本文選題：回 + 抽象��； 參考：《延邊大學(xué)》2014年碩士論文

【摘要】：在學(xué)生時(shí)代,欣賞并臨摹許多著名大師的作品,對(duì)我的畢業(yè)創(chuàng)作影響深刻,通過閱讀相關(guān)繪畫大師的人物傳記,理解了很多出現(xiàn)在大師作品當(dāng)中的“符號(hào)”意義。所以,畢業(yè)創(chuàng)作采用抽象的藝術(shù)表現(xiàn)形式,進(jìn)行創(chuàng)作。著名的俄羅斯畫家康定斯基,為我的畢業(yè)創(chuàng)作影響深刻,包括其作品的表現(xiàn)形式,以及其作品內(nèi)涵。 通過康定斯基的美學(xué)思想,引申到我經(jīng)歷的大學(xué)及研究生生活中,發(fā)現(xiàn)其中有共通的交叉點(diǎn),以此作為我畢業(yè)創(chuàng)作的主線�！盎亍敝饕磉_(dá)包括本人的成長經(jīng)歷、對(duì)周圍事物的看法。面對(duì)自己的生活方式以及未來生活的憧憬產(chǎn)生了種種徘徊和不安。利用“回”來詮釋自己過去的七年學(xué)習(xí)生活。以它作為切入點(diǎn)深化畢業(yè)創(chuàng)作的內(nèi)容及意義。 作品在探究過程中,分別從構(gòu)成、形式語言、色彩、肌理等諸多方面進(jìn)行研究,打破了中規(guī)中矩的構(gòu)圖及色彩搭配的形式,大膽進(jìn)行改變。追求無拘無束的創(chuàng)新。作品的視覺效果樸實(shí)不華,夸張但不另類。畫面中的“線”及“沙子”等都是經(jīng)過反復(fù)大量的實(shí)驗(yàn)而確定。雜亂無章的基地中,找到規(guī)律即“回”的意義。本論文,通過對(duì)“回”的剖析,喚起生活中的現(xiàn)實(shí)意義,鞭策自己的同時(shí)也希望給同樣困惑的觀者一些啟示。
[Abstract]:As a student, I enjoyed and copied the works of many famous masters, which had a profound impact on my graduation creation. By reading the biographies of the related masters, I understood the meaning of "symbols" which appeared in the works of the masters.Therefore, the graduation creation adopts abstract artistic expression form, carries on the creation.The famous Russian painter Kandinsky has a profound influence on my graduation creation, including the form of expression of his works and the connotation of his works.Through Kandinsky's aesthetic thought, I have experienced the college and graduate life, and found that there is a common intersection, which is the main line of my graduation creation.Huihui mainly expresses my growing up experience and my views on the things around me.In the face of their own way of life and the vision of future life has produced a variety of wandering and uneasy.Use "back" to explain your past seven years of study life.Take it as the breakthrough point to deepen the content and significance of graduation creation.In the process of exploration, the works are studied from the aspects of constitution, formal language, color, texture and so on, which break the formality of composition and collocation of color, and change boldly.The pursuit of free innovation.The visual effect of the work is simple and unglamorous, exaggerating but not unusual.The lines and sand in the picture are determined by repeated experiments.In a messy base, finding a regular pattern is the meaning of "return".This paper, through the analysis of "Hui", evokes the practical significance of life, and urges oneself to give some enlightenment to the same confused audience at the same time.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J204

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 李彤;;油畫語言自我性的再認(rèn)識(shí)[J];今日科苑;2009年08期

2 彭鋒;;從玩世現(xiàn)實(shí)主義到波普超現(xiàn)實(shí)主義[J];藝術(shù)設(shè)計(jì)研究;2009年03期

，

本文編號(hào)：1748934