【摘要】：在豐富的女性苦情戲傳統(tǒng)中,除去女性的愛情婚姻悲劇之外,母親失子確乎也是極其重要的一個敘事主題。區(qū)別于一般影視劇中極具戲劇夸張性的苦情橋段,電影《親愛的》表現(xiàn)出的則是一股濃烈的現(xiàn)實主義色彩。影片以生活在中國社會金字塔底層的普通老百姓為敘事主體,敘事線條粗獷大膽,色調(diào)沉郁,是一部拋卻了浮華與高調(diào),充滿了鄉(xiāng)土氣息的影片,其反映的當下社會現(xiàn)狀引起了觀眾的極大共鳴。
[Abstract]:In the rich tradition of female drama, besides the tragedy of love and marriage, the loss of mother is also an extremely important narrative theme. Different from the dramatic hyperbole in general film and TV drama, the film "Dear" shows a strong realism. The film takes ordinary people living at the bottom of the pyramids of Chinese society as the main narrative subject. The narrative lines are rough and bold, and the tone is gloomy. It is a film that gives up splendor and high profile and is full of local flavor. Its reflection of the current social situation caused great resonance among the audience.
【作者單位】： 西安文理學院;
【分類號】：J905

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