【摘要】：本文通過(guò)對(duì)國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)石灣陶塑技藝的社會(huì)變遷、藝術(shù)演變、發(fā)展現(xiàn)狀進(jìn)行客觀的記述,根據(jù)對(duì)石灣陶塑?chē)?guó)家級(jí)傳承人進(jìn)行實(shí)地的采訪調(diào)研,對(duì)傳承人傳承實(shí)踐、制作技藝、藝術(shù)風(fēng)格、傳承現(xiàn)狀進(jìn)行詳細(xì)的分析。結(jié)合當(dāng)今社會(huì)在經(jīng)濟(jì)、文化、藝術(shù)等領(lǐng)域的發(fā)展現(xiàn)狀,對(duì)石灣陶塑的傳承方式以及在傳承發(fā)展中面臨的問(wèn)題進(jìn)行闡述,并提出建議。在社會(huì)發(fā)展迅速,科技、文化不斷進(jìn)步,人們生產(chǎn)生活方式發(fā)生重大改變的今天,作為中華民族世代傳承的石灣陶塑技藝,需要通過(guò)注入新的觀念并與多元的藝術(shù)形式結(jié)合,從而實(shí)現(xiàn)對(duì)中華民族傳統(tǒng)手工技藝在傳承的基礎(chǔ)上有所創(chuàng)新發(fā)展,并繼續(xù)其保持生命力,重新融入到當(dāng)今社會(huì)和生活之中,實(shí)現(xiàn)非物質(zhì)文化遺產(chǎn)的活態(tài)傳承。本文分為四個(gè)部分,第一部分著重闡述石灣陶塑的發(fā)展背景、藝術(shù)演變與原因;第二部分對(duì)石灣陶塑的制作技藝進(jìn)行詳細(xì)的描述;第三部分通過(guò)對(duì)傳承現(xiàn)狀、傳承特點(diǎn)、藝術(shù)風(fēng)格以及兩種傳承方式的分析,對(duì)石灣陶塑技藝在發(fā)展過(guò)程中的現(xiàn)狀與問(wèn)題進(jìn)行闡述,第四部分為面對(duì)問(wèn)題所提出的對(duì)策與建議。總之,作為非物質(zhì)文化遺產(chǎn)的佛山石灣陶塑面對(duì)現(xiàn)代化、全球化的發(fā)展需以多元、開(kāi)放、融合的心態(tài)應(yīng)對(duì),在繼承傳統(tǒng)石灣陶塑技藝與文化精神的基礎(chǔ)上,結(jié)合多元的藝術(shù)形式尋求創(chuàng)新發(fā)展之路,才能使流傳千年的石灣陶塑在現(xiàn)代社會(huì)中繼續(xù)展現(xiàn)出活力與魅力。
[Abstract]:In this paper, the social change, art evolution and development status of Shiwan pottery art of the national intangible cultural heritage are described objectively, and according to the on-the-spot interview and investigation of the national inheritors of Shiwan pottery, the inheriting practice of the inheritors is carried out. Production skills, artistic style, inheritance of the status quo for a detailed analysis. Combined with the present situation of the society in the fields of economy, culture, art and so on, this paper expounds the inheritance mode of Shiwan pottery and the problems it faces in the process of inheritance and development, and puts forward some suggestions. With the rapid development of society, the continuous progress of science and technology, and the great changes in people's way of production and life, Shiwan pottery, which has been passed down from generation to generation by the Chinese nation, needs to be injected with new ideas and combined with diversified artistic forms. In order to achieve the traditional handicraft of the Chinese nation on the basis of the inheritance of innovation and development, and continue to maintain its vitality, re-integrated into today's society and life, to achieve the intangible cultural heritage of the living inheritance. This paper is divided into four parts, the first part focuses on the development background, artistic evolution and reasons of Shiwan pottery, the second part describes the production techniques of Shiwan pottery in detail. The third part of the inheritance of the status quo, inheritance characteristics, artistic style and two inheritance methods of analysis, Shiwan pottery in the development process of the status quo and problems, the fourth part for the face of the countermeasures and suggestions. In short, in the face of modernization, the development of globalization in Foshan Shiwan, as an intangible cultural heritage, needs to be dealt with in a pluralistic, open and integrated mindset, on the basis of inheriting traditional Shiwan pottery techniques and cultural spirit. In order to find the way of innovation and development, the stone bay pottery can continue to show its vitality and glamour in the modern society.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J314.8

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