本文選題：《法國(guó)繪畫(huà)》 + 交際翻譯　； 參考：《南昌大學(xué)》2017年碩士論文

【摘要】：隨著中西文化交流與合作的不斷加強(qiáng),大量藝術(shù)類著作被引進(jìn)中國(guó)。但由于譯者缺乏專業(yè)知識(shí)、跨學(xué)科知識(shí)以及相關(guān)研究,導(dǎo)致藝術(shù)類著作的翻譯質(zhì)量良莠不齊�！斗▏�(guó)繪畫(huà)》是由英國(guó)西羅格國(guó)際出版公司編寫,重點(diǎn)介紹了法國(guó)各種題材的繪畫(huà)和法國(guó)著名畫(huà)家的繪畫(huà)作品。本報(bào)告基于筆者翻譯《法國(guó)繪畫(huà)》撰寫而成。在翻譯該書(shū)的過(guò)程中,筆者主要遇到了兩個(gè)問(wèn)題:第一,中西方語(yǔ)言表達(dá)存在差異,筆者需考慮如何將源語(yǔ)言翻譯成目標(biāo)語(yǔ)讀者能接受的表達(dá)形式;第二,直譯會(huì)造成語(yǔ)義、文化和審美的損失,筆者需考慮如何彌補(bǔ)這些損失。在皮特·紐馬克的交際翻譯理論指導(dǎo)下,筆者發(fā)現(xiàn)通過(guò)運(yùn)用轉(zhuǎn)譯和翻譯補(bǔ)償這兩種策略可以有效解決上述兩個(gè)問(wèn)題。針對(duì)中西語(yǔ)言表達(dá)差異的問(wèn)題,筆者通過(guò)運(yùn)用詞性轉(zhuǎn)換、句子成分轉(zhuǎn)換、句法轉(zhuǎn)換和語(yǔ)態(tài)轉(zhuǎn)換的翻譯方法,可以使譯文符合目的語(yǔ)的表達(dá)習(xí)慣,同時(shí)確保了譯文通順流暢。針對(duì)翻譯造成的損失問(wèn)題,筆者通過(guò)語(yǔ)義、文化和審美補(bǔ)償?shù)姆g方法,確保了譯文產(chǎn)生的效果接近原文產(chǎn)生的效果,同時(shí)也避免了因翻譯損失而導(dǎo)致的晦澀難懂或誤解。希望筆者的努力可以為藝術(shù)文本的翻譯提供一定的參考。
[Abstract]:With the continuous strengthening of cultural exchanges and cooperation between China and the West, a large number of works of art have been introduced into China. However, due to the lack of professional knowledge, interdisciplinary knowledge and related research, the quality of translation of art works is uneven. Emphasis is placed on the paintings of various subjects in France and the paintings of famous French painters. This report is based on the translation of French painting. In the process of translating the book, the author has encountered two main problems: first, there are differences between Chinese and Western expressions, the author should consider how to translate the source language into an expression acceptable to the target language readers, and second, literal translation will result in semantics. The author should consider how to make up for the loss of culture and aesthetics. Under the guidance of Peter Newmark's communicative translation theory, the author finds that these two problems can be effectively solved by using the strategies of translation and translation compensation. In view of the differences between Chinese and Western expressions, the author uses the translation methods of part of speech, sentence component, syntax and voice to make the translation conform to the expression habits of the target language, and ensure the smooth and smooth translation at the same time. In view of the loss caused by translation, the translation method of semantic, cultural and aesthetic compensation ensures that the effect of translation is close to that of the original text, and at the same time avoids the obscurity or misunderstanding caused by translation loss. It is hoped that the author's efforts will provide some references for the translation of artistic texts.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：H315.9

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