本文選題：戲曲動畫 + 豫劇��； 參考：《中國美術(shù)學院》2008年碩士論文

【摘要】： 要提高大眾對于戲曲的關(guān)注度,使戲曲以一種新的、方便傳播的形式來承載傳播地方文化的重任,如何把中原文化進行梳理,結(jié)合現(xiàn)代的社會背景和文化背景,在保持戲曲原本美感的同時,創(chuàng)作出具有新的藝術(shù)風格的動畫作品。 在戲曲動畫的概念的界定與分類中,主要的體現(xiàn)是為誰而做,是娛樂化的商業(yè)動畫?還是以民族文化傳播,弘揚傳統(tǒng)民間藝術(shù)的公益動畫?是以完整唱腔為主的?還是以表現(xiàn)故事為主?應(yīng)該說兩種不同目的的戲曲動畫是相輔相承的,不存在對立的關(guān)系。 在任何一個國家,保護和弘揚民族文化傳統(tǒng)都是必須的,在現(xiàn)代化進程中,傳統(tǒng)文化受到經(jīng)濟、社會發(fā)展和外來文化的挑戰(zhàn)不可避免,尤其是市場化步伐的加快,傳統(tǒng)文化面臨的挑戰(zhàn)更加嚴峻。如何保護“國粹”,使之流傳下去?用什么形式古為今用?都是值得思考的問題。鑒于上一節(jié)戲曲與動畫的共性,所以用動畫的形式傳遞戲曲文化是非常好的“古為今用”。
[Abstract]:In order to raise the public's attention to the opera, to make the opera carry the important task of spreading the local culture in a new and convenient form, how to comb the culture of the Central Plains and combine the modern social background with the cultural background, While maintaining the original aesthetic of the opera, animation works with new artistic style are created. In the definition and classification of the concept of drama animation, the main embodiment is for whom, is the entertainment of commercial animation? Or the spread of national culture to carry forward the traditional folk art of public interest animation? Is it a complete singing? Or is it a story? It should be said that the two different purposes of drama animation is complementary, there is no antagonistic relationship. In any country, it is necessary to protect and carry forward the national cultural tradition. In the process of modernization, the traditional culture is inevitably challenged by economic, social development and foreign culture, especially the acceleration of the pace of marketization. The challenge of traditional culture is even more severe. How to protect the "quintessence" and keep it going? In what form is it used for the present? Are worth thinking about. In view of the commonness between the previous opera and animation, it is very good to transfer the culture of drama by animation.
【學位授予單位】：中國美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J954

【引證文獻】

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2 趙麗敏;;試論豫劇、動漫與兒童的互融互動[J];芒種;2012年14期

3 成軻;;中國三維動畫發(fā)展趨勢之我見[J];美與時代(上);2010年04期

相關(guān)碩士學位論文 前2條

1 周懿;戲曲動畫的特征及傳播途徑研究[D];中國美術(shù)學院;2011年

2 竇金啟;戲曲動畫及其藝術(shù)性和傳播理念研究[D];山西師范大學;2013年

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本文編號：1958605