǎn)生的影響。第二章研究了當(dāng)代意象油畫風(fēng)景的表現(xiàn)風(fēng)格,分析形成表現(xiàn)風(fēng)格的四個因素,研究意象油畫風(fēng)景語言和形式,并以相應(yīng)的畫家為例進(jìn)一步分析其表現(xiàn)風(fēng)格,力求構(gòu)建意象油畫的本土語言體系。第三章從審美內(nèi)部結(jié)構(gòu)和審美藝術(shù)表達(dá)兩個方面進(jìn)分析歸納了當(dāng)代意象油畫風(fēng)景的審美內(nèi)涵,并以大量的畫家作品實例來加以論證。第四章為本課題的理論延伸,從時間縱軸上探求意象油畫民族風(fēng)格的形成和在當(dāng)代語境下的發(fā)展。闡述了意象油畫對油畫本土化發(fā)展的貢獻(xiàn)。中國油畫在發(fā)展過程中,力求確立自己獨特的表現(xiàn)風(fēng)格和審美樣式。意象包含了人與自然、人與世界的融合,是傳統(tǒng)藝術(shù)的重要特征之一,并被中國油畫家植入到自己的油畫風(fēng)景創(chuàng)作中,使之形成了具有鮮明民族風(fēng)格和文化觀照的民族油畫語言,體現(xiàn)了獨特的文化精神和詩性內(nèi)涵。
[Abstract]:The Chinese contemporary image oil painting scenery arises from the western oil painting art and the traditional culture blend background, represents the contemporary Chinese oil painting development another space, is the contemporary oil painter's cultural consciousness, also has manifested the Chinese classical culture poetic characteristic.The first chapter analyzes the concept of imagery landscape oil painting from the two latitudes of tradition and modern, east and west, and discusses the influence of traditional culture and western landscape oil painting on contemporary image oil painting landscape.The second chapter studies the expression style of contemporary image oil painting landscape, analyzes the four factors forming the expression style, studies the language and form of image oil painting landscape, and takes the corresponding painter as an example to further analyze its performance style.Try to construct the native language system of image oil painting.The third chapter analyzes the aesthetic connotation of contemporary image oil painting landscape from two aspects of aesthetic internal structure and aesthetic art expression, and demonstrates it with a large number of examples of painter's works.The fourth chapter is the theoretical extension of this topic, from the longitudinal axis of time to explore the formation of image oil painting national style and the development in the contemporary context.This paper expounds the contribution of image oil painting to the development of localization of oil painting.Chinese oil painting in the development process, strive to establish their own unique performance style and aesthetic style.Image, which includes the fusion of man and nature, man and the world, is one of the important characteristics of traditional art, and has been implanted into the oil painting landscape creation by Chinese oil painters.It forms the national oil painting language with distinct national style and cultural reflection, and embodies the unique cultural spirit and poetic connotation.
【學(xué)位授予單位】：安徽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213

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本文編號：1749217